[ . BACK to DARUMA MUSEUM TOP . ]
. Persons and People of Edo - Personen .
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Baisaoo, Baisaō 売茶翁 Baisao, "Old Tea Seller"
賣茶翁 (ばいさおう) / 高遊外 Ko Yugai.
(1675 – 1763)
Baisaō with his portable tea stand,
as depicted in a gently comical caricature painting of the late 19th–early 20th century
- quote
was a Japanese Buddhist monk of the Obaku school of Zen Buddhism, who became famous for traveling around Kyoto selling tea. The veneration of Baisao during and after his lifetime helped to popularize sencha tea and led to the creation of the sencha tea ceremony.
Baisao went by many names during his lifetime, as was common at the time. As a child, he was known as Shibayama Kikusen. When he became a monk, his Zen priest name was 月海元昭 Gekkai Gensho. Baisao, the nickname by which he is popularly known, means "old tea seller." He acquired this name from his act of making tea in the Kyoto area.
Later in his life, he denounced his priesthood and adopted the lay name of 高遊外 Ko Yugai.
Baisao was born in the town of Hasuike in what was then Hizen Province.
- snip -
Tea
Around 1735, Baisao began selling tea in the various scenic locations in Kyoto. At this time, he had not yet formally given up his priesthood. Baisao never sold his tea for a fixed price. Instead, he carried a bamboo tube with which he collected donations. He lived an ascetic life, despite his lasting friendships with illustrious individuals, and used the meagre donations from his tea peddling to keep himself nourished. As for his tea equipment, he carried it all in a woven bamboo basket he called Senka ("den of the sages") that he lugged around on a stick over his shoulder.
Baisao's method of preparing tea was referred to as sencha, or "simmered tea". In this method, whole tea leaves would be tossed into a pot of boiling water and simmered for a short period of time. This style of tea differed from matcha, the most common tea in Japan at the time, which consists of tea leaves ground into a fine powder. The method of brewing tea by grinding it into a powder and whisking it with hot water was popular in China in the Song dynasty, during which Zen Buddhist monks first brought the practice to Japan. By contrast, the Obaku school of Zen specialized in brewing loose leaf green tea, a style that had gradually become popular in China during the Ming dynasty. Sencha partisans of the time opposed the rigid, elaborate formalism of the traditional chanoyu tea ceremony, which uses matcha. The comparative simplicity of adding tea leaves to water appealed to many Japanese monks and intellectuals (among them Baisao and much of his social circle) who admired the carefree attitude advocated by the ancient Chinese sages. Baisao himself saw tea as a path to spiritual enlightenment, a point he made repeatedly in his poetry.
It is not known where Baisao originally obtained his tea leaves from, but by 1738, the sencha method of brewing tea had become popular enough that one of his acquaintances, a tea grower in Uji, developed new production methods to create a type of tea named after the brewing method. This sencha tea was made of whole, young leaves which were steamed and then dried. This technique differs from the typical Chinese method of producing loose leaf tea, which does not involve steaming. Baisao himself praised the tea highly, and the term sencha has come to refer primarily to the tea leaves produced by this method, not to the method of brewing them.
- snip -
Baisao's poetry and calligraphy
are considered important in the Zen history of Japan, especially in Kyoto where Baisao was well known. His poetry was highly regarded by the artists of 18th century Kyoto, which was more "liberal" than the capital city of Edo (modern Tokyo). Over 100 of his poems have survived. Some of Baisao's writings were published in 1748 as A Collection of Tea Documents from the Plum Mountain (Baisanshu chafu ryaku). In this text, Baisao argued for the philosophical superiority of sencha over chanoyu, and wrote that priests who performed the chanoyu tea ceremony were as far from the example of the ancient sages as heaven from earth.
- snip -
Today, Baisao is considered one of the first sencha masters. After his death, sencha continued to rise in popularity, gradually replacing matcha as the most popular type of tea in Japan.
- source : wikipedia
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高遊外売茶翁佐賀地域協議会
佐賀市松原4丁目6番18号 / Saga, Matsubara
- source : kouyugaibaisao.com -
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The Old Tea Seller: Life and Zen Poetry in 18th Century Kyoto
by Baisao (Author), Norman Waddell (Translator)
Baisao was an influential and unconventional figure in a culturally rich time period in Kyoto. A poet and Buddhist priest, he left the constrictions of temple life behind and at the age of 49 traveled to Kyoto, where he began to make his living by selling tea on the streets and at scenic places around the city. Yet Baisao dispensed much more than tea: though he would never purport to be a Zen master, his clientele, which consisted of influential artists, poets, and thinkers, considered a trip to his shop as having religious importance. His large bamboo wicker baskets provided Baisao and his customers with an occasion for conversation and poetry, as well as exceptional tea.
The poems, memoirs, and letters collected here trace his spiritual and physical journey over a long life. This book includes virtually all of his writings translated for the first time into English, together with the first biography of Baisao to appear in any language. It is bound to establish Baisao’s place alongside other Zen-inspired poets such as Basho and Ryokan.
