Showing posts with label - - - Business in Edo. Show all posts
Showing posts with label - - - Business in Edo. Show all posts

3/22/2015

yakitsugiya

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. - Doing Business in Edo - 商売 - Introduction .
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yakitsugiya, yakitsugi-ya 焼継屋 repairing broken pottery

yakitsugishi, yakitsugi-shi  
yakitsugi 焼き接ぎ  / 焼接ぎ


source : facebook

- quote
Kintsugi (金継ぎ) (Japanese: golden joinery) or
Kintsukuroi (金繕い) (Japanese: golden repair)
is the Japanese art of fixing broken pottery with lacquer resin dusted or mixed with powdered gold, silver, or platinum a method similar to the maki-e technique.
As a philosophy it speaks to breakage and repair becoming part of the history of an object, rather than something to disguise.
- - More in the WIKIPEDIA !

. yakimono 焼物 pottery .


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The yakitsugiya walked around in Edo, with a pole on his shoulders, carrying the tools on one side and a fire pot on the other.



Repairing broken bowls, plates and other pottery by baking, burning it again with a kind of glue, sometimes adding metal (usually gold) to it.
Others used urushi うるし laquer
or a white powder called shiratamako 白玉粉 with 鉛 lead.
funori ふのり seaweed glue was also used.


He called out
yakitsugiii, yakitsugiiiii 焼き継ぎぃ~、焼き継ぎぃ~

When someone asked for his service, he would sit down on the spot and start working.


. funori 海蘿, 布海苔 red algae .
also used in Edo by the

. shakan, sakan 左官 plasterer, stucco master .

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お菊と焼継屋 O-Kiku and the Yakitsugiya



歌川広重 Utagawa Hiroshige

This is a scene from the famous ghost story

Sara yashiki 皿屋敷 "the Dish Mansion" - where the ghost of O-Kiku comes out of a well.

- quote -
Banchō Sarayashiki or Bancho Sarayashi (番町皿屋敷 The Dish Mansion at Banchō)
is a Japanese ghost story (kaidan) of broken trust and broken promises, leading to a dismal fate.

The story of Okiku and the Nine Plates is one of the most famous in Japanese folklore, and continues to resonate with audiences today.

The story of Okiku is an old one, whose true origins are unknown; however, it first appeared under the title Bancho Sarayashiki in July 1741 at the Toyotakeza theater. The familiar ghost legend had been adapted into a ningyō jōruri production by Asada Iccho and Tamenaga Tarobei I. Like many successful puppet shows, a Kabuki version followed and in September 1824, Banchō Sarayashiki was staged at the Naka no Shibai theater starring Otani Tomoemon II and Arashi Koroku IV in the roles of Aoyama Daihachi and Okiku.

A one-act Kabuki version was created in 1850 by Segawa Joko III, under the title Minoriyoshi Kogane no Kikuzuki, which debuted at the Nakamura-za theater and starred Ichikawa Danjūrō VIII and Ichikawa Kodanji IV in the roles of Tetsuzan and Okiku. This one-act adaptation was not popular, and quickly folded, until it was revived in June 1971 at the Shimbashi Embujō theater, starring the popular combination of Kataoka Takao and Bando Tamasaburō V in the roles of Tetsuzan and Okiku.

The most familiar and popular adaptation of Banchō Sarayashiki, written by Okamoto Kido, debuted in February 1916 at the Hongō-za theater, starring Ichikawa Sadanji II and Ichikawa Shōchō II in the roles of Lord Harima and Okiku. It was a modern version of the classic ghost story in which the horror tale was replaced by a deep psychological study of the two characters' motivations.

Folk version
Ningyō Jōruri version
Okamoto Kido version

Okiku and Ukiyo-e
Influences on Japanese culture

- - - - - Read the details
- source : wikipedia


- and a senryu to go with it

番町の古井戸で呼ぶ焼継屋
banchoo no furu ido de yobu yakitsugiya

from the old well
at Bancho she calls
the pottery repariman

Tr. Gabi Greve


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- - - - - H A I K U and S E N R Y U - - - - -

焼継屋わが娘のは直しかね
yakitsugiya waga musume no wa naoshikane

the pottery repairman
unfortunately can not repair
my dear daughter



There was a limit to the art of repairing broken things . .

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. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


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[ . BACK to WORLDKIGO . TOP . ]- - - - - #edoyakitsugi #yakitsugi - - - -
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2/22/2015

ikakeya tinker

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. Repairmen in Edo 修理屋 .
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ikakeya 鋳掛屋 / 鋳掛け屋 / いかけや  tinker, repairing metal tools, pots and pans
ikakeshi 鋳掛け師

A popular job from the Edo to the Showa period. He repaired the metal home items, which were prone to damage, getting holes and splitting of all kinds.