- source : www.amazon.com -
The Old Tea Seller: Life and Zen Poetry in 18th Century Kyoto
By Baisa Baisa
- source : books.google.co.jp -
..............................................................................................................................................
Searching for the Spirit of the Sages: Baisaō and Sencha in Japan
by Patricia J. Graham - 1996
PDF file
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Baisaō on a Footbridge by 伊藤若冲 Itō Jakuchū (1716-1800)
- quote -
賣茶翁 Baisaō (1675-1763)
..... Baisaō was an inspirational and unconventional figure in a culturally rich time period in Kyoto.
.....
Book reviewed by Joseph S. O’Leary, Sophia University
Book reviewed by Vladimir K.
.....
- - - - - Two quotes from Baisaō:
“The price for this tea is anything
from a hundred in gold to a half sen.
If you want to drink free, that's all right too.
I'm only sorry I can't let you have it for less.”
“What's the tea seller got in his basket?
Bottomless tea cups?
A two-spouted pot?
He pokes around town for a small bit of rice,
Working very hard for next to nothing ---
Blinkering old drudge just plodding ahead ...
Bah!”
portrait by 田能村竹田 Tanomura Chikuden (1777-1835)
More illustrations and translations of his writing are here :
- source : terebess.hu/zen/mesterek -
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Making the busy streets my home
right down in the heart of things
only one friend shares my poverty
this single scrawny wooden staff.
Having learned the ways of silence
within the noise of urban life
I take life as it comes to me
and everywhere I am is true.
Rambling free beyond the world
enjoying the natural shapes of things
a shaggy eight-year-old duffer
scraping out a living selling tea.
He escapes starvation, barely,
thanks to a section of bamboo,
a tiny house with a window hole
provides all the shelter he needs.
Outside, carts and horses pass
annulling both noise and quiet
inside, easy talk at the stove
banishes notions of host and guest.
He lives under a row of tall pines
beside a temple of guardian sages
where the pine breeze sweeps clear
the dust of fame and profit.
I'm not a Buddhist or Taoist
not a Confucianist either
I'm a brownfaced white-haired
hard up old man.
People think I just prowl
the streets peddling tea.
I've got the whole universe
in this tea caddy of mine.
Left home at ten
turned from the world
here I am in my dotage
a layman once again;
A black bat of a man
(it makes me smile myself)
but still the old tea seller
I always was.
Seventy years of Zen
got me nowhere at all
shed my black robe
became a shaggy crank.
now I have no business
with sacred or profane
just simmer tea for folks
and hold starvation back.
Tr. Norman Waddell
Baisao makes a good case for a simple but elegant life of attention, beauty, and contentment that honors old age and the impermanence of life.
- source : spiritualityandpractice.com -
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朱泥ダルマ彫煎茶 Cup for Sencha
made from shudei 朱泥 red clay from China
. Sencha 煎茶 .
a Japanese green tea, specifically one made without grinding the tea leaves.
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仙台市の 売茶翁 ( ばいさおう ) の「みちのくせんべい」
- reference : takedala/dokugen -
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- - - To join me on facebook, click the image !
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. Edo bakufu 江戸幕府 The Edo Government .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Japanese Architecture - Interior Design - The Japanese Home .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #baisao #baisaozen - - - -
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8/26/2016
8/24/2016
Baba Bunko
[ . BACK to DARUMA MUSEUM TOP . ]
. Persons and People of Edo - Personen .
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Baba Bunkoo, Baba Bunkō 馬場文耕 Baba Bunko
(1718 - 1759)
(享保3年(1718年) - 宝暦8年12月29日(1759年1月27日))
His real name was Nakai 中井, he also used the names 左馬次 and Bunzaemon 文右衛門.
He lived in the time of Shogun Yoshimune as a Ronin and spent some time in a temple. He also participated in 俳諧 Haikai poetry meetings.
Some of his work is called seijimono 政事物 "Political Writings".
- His most famous publications are
当世武野俗談
近代公実厳秘録
近世江都著聞集
名君享保録
He was executed at 小塚原刑場.
- - - More in the WIKIPEDIA !
.......................................................................
Toodai Edo Hyaku Bakemono 当代江戸百化物 A hundred strange things in Edo
(とうだいえどひゃくばけもの)Todai Edo Hyaku Bakemono
"An Album of One Hundred Monsters"
(Toodai Edo Hyakkabutsu)
This essay is not about Yokai, or ghosts or spooks.
He describes the "monstrous people" of his times, from Samurai to merchants to doctors to Kabuki actors and more.
青山三右衛門, 山田由林, 中村七三郎, 鵜野長斎, 紙屋五郎兵衛 . . .
- Read all the names of the 27 people here:
source : izumikawauso.cocolog-nifty.com
宝暦当時江戸市中の噂に上った、人物を、士庶とりまぜて二十七名、二十三章に記述するものである
- English reference : Todai Edo Hyaku Bakemono -
.......................................................................
- quote
A Christian Samurai: The Trials of Baba Bunko
by William J Farge SJ
Although Japanese scholars have acclaimed Baba Bunko (1718-1759) as the most outstanding essayist and public speaker of the Tokugawa period (1603-1868). Western historians of Japan have long ignored him. This is because Bunko's very existence contradicts the historical narrative that they have constructed. According to that narrative, Christianity in Japan ceased to exist by 1640, except in small, scattered communities, centered mainly on the Nagasaki area.
Through a close critical analysis of Baba Bunko's often humorous, but always biting, satirical essays a new picture of the hidden world of Christianity in eighteenth-century Japan emerges - a picture that contradicts the generally-held belief among Western historians that the Catholic mission in Japan ended in failure. A Christian Samurai will surprise many readers when they discover that Christian moral teachings not only survived the long period of persecution but influenced Japanese society throughout the Tokugawa period.
Bunko's bold assertion that a representation of the Eucharist would be more appropriate as a symbol for Japan than the coat of arms of the emperor or the insignia of the shogun would eventually lead to his arrest, trial, and execution. The legal proceedings against him reveal the government's embarrassment at the failure of its attempts to eliminate Christianity.
This historical and literary study focuses on the personal as well as the public lives of many of the historical figures who were prominent in politics, philosophy, religion, and culture in the eighteenth century. The decadent state of Buddhism, the decline of Confucianism, and the popularity of the Yoshiwara "pleasure" quarters are some of the topics that illuminate this new history of early modern Japan and of the survival of Christianity.
The first complete English translation of Baba Bunko's Contemporary Edo:
An Album of One Hundred Monsters is included as an appendix.
- source : amazon.com
..............................................................................................................................................
- quote about "A Christian Samurai" -
Baba Bunkō (1718–59), a samurai from Iyo domain in Shikoku, set out in 1751 to begin a new life in the capital of Edo (now Tokyo) as a bureaucrat in the government of Tokugawa Ieshige (1711–61), the Japanese shogun... - snip snip-
1. Deus Restored
2. Tokugawa Christianity
3. Popular Games and Monster Stories
Gossip about the samurai class and rumors of scandal in the private lives of public officials were constantly circulating in the capital. Baba Bunkō took advantage of his listeners’ interest in the comings and goings...
4. Raindrops Falling in the Forest
The “monster” that attracted Baba Bunkō’s attention as no other was the daimyō 金森頼錦 Kanamori Yorikane. Between October and November of 1755, Kanamori had arrested more than five hundred peasants from...
5. Baba Bunko's Political and Social Dissent
Although censorship was enforced sporadically and was never very effective during the Tokugawa period, the bakufu did take measures to ensure that security would not be threatened. Officials kept a close eye...
6. The Decline of Tokugawa Neo-Confucianism
7. Baba Bunko's Literary Heritage
Modern Western historians have not included Baba Bunkō in their accounts of the Tokugawa period, except occasionally in passing or as a footnote. Perhaps this is because they consider Bunkō’s writings to be of...
8. Kabuki Actors, Monks, and Courtesans
The propensity of not a few samurai to become romantically involved with a male onnagata actor or with a courtesan of one of the “pleasure” districts did not go unnoticed. Bunkō speculates that their illicit liaisons...
9. The Breakdown of Social Order
10. The Christian Question
After Bunkō renounced his samurai status, resigned his government post, and began giving lectures criticizing various aspects of the prevailing culture of Tokugawa Japan, he turned to writing satirical essays and...
Contemporary Edo: An Album of One Hundred Monsters
- with PDF files to download from here:
- source : muse.jhu.edu/book -
Welcome to Project MUSE
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
馬場文耕集 / 馬場文耕 (著), 岡田哲 (著) Okada Tetsu
Matsuzaki Gyojin Baba Bunko Muno Zokudan Baba Bunko Edo Chobun Shu
Buya zokudan (Secular tales in the martial field) by Baba Bunko, 1757)
- reference : baba bunko -
.......................................................................
The most extreme case was Baba Bunko (1718— 1759), the only writer throughout the entire Edo period to be executed for the crime of violating publication laws ...
- An Edo Anthology: Literature from Japan’s Mega-City,
Jones, Sumie, Watanabe, Kenji
- source : books.google.co.jp -
Baba Bunko (1718?-1758), for example, who was active during the 1750s, was savagely critical of contemporary political authority ...
- Edo Culture: Daily Life and Diversions in Urban Japan,
Matsunosuke Nishiyama, Gerald Groemer
- source : books.google.co.jp -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Edo bakufu 江戸幕府 The Edo Government .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Japanese Architecture - Interior Design - The Japanese Home .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #bababunko #bunkobaba - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Persons and People of Edo - Personen .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Baba Bunkoo, Baba Bunkō 馬場文耕 Baba Bunko
(1718 - 1759)
(享保3年(1718年) - 宝暦8年12月29日(1759年1月27日))
His real name was Nakai 中井, he also used the names 左馬次 and Bunzaemon 文右衛門.
He lived in the time of Shogun Yoshimune as a Ronin and spent some time in a temple. He also participated in 俳諧 Haikai poetry meetings.
Some of his work is called seijimono 政事物 "Political Writings".
- His most famous publications are
当世武野俗談
近代公実厳秘録
近世江都著聞集
名君享保録
He was executed at 小塚原刑場.