Every little damage was repaired carefully, till a pot could not be used any longer.


『守貞謾稿』- Illustration from Morisada Manko

The tinker walked around in Edo and the villages of Japan, calling out for his service. He carried his tools in a wooden box and also had to carry a little  fuigo bellows. He had to heat the metal in a small fire and blend the hot metal over the split.

金属を「鋳て」(溶かして)「かける」から「いかけや」


source : wikidedia - Kusakabe Kinbei 日下部金兵衛

During the Meiji and then Showa period the pots and pans were made of better quality to start with and easier to buy in the stores. So the job of the tinker slowly died out.



source : Cony のブログ


Until about 1965, the roadside tinkers were still working in Osaka 大阪.

They used to call out:

いかけ、鍋釜、バケツいか〜け
ikake nabe kama baketsu ikaaaake

the tinker is here -
pots and pans, buckets for the tinker



The word ikakeya いかけ屋 in Osaka was used to describe a happy couple that went out together. Since around 1810 there were a few female tinkers working in Osaka.

今日は徳さんとこ、芝居行くンかいな。いかけ屋やなあ

There is also a famous rakugo story from Kamigata (Osaka)

いかけ屋 Ikakeya
「鋳掛屋だけによくくっつくな」「鋳掛屋は鋳掛屋どうしくっつくな」



source : shobuen2

The village children surround the tinker and try to divert him from paying attention to his job. They ask him silly questions and wait for his answer.
When he asks the kids to go away, they never do. . . .
- - - More in the Japanese WIKIPEDIA !


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There is a famous proverb

月夜に釜を抜かれる
tsukiyo ni kama o nukareru

An iron pot is stolen in a moonlight night.

In a dark night, people would be careful and watch out for thieves, but on a moonlit night . . .

to be completely taken unawares, to be taken by surprise, to be off my guard

Even in the Edo period, the metal of pots and pans was worth to be stolen.

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- - - reference - Japanese WIKIPEDIA !


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- - - - - H A I K U and S E N R Y U - - - - -



source : blog.goo.ne.jp/aboo-kai

天高く いかけやなべ底たたく音
ten takaku ikakeya nabe soko tataku oto

bright autumn sky -
the sound of the tinker hitting
the bottom of the pot



. WKD : ten takashi 天高し "high sky", "high heaven" .
clear autumn sky
- - kigo for all autumn - -


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鍋鋳掛けすてっぺんから煙草にし
nabe ikake suteppen kara tabako ni shi

a pot for the tinker -
but first he takes a smoke
from his pipe





The people of Edo observed well. The tinker had to make the fire really hot before he could start to work, so he used that time to have a smoke himself.
source : jti - tobacco-world

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. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


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[ . BACK to WORLDKIGO . TOP . ]
- - - - - #edoikakeya #ikakeya #tinker - - - -
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12/16/2014

Kitamaebune ships

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. Ezo, Emishi 蝦夷 エゾ Ainu Culture アイヌの文化 .
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Kitamaebune 北前船 North-bound trade ships
“Kitame-bune” “Kitamae-bune”

Matsumaebune 松前船 Matsumae trade ships to Hokkaido


source : tsclip.net/ship



- quote
The Kitamaebune (北前船 literally northern-bound ship)
was a shipping route (and also the ships involved) in Japan from the Edo to the Meiji periods. The route went from Osaka through the Seto Inland Sea and the Kanmon Straits to ports in Hokuriku on the Sea of Japan and later to Hokkaidō.

The Kaga Domain, which sold approximately 70,000 koku of rice every year in Osaka, succeeded in sending 100 koku by boat through this route in 1639. The Tokugawa Shogunate also received rice from Dewa Province through merchant Kawamura Zuiken in 1672, but it is thought to be a response from these ships. Japanese ships at the time normally could only make one trip per year, but with the arrival of Western schooners in the Meiji Period, ships were able to make up to four trips annually.


A house of kitamaebune sailors, now a museum in Kaga, Ishikawa.

However, the Meiji Restoration also brought the end of the feudal system and the introduction of the telegraph, getting rid of gaps between regional markets and making it difficult for the shipping routes to make large profits. The national construction of railroads further led to the end of the Kitamaebune.

Currently, the Shin-Nihonkai Ferry is sometimes called the modern Kitamaebune, with stops along the old route at Maizuru, Niigata, Akita, Tomakomai, Hokkaidō, and Otaru.
- source : wikipedia



CLICK for more photos !