- - - More in the WIKIPEDIA !
.......................................................................
Toodai Edo Hyaku Bakemono 当代江戸百化物 A hundred strange things in Edo
(とうだいえどひゃくばけもの)Todai Edo Hyaku Bakemono
"An Album of One Hundred Monsters"
(Toodai Edo Hyakkabutsu)
This essay is not about Yokai, or ghosts or spooks.
He describes the "monstrous people" of his times, from Samurai to merchants to doctors to Kabuki actors and more.
青山三右衛門, 山田由林, 中村七三郎, 鵜野長斎, 紙屋五郎兵衛 . . .
- Read all the names of the 27 people here:
source : izumikawauso.cocolog-nifty.com
宝暦当時江戸市中の噂に上った、人物を、士庶とりまぜて二十七名、二十三章に記述するものである
- English reference : Todai Edo Hyaku Bakemono -
.......................................................................
- quote
A Christian Samurai: The Trials of Baba Bunko
by William J Farge SJ
Although Japanese scholars have acclaimed Baba Bunko (1718-1759) as the most outstanding essayist and public speaker of the Tokugawa period (1603-1868). Western historians of Japan have long ignored him. This is because Bunko's very existence contradicts the historical narrative that they have constructed. According to that narrative, Christianity in Japan ceased to exist by 1640, except in small, scattered communities, centered mainly on the Nagasaki area.
Through a close critical analysis of Baba Bunko's often humorous, but always biting, satirical essays a new picture of the hidden world of Christianity in eighteenth-century Japan emerges - a picture that contradicts the generally-held belief among Western historians that the Catholic mission in Japan ended in failure. A Christian Samurai will surprise many readers when they discover that Christian moral teachings not only survived the long period of persecution but influenced Japanese society throughout the Tokugawa period.
Bunko's bold assertion that a representation of the Eucharist would be more appropriate as a symbol for Japan than the coat of arms of the emperor or the insignia of the shogun would eventually lead to his arrest, trial, and execution. The legal proceedings against him reveal the government's embarrassment at the failure of its attempts to eliminate Christianity.
This historical and literary study focuses on the personal as well as the public lives of many of the historical figures who were prominent in politics, philosophy, religion, and culture in the eighteenth century. The decadent state of Buddhism, the decline of Confucianism, and the popularity of the Yoshiwara "pleasure" quarters are some of the topics that illuminate this new history of early modern Japan and of the survival of Christianity.
The first complete English translation of Baba Bunko's Contemporary Edo:
An Album of One Hundred Monsters is included as an appendix.
- source : amazon.com
..............................................................................................................................................
- quote about "A Christian Samurai" -
Baba Bunkō (1718–59), a samurai from Iyo domain in Shikoku, set out in 1751 to begin a new life in the capital of Edo (now Tokyo) as a bureaucrat in the government of Tokugawa Ieshige (1711–61), the Japanese shogun... - snip snip-
1. Deus Restored
2. Tokugawa Christianity
3. Popular Games and Monster Stories
Gossip about the samurai class and rumors of scandal in the private lives of public officials were constantly circulating in the capital. Baba Bunkō took advantage of his listeners’ interest in the comings and goings...
4. Raindrops Falling in the Forest
The “monster” that attracted Baba Bunkō’s attention as no other was the daimyō 金森頼錦 Kanamori Yorikane. Between October and November of 1755, Kanamori had arrested more than five hundred peasants from...
5. Baba Bunko's Political and Social Dissent
Although censorship was enforced sporadically and was never very effective during the Tokugawa period, the bakufu did take measures to ensure that security would not be threatened. Officials kept a close eye...
6. The Decline of Tokugawa Neo-Confucianism
7. Baba Bunko's Literary Heritage
Modern Western historians have not included Baba Bunkō in their accounts of the Tokugawa period, except occasionally in passing or as a footnote. Perhaps this is because they consider Bunkō’s writings to be of...
8. Kabuki Actors, Monks, and Courtesans
The propensity of not a few samurai to become romantically involved with a male onnagata actor or with a courtesan of one of the “pleasure” districts did not go unnoticed. Bunkō speculates that their illicit liaisons...
9. The Breakdown of Social Order
10. The Christian Question
After Bunkō renounced his samurai status, resigned his government post, and began giving lectures criticizing various aspects of the prevailing culture of Tokugawa Japan, he turned to writing satirical essays and...
Contemporary Edo: An Album of One Hundred Monsters
- with PDF files to download from here:
- source : muse.jhu.edu/book -
Welcome to Project MUSE
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
馬場文耕集 / 馬場文耕 (著), 岡田哲 (著) Okada Tetsu
Matsuzaki Gyojin Baba Bunko Muno Zokudan Baba Bunko Edo Chobun Shu
Buya zokudan (Secular tales in the martial field) by Baba Bunko, 1757)
- reference : baba bunko -
.......................................................................
The most extreme case was Baba Bunko (1718— 1759), the only writer throughout the entire Edo period to be executed for the crime of violating publication laws ...
- An Edo Anthology: Literature from Japan’s Mega-City,
Jones, Sumie, Watanabe, Kenji
- source : books.google.co.jp -
Baba Bunko (1718?-1758), for example, who was active during the 1750s, was savagely critical of contemporary political authority ...
- Edo Culture: Daily Life and Diversions in Urban Japan,
Matsunosuke Nishiyama, Gerald Groemer
- source : books.google.co.jp -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Edo bakufu 江戸幕府 The Edo Government .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Japanese Architecture - Interior Design - The Japanese Home .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #bababunko #bunkobaba - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
8/16/2016
Nichosai Artist
[ . BACK to DARUMA MUSEUM TOP . ]
. Famous People of Edo .
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Nichoosai, Nichōsai 耳鳥斎 Nichosai, Nicho-sai
(?1751 - 1802/03)
A painter from Osaka.
His style is kakuyuufuu 覚猷(かくゆう)風 kakuyu-fu
His name was 松屋平三郎 Matsuya Heisaburo.
- - - - - His most famous works
「絵本水や空」 Ehon Mizu ya Sora
「画話耳鳥斎」Ebanashi Nichosai
CLICK for more of his paintings !
- quote -
I have researched the Edo paintings, especially, 戯画 Osaka's Giga (humorous pictures). In the mid-Edo period, Nicho-sai (1751-ca.1803) made his name as a painter of Giga in the flourishing mercantile center of Osaka. Besides doing business in Kyomachibori, Nicho-sai had an interest in painting and Joruri (ballad drama, sometimes performed with puppets) and most importantly, displayed an exceptional talent in the field of Giga.
In sharp contrast to Kyoto and Edo, the local character of Osaka was such that it remained somewhat cut off from academicism. Yet due to the city's free and vigorous air as a mercantile center, Osaka produced a slightly different type of artistic brilliance from the professional painters of the Kano and other schools. In addition, there is something uniquely Osakan about Nicho-sai's Giga; that is, he was a "master of humor".
From Kabuki scenes to genre paintings and printed books, Nicho-sai's works are a combination of both a summary yet witty precision and a simple brand of fun in which he rails against a straitlaced society and declares the world to be a comedy. I have got a new knowledge about "True or Fake" of Nichosai s paintings and so on, by the research of museum and other collectors in Japan and China.
In this time, I research the full range of the artist's output with approximately of Nicho-sai's painted works, such as the representative works "Another World Scroll", "Revenge of the 47 Ronin", and some books. In addition, I have also attempted to shed some light on the Osaka Giga tradition by including caricatures, and Toba-e books which we discover the origins of Osaka, the city of laughter. I have got a original result by this study.
- source : kaken.nii.ac.jp/ja - NAKATANI Nobuo -
耳鳥齋アーカイヴズ - - -江戸時代における大坂の戯画-
江戸時代に活躍した戯画作者の耳鳥齋の肉筆画・挿絵など計300点によるオールカラーの作品資料集。忘れられた大坂の戯画作者の中でも、最も注目される耳鳥齋は、かつては江戸の写楽と比較され、大いに人気を博していたが、近代になって忘れられた。本書は初めてといえる耳鳥齋の網羅的な作品紹介および資料集である。
関西大学東西学術研究所資料集刊 36
- source : www.kansai-u.ac.jp -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- quote
Evidence that ‘kawaii’ has ruled Japanese pop culture for centuries!
A collection of playful prints from over 200 years ago prove that Japan’s highly-refined sense of cute has a very long history indeed.
The images in this article, taken from two different volumes of artwork created by the Japanese artist Nichōsai (耳鳥斎), prove that the country has long been gripped by its enduring love of cute characters.
The collection comes from two separate books made in 1780 and 1803. The earlier book, called
E-hon mizu ya sora, consists of a variety of caricatures and other cartoonish images of well-known Kabuki actors of the day, rendered in a way that’s frankly pretty adorable. The second book of the series, which comes in color, is called Katsurakasane.
At first glance, there’s something very contemporary about these images, which seem to predict Japan’s recent fixation on so-called yuru-kyara (cute mascots).
But a careful look inside the cover of these books reveals that these were actually made well over two centuries ago during the Edo Period (1603~1868). So who was the artist that made them, exactly?
Nichōsai (c. 1751-1803) was an ukiyo-e artist and caricaturist living and working during the eighteenth-century around Osaka. The subject of Kabuki-actors and other popular figures was common for other ukiyo-e artists at the time, and it seems that Nichōsai was well-known for his talent at making giga (戯画), or humorous images.
Nichōsai is identified in most resources as an adherent of the Kanō school of artists, who were responsible for a style of painting very popular with the Japanese nobility from the 16th century onwards. But little of that school’s bold brushwork and stuffy, classical aesthetic is evident in these cute little sketches of actors and dancers.
These charming, manga-like images by Nichōsai seem to share more in common with a contemporary, Yosa Buson (1716-1784), than any Kanō painter I know of. But that’s just a little art history geekery for you!
- source : en.rocketnews24.com/2016
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
絵本水や空 Ehon Mizu ya Sora - Picture Book Water and Sky
CLICK for more samples !