Kitamaebune Ship Museum
I-Otsu 1-1 Hashitate-machi, Kaga town

- quote
The Kitamaebune is a shipping route mainly through the Sea of Japan from late Edo Period to the Meiji Period. The ships spent a year to sail a round-trip between Osaka and Hokkaido and transported a great amount of fortune and culture. The facility itself was built by a former owner of a Kitamaebune Ship named Chohei Sakatani in 1878 (Meiji 11), and is registered as one of the national tangible cultural assets.
The beams and pillars inside the Museum were constructed with expensive materials transported from different regions, and with many layers of lacquer painted on them, these beams and pillars still have the lust and shine even after 120 years.



Inside the Museum, there are various exhibitions on everything about the Kitamaebune Ships including navigating tools, ship cabinets, a 20:1 model and other information on the lives as a sailor on the Ships.
- source : www.hot-ishikawa.jp


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. Matsumae in Hokkaido 松前 .
Matsumae, one of the oldest port towns in Hokkaido, used to be busy during the summer months in the Edo period for fishing.
The name Matsumae at that time was almost identical with the old name of Ezo / Hokkaido.


The Matsumae clan (松前藩, Matsumae-han)
was a Japanese clan which was granted the area around Matsumae, Hokkaidō as a march fief in 1590 by Toyotomi Hideyoshi, and charged with defending it, and by extension all of Japan, from the Ainu 'barbarians' to the north.



. Matsumaebune 松前船 Matsumae trade ships .
and the temple Tamonin 多聞院 Tamon-In in Akita
The sailors from the Matsumaebune 松前船 trade ships from Hokkaido to Osaka passed here. The sailors of the famous ship 辰悦丸 Shinetsu Maru owned by Takadaya Kahei came here to pray for safety on the sea.



. Takadaya Kahei 高田屋嘉兵衛 (1769 - 1827) .
In 1795, he constructed a ship named Shinetsu-maru with a displacement of 417 tons in Dewa (Yamagata and Akita Prefectures) and captained it. The following year he opened trading stores with the name of Takadaya in Hyogotsu and Hakodate, and started selling goods he transported between Ezo and the Osaka area.



. Engakuji 円覚寺 / 圓覚寺 Engaku-Ji .
西津軽郡深浦町深浦字浜町275 / Hamamachi-275 Fukaura, Fukaura-machi, Nishitsugaru-gun

During the Edo period, sailors on the Northern-bound trade ships (Kitamaebune 北前舟) came here to pray for safety on sea.




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船絵馬栄宝丸(瀬越白山神社奉納)

CLICK for more ema 絵馬  votive tablets with Kitamaebune in temples and shrines along the road.

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oboro konbu おぼろ昆布
shredded konbu kelp seaweed

CLICK for more photos

High-quality konbu are softened in vinegar and then shredded into very thin pieces.
They can be eaten in sumashi soup or used for aemono dressing, placed into onigiri rice balls or eaten like this with a bit of additional flavored vinegar or sanbaizu vinegar.

Most oboro come from Tsuruga 敦賀, Fukui. There was even an old road connectiong Tsuruga with Kyoto to transport the freshly shredded oboro konbu (oboro kaidoo おぼろ街道).
The oboro must be shredded by hand, which is quite a delicate job.
Tesuki Oboro Konbu (hand-sliced tangle seaweed) is produced after dampening it with vinegar and soften it.Today, 85% of the Japanese hand-sliced silk-like tangle kombu is produced in Tsuruga.
This tradition dates back to the Kitamaebune ships, which brought dried konbu from Hokkaido.
http://www.fukui-c.ed.jp/~cdb/shoku/konbu/index.html

. WASHOKU - denbu 田麩 and oboro shredded fish .
For food, we have oboro of fish, oboro of konbu seaweed, oborodoofu of tofu and others.

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Tsuruga 敦賀, a traditional harbour where the ships from Hokkaido (Kitamaebune 北前船) used to stop over and unload things, mostly marine products, that were transported to Kyoto by land via the Shiotsu Kaido 塩津街道 along the lake Biwako, linking to Kohoku Shiotsu in Omi. (Kohoku is Northern Shiga region.)
Tsuruga was also the endpoint of the road Tango Kaidoo 丹後街道 Tango Kaido.

. WASHOKU - Food from Fukui .

. Shiotsu Kaido 塩津街道 Shiotsu Highway / 塩津海道 Shiotsu Sea Road .