..............................................................................................................................................
画話耳鳥斎 Ebanashi Nichosai
CLICK for more samples !
..............................................................................................................................................
耳鳥斎 展示会 Exhibitions
CLICK for more samples !
..............................................................................................................................................
Nicho-sai and the Edo Period Caricatures in Osaka
Nakatani Nobuo (author)
- reference -
..............................................................................................................................................
別世界巻の模写(by おじゃら りか)Rica Ojara
詩原作は、耳鳥斉という江戸時代の絵師 Rica Ojara がテレビより模写した
- source : ojara.sakura.ne.jp/mybooks -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Famous People of Edo .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #nichosai #kawaiiculture - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Famous People of Edo .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Nichoosai, Nichōsai 耳鳥斎 Nichosai, Nicho-sai
(?1751 - 1802/03)
A painter from Osaka.
His style is kakuyuufuu 覚猷(かくゆう)風 kakuyu-fu
His name was 松屋平三郎 Matsuya Heisaburo.
- - - - - His most famous works
「絵本水や空」 Ehon Mizu ya Sora
「画話耳鳥斎」Ebanashi Nichosai
CLICK for more of his paintings !
- quote -
I have researched the Edo paintings, especially, 戯画 Osaka's Giga (humorous pictures). In the mid-Edo period, Nicho-sai (1751-ca.1803) made his name as a painter of Giga in the flourishing mercantile center of Osaka. Besides doing business in Kyomachibori, Nicho-sai had an interest in painting and Joruri (ballad drama, sometimes performed with puppets) and most importantly, displayed an exceptional talent in the field of Giga.
In sharp contrast to Kyoto and Edo, the local character of Osaka was such that it remained somewhat cut off from academicism. Yet due to the city's free and vigorous air as a mercantile center, Osaka produced a slightly different type of artistic brilliance from the professional painters of the Kano and other schools. In addition, there is something uniquely Osakan about Nicho-sai's Giga; that is, he was a "master of humor".
From Kabuki scenes to genre paintings and printed books, Nicho-sai's works are a combination of both a summary yet witty precision and a simple brand of fun in which he rails against a straitlaced society and declares the world to be a comedy. I have got a new knowledge about "True or Fake" of Nichosai s paintings and so on, by the research of museum and other collectors in Japan and China.
In this time, I research the full range of the artist's output with approximately of Nicho-sai's painted works, such as the representative works "Another World Scroll", "Revenge of the 47 Ronin", and some books. In addition, I have also attempted to shed some light on the Osaka Giga tradition by including caricatures, and Toba-e books which we discover the origins of Osaka, the city of laughter. I have got a original result by this study.
- source : kaken.nii.ac.jp/ja - NAKATANI Nobuo -
耳鳥齋アーカイヴズ - - -江戸時代における大坂の戯画-
江戸時代に活躍した戯画作者の耳鳥齋の肉筆画・挿絵など計300点によるオールカラーの作品資料集。忘れられた大坂の戯画作者の中でも、最も注目される耳鳥齋は、かつては江戸の写楽と比較され、大いに人気を博していたが、近代になって忘れられた。本書は初めてといえる耳鳥齋の網羅的な作品紹介および資料集である。
関西大学東西学術研究所資料集刊 36
- source : www.kansai-u.ac.jp -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- quote
Evidence that ‘kawaii’ has ruled Japanese pop culture for centuries!
A collection of playful prints from over 200 years ago prove that Japan’s highly-refined sense of cute has a very long history indeed.
The images in this article, taken from two different volumes of artwork created by the Japanese artist Nichōsai (耳鳥斎), prove that the country has long been gripped by its enduring love of cute characters.
The collection comes from two separate books made in 1780 and 1803. The earlier book, called
E-hon mizu ya sora, consists of a variety of caricatures and other cartoonish images of well-known Kabuki actors of the day, rendered in a way that’s frankly pretty adorable. The second book of the series, which comes in color, is called Katsurakasane.
At first glance, there’s something very contemporary about these images, which seem to predict Japan’s recent fixation on so-called yuru-kyara (cute mascots).
But a careful look inside the cover of these books reveals that these were actually made well over two centuries ago during the Edo Period (1603~1868). So who was the artist that made them, exactly?
Nichōsai (c. 1751-1803) was an ukiyo-e artist and caricaturist living and working during the eighteenth-century around Osaka. The subject of Kabuki-actors and other popular figures was common for other ukiyo-e artists at the time, and it seems that Nichōsai was well-known for his talent at making giga (戯画), or humorous images.
Nichōsai is identified in most resources as an adherent of the Kanō school of artists, who were responsible for a style of painting very popular with the Japanese nobility from the 16th century onwards. But little of that school’s bold brushwork and stuffy, classical aesthetic is evident in these cute little sketches of actors and dancers.
These charming, manga-like images by Nichōsai seem to share more in common with a contemporary, Yosa Buson (1716-1784), than any Kanō painter I know of. But that’s just a little art history geekery for you!
- source : en.rocketnews24.com/2016
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
絵本水や空 Ehon Mizu ya Sora - Picture Book Water and Sky
CLICK for more samples !
..............................................................................................................................................
画話耳鳥斎 Ebanashi Nichosai
CLICK for more samples !
..............................................................................................................................................
耳鳥斎 展示会 Exhibitions
CLICK for more samples !
..............................................................................................................................................
Nicho-sai and the Edo Period Caricatures in Osaka
Nakatani Nobuo (author)
- reference -
..............................................................................................................................................
別世界巻の模写(by おじゃら りか)Rica Ojara
詩原作は、耳鳥斉という江戸時代の絵師 Rica Ojara がテレビより模写した
- source : ojara.sakura.ne.jp/mybooks -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Famous People of Edo .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #nichosai #kawaiiculture - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
8/04/2016
Edo Philosophy
[ . BACK to DARUMA MUSEUM TOP . ]
. Edo bakufu 江戸幕府 The Edo Government .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- quote
Japanese Thought Flourished during the Edo Period
Japan’s Highly Sophisticated Philosophies Should Be Internationally Appreciated
What kind of an image comes to mind when you hear the “Edo period”?
Some people may have an image of a peaceful era when war did not exist for a long time and the performing arts and high culture flourished with the support of the merchants while others may associate it with a dark period of national isolation when people groaned under heavy taxation. Different people have different impressions about the Edo period.
It should be noted in particular that the era saw the appearance of a lot of ideas that were unique to Japan along with the Chu Hsi and Wang Yang-ming schools of Confucianism. Mito-gaku, a style of learning cultivated in the Mito Domain and the study of Japanese classical literature were such examples.
Mr. Shoichi Watanabe, Professor Emeritus of Sophia University, recommends that we view history as if we were looking at a rainbow. There are fine water drops in the sky after it rains. Water drops seems like mist, but when viewed at a certain distance and from a certain direction, you can see a rainbow there. Like the droplets in the air, there are myriad historical facts, and when you look at them from a fixed distance and a certain direction, you can see something like a rainbow there.
There were so many studies during the Edo period, and they were seemingly separate from each other. But if we try to understand the flow of those studies, we will be able to look at them like one big rainbow.
The Power of Thought Started the Meiji Restoration
The Edo period often reminds us of the “Meiji Restoration”, which was the climax of the era. There are many NHK Taiga drama series that deal with the last days of the Tokugawa shogunate. In the spiritual messages series, Master Ryuho Okawa, the founder and CEO of the Happy Science group, has often summoned the spirits of people who played important roles in the Meiji Restoration.
One of those spirits is the spirit of Shonan Yokoi, a Japanese scholar and political reformer. He said, “The Meiji Restoration was a revolution, based not only on Western learning, but also on traditional Confucian thought.”
The spirit of the first Japanese Prime Minister, Hirobumi Ito, said, “It was the power of thought, not military force, that was the driving force for the success of the Meiji Restoration. It was the thought of Shoin Yoshida, more fundamentally, the Wang Yang-ming school of Confucian thought.”
Those spiritual messages revealed that the power of thought achieved the Meiji Restoration, and that it was an almost bloodless revolution.
Japan Saw the Age of the Hundred Schools of Thought
Some spiritual truths that those spiritual messages revealed highlight very interesting facts. (See the figure on the right.)
From this figure, you will find that Confucius and Mencius, the two most significant figures in Confucianism, were both born in the Edo period of Japan.
Confucius was reincarnated as Issai Sato, a famous Confucius scholar during the late Edo period, whose teachings had a deep influence on Shozan Sakuma and many other figures. Mencius was reincarnated as Sorai Ogyu, who insisted on going back to the original teachings of Confucianism. He presented many policy recommendations as an advisor close to the eighth Shogun, Yoshimune Tokugawa.
Confucius and Mencius, who had formed the basis of Confucianism, were reincarnated in the Edo period of Japan to lead the restoration movement of Confucianism. This shows that the Chinese era, called the era of the “Various Masters of the 100 schools”, also emerged in the history of Japan.
A Fusion of Confucianism and the Shinto Religion
Along with the rise of Confucianism in Japan, Shinto gods, including Izanagi-no-mikoto, were reincarnated in Japan as scholars of Japanese classical literature and the Wang Yang-ming school to start the movement for the restoration of Shinto. Japanese classical scholars taught that Japan was a great nation, inspiring many people and ingraining the spirit of Japan in people’s minds. Influenced by their ideas, the patriotic samurais of the Restoration also adopted Western values, and launched an anti-Shogunate movement. Eastern and Western values intertwined to raise the revolution.
Edo Period Thought Was Not Inferior to the Philosophies of the West
It has long been considered that Japan does not have thoughts and ideas that have been internationally recognized. In terms of philosophical thought, the country has been regarded as inferior to the West because it produced philosophers like Locke and Rousseau, who provided a basis for the modern political system and spread the Enlightenment.
However, when viewed from the perspective of spiritual truth, this idea is obviously wrong. In fact, the Edo period was a miraculous era when the ancient Shinto gods descended to Japan one after another and raised eastern philosophy to a higher level.