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source : www.mugajin.jp

北前船~寄港地と交易の物語
加藤貞仁




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- quote
Back in Edo era not only “Kitamae-bune” route but also other sea routes flourished.
snip
Japanese traditional ships such as “Kitamae-bune” had some different points than western-styled ships.
Japanese ships didn’t have their keels, that western ships had.
Ships without keels were relatively weak, and they easily got broken when they were confronted with strong waves.
Another different point was that Japanese ships had only one mast per a body. Western ships usually had two or three masts per a body, that enabled ships to raise many sails upon the bodies and take advantage of the power of winds efficiently. On the other hand a Japanese traditional ship raised only one large sail with one high mast in order to let it go as rapidly as possible. But that lost a Japanese ship’s balance and made it vulnerable to heavy winds
and waves.
All in all, Japanese traditional ships had a higher risk to be wrecked or capsized than western ones.

Why had Japanese traditional ships kept such disadvantages?
Because Tokugawa Shogunate didn’t permit building any advanced ships and kept them old-fashioned and unable to sail a big travel.
Edo government closed Japan’s borders and prohibited any immigrations and emigrations across the sea.
So they banned residents to build any ships that could sail over the oceans.
As a result Japanese traditional ships lacked a structure for long travels – strength and stability of their bodies to defy wild waves in oceans.
Against such disadvantages and risks, though, Japanese sailors carried a vast amount of loads across Japan to meet an increasing demand of Japanese economy.

“Kitamae-bune” carried various kinds of loads from contemporary Hokkaido and Aomori prefecture , via many ports along Sea of Japan, to Osaka.
Osaka in Edo era was the largest market for trading goods made in all places of Japan.
Products from rice crops to salt and dried seafood were transported into Osaka, wholesaled there and distributed to all over Japan.
And the Kinki region (近畿地方) including Osaka was once the most advanced manufacturing center in Edo Japan.
Industry such as brewery, oil processing, and shipbuilding were conspicuous in Kinki region.
Producers along Sea of Japan sent their goods to Osaka to sell them, and bought processed goods from Kinki region. To link them “Kitamae-bune” took their voyages and carried goods frequently.

One example of traded goods carried by “Kitamae-bune” is “kombu (昆布)”, a species of a long kelp.
- source : Oda Mitsuo/ YouAT - 2012


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- - - - - H A I K U and S E N R Y U - - - - -



北前船 島の歴史を 満載し
kitamaebune shima no rekishi o mansai shi

Kitamae sailboat -
it carries the history
of this island

Tr. Gabi Greve

- batabata nikki - iori ばたばた日記


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尼も乗る松前船の南風かな
ama mo noru kitamaebune no minami kana

South Wind
for the Matsumae Sailboat
with a nun on board . . .


. 飯田蛇笏 Iida Dakotsu .

- the cut marker KANA is at the end of line 3 - -


. south wind (nanpuu, minami 南風) .
- - kigo for all summer - -


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- detail with sailors


source : www.artisticnippon.com


. Kutaniyaki 九谷焼 Kutani Pottery  .


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. Ezo, Emishi 蝦夷 エゾ Ainu Culture アイヌの文化 .

. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


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- #kitamaebune #tsuruga -
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9/14/2014

kami paper

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kami 紙 paper

Japanese traditional paper was used for many items, from robes to lanterns to printing.

. - - Washi 和紙 Japanese Paper - -   .
- introduction -

- quote
... Paper was made of the bark of "kozo" trees. Since only branches were cut to obtain bark, there was no worry of excessive cutting of trees. And there were many kinds of recyclers for used paper in those days.
Besides the repair experts, there were other specialized workers who collected and traded end-of-life materials.

- Used-paper buyers
These buyers bought old shopkeepers' books, sorted and sold them to paper makers. In those days, Japanese paper (washi) was made of long fibers of over 10 mm, and specialized paper makers bought and blended various kinds of used paper to make a wide range of recycled paper, from bathroom tissue to printing paper.

- Used-paper collectors
Some collectors were also specialized in used paper, but didn't have the financial resources to buy it. Instead, they picked up and collected trash paper by walking around the town and sold it to used-paper warehouses to get a daily cash income.

- Used-umbrella rib buyers
Umbrellas in the Edo Period were made of bamboo ribs with paper pasted on. Used-umbrella rib buyers bought and collected old umbrellas and sold them to specialized warehouses. At the warehouses workers removed oiled paper from the ribs, repaired the rib structures and then other workers were contracted to paste new oiled-paper onto the ribs to make new umbrellas. Incidentally, the oiled paper from used umbrellas was removed and sold as packaging material.