The Japanese should know more about the dynamic ways of thinking that they had during the Edo period. They were virtues of the East that the Japanese boasted to the world.
From now on, we will introduce the Japanese thought, which flourished during the Edo period, in these columns.
- Understanding Japanese Shinto
- source : eng.the-liberty.com
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Edo bakufu 江戸幕府 The Edo Government .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #philosophyinedo - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Edo bakufu 江戸幕府 The Edo Government .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- quote
Japanese Thought Flourished during the Edo Period
Japan’s Highly Sophisticated Philosophies Should Be Internationally Appreciated
What kind of an image comes to mind when you hear the “Edo period”?
Some people may have an image of a peaceful era when war did not exist for a long time and the performing arts and high culture flourished with the support of the merchants while others may associate it with a dark period of national isolation when people groaned under heavy taxation. Different people have different impressions about the Edo period.
It should be noted in particular that the era saw the appearance of a lot of ideas that were unique to Japan along with the Chu Hsi and Wang Yang-ming schools of Confucianism. Mito-gaku, a style of learning cultivated in the Mito Domain and the study of Japanese classical literature were such examples.
Mr. Shoichi Watanabe, Professor Emeritus of Sophia University, recommends that we view history as if we were looking at a rainbow. There are fine water drops in the sky after it rains. Water drops seems like mist, but when viewed at a certain distance and from a certain direction, you can see a rainbow there. Like the droplets in the air, there are myriad historical facts, and when you look at them from a fixed distance and a certain direction, you can see something like a rainbow there.
There were so many studies during the Edo period, and they were seemingly separate from each other. But if we try to understand the flow of those studies, we will be able to look at them like one big rainbow.
The Power of Thought Started the Meiji Restoration
The Edo period often reminds us of the “Meiji Restoration”, which was the climax of the era. There are many NHK Taiga drama series that deal with the last days of the Tokugawa shogunate. In the spiritual messages series, Master Ryuho Okawa, the founder and CEO of the Happy Science group, has often summoned the spirits of people who played important roles in the Meiji Restoration.
One of those spirits is the spirit of Shonan Yokoi, a Japanese scholar and political reformer. He said, “The Meiji Restoration was a revolution, based not only on Western learning, but also on traditional Confucian thought.”
The spirit of the first Japanese Prime Minister, Hirobumi Ito, said, “It was the power of thought, not military force, that was the driving force for the success of the Meiji Restoration. It was the thought of Shoin Yoshida, more fundamentally, the Wang Yang-ming school of Confucian thought.”
Those spiritual messages revealed that the power of thought achieved the Meiji Restoration, and that it was an almost bloodless revolution.
Japan Saw the Age of the Hundred Schools of Thought
Some spiritual truths that those spiritual messages revealed highlight very interesting facts. (See the figure on the right.)
From this figure, you will find that Confucius and Mencius, the two most significant figures in Confucianism, were both born in the Edo period of Japan.
Confucius was reincarnated as Issai Sato, a famous Confucius scholar during the late Edo period, whose teachings had a deep influence on Shozan Sakuma and many other figures. Mencius was reincarnated as Sorai Ogyu, who insisted on going back to the original teachings of Confucianism. He presented many policy recommendations as an advisor close to the eighth Shogun, Yoshimune Tokugawa.
Confucius and Mencius, who had formed the basis of Confucianism, were reincarnated in the Edo period of Japan to lead the restoration movement of Confucianism. This shows that the Chinese era, called the era of the “Various Masters of the 100 schools”, also emerged in the history of Japan.
A Fusion of Confucianism and the Shinto Religion
Along with the rise of Confucianism in Japan, Shinto gods, including Izanagi-no-mikoto, were reincarnated in Japan as scholars of Japanese classical literature and the Wang Yang-ming school to start the movement for the restoration of Shinto. Japanese classical scholars taught that Japan was a great nation, inspiring many people and ingraining the spirit of Japan in people’s minds. Influenced by their ideas, the patriotic samurais of the Restoration also adopted Western values, and launched an anti-Shogunate movement. Eastern and Western values intertwined to raise the revolution.
Edo Period Thought Was Not Inferior to the Philosophies of the West
It has long been considered that Japan does not have thoughts and ideas that have been internationally recognized. In terms of philosophical thought, the country has been regarded as inferior to the West because it produced philosophers like Locke and Rousseau, who provided a basis for the modern political system and spread the Enlightenment.
However, when viewed from the perspective of spiritual truth, this idea is obviously wrong. In fact, the Edo period was a miraculous era when the ancient Shinto gods descended to Japan one after another and raised eastern philosophy to a higher level.
The Japanese should know more about the dynamic ways of thinking that they had during the Edo period. They were virtues of the East that the Japanese boasted to the world.
From now on, we will introduce the Japanese thought, which flourished during the Edo period, in these columns.
- Understanding Japanese Shinto
- source : eng.the-liberty.com
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Edo bakufu 江戸幕府 The Edo Government .
. Famous Places and Powerspots of Edo 江戸の名所 .
. Doing Business in Edo - 商売 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #philosophyinedo - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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