... As one could imagine, however, such extensive reuse and recycling systems embedded in society would limit the profits of paper makers, printing companies, publishers and shippers. In the economy of today, if people don't continuously buy new goods, the economy falters.
- source : www.resilience.org/stories...


- quote
Sustainability in Japan's Edo Period -
Unlike the prosperous present day, when it's cheaper to buy even a new metal and cloth umbrella than repair a broken one, people in the Edo period would use bamboo and paper umbrellas, as they did yukata, right to the very end.

If the paper of an umbrella had torn through prolonged use, people would ask traveling paper lantern repairmen to repaper them. Since repapering of both lanterns and umbrellas involves basically the same principle of applying paper to a bamboo framework, paper lantern salesmen apparently used to repair umbrellas too, as proven by the existence of old illustrations depicting such repairmen mending umbrellas as well as lanterns.

With repeated repapering, an Edo period umbrella had a long enough life span that it would begin to show wear and tear in other areas, the threads holding spokes together, or the spokes themselves, giving way in time. Repair was not so easy in many such cases, but people still didn't just throw old umbrellas out, selling them instead to old umbrella buyers who would go around neighborhoods calling out "Umbrellas! Old umbrellas!"

Apparently the old oil paper too was recycled to butchers to wrap meat up in. Very little meat was consumed in the Edo period, but there were people who purchased it as a kind of dietary supplement known as kusuri-gui (= medicine food), and in Edo and Osaka there were also shops selling the meat of wild boar, deer and other hunted wildlife. Such shops used old oil paper, which was largely odor-free as a result of its age, like we use plastic wrap today, an admirable example of out-and-out re-use if ever there was one.
- source : Eisuke Ishikawa

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. choochin 提灯 Chochin, paper lanterns .

. karakami 唐紙 special paper for sliding doors .

. kasa 傘 paper umbrella .

. oogi 扇 - uchiwa 団扇 paper hand fan .


to be updated
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. Recycling and Reuse in Edo - リサイクル と 再生 / 再使用
ekorojii エコロジー ecology in Edo .


koshi risaikuru 古紙 (故紙) リサイクル recycling of old paper

kamikuzuya 紙屑屋, kamikuzu kai 紙屑買い - buying waste paper





According to its state of dirt and destruction, paper could be re-used (suki-kaeshi 漉き返し) in many ways until it finally ended in a fire to warm the folks or cook a meal.

回収業者 recycling shops
古紙問屋 store dealing in used paper
suki-kaeshi 漉き返し業者 business dealing in re-use of paper
- source : www.gakken.co.jp

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kamikuzuya 紙屑屋 Kamikuzuya



There is also a rakugo story about a waste paper collector.

- reference - for CD -

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kamikuzu hiroi 紙屑拾い picking up used paper

He walked in the streets with a basket hanging from his neck and picked up paper using a simple bamboo tool.
At the end of his day, he carried the basket to the dealer in used paper, got his money for the day and could go off to spend the money.


kamikuzu kai 紙屑買い buying old paper

He carried two baskets of woven bamboo (mekago 目籠)) with a shoulder pole and walked from home to home to collect used paper. He also had a scale to weigh the paper for payment.
At the end of his day, he too carried the baskets to the dealer in used paper, got his money for the day and could go off to spend the money.


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mekagao 目籠 openwork woven bamboo basket
kagome 籠目 holes in a basket


. kago 籠 / 篭 / かご basket, baskets of all kinds in Edo .

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kamisukishi、kamisuki shi 紙漉き師 making paper, paper making artisan
kamisuki shokunin 紙漉き職人



The making of paper is described here.
. - - Washi 和紙 Japanese Paper - - .

The most famous paper in Edo was made in Asakusa.

Asakusagami, Asakusa-gami 浅草紙 
Most were specialized in recycling of paper, since it was difficult to get hold of the original materials for making paper in greater amounts.

Tawaramachi in Asakusa had a district called
Kamisukichoo 紙漉町 Kamisuki-Cho

- quote -
KAMISUKICHO RUINS - 'Kamisuki'means'making paper'.





This neighborhood was named after the very first Paper factory in Edo that was here and prospered from the late 17th Century through the 19th Century. Here paper produced was called "Asakusa paper "and was in fact made from recycling old and used paper.
- source : tokyotaito.blog.shinobi.jp -


kamiya, kami-ya 紙屋 paper maker


古今紙漉紙屋図絵


source : japonisme.or.jp/magazine

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- quote -
How were crepe prints (縮緬紙) made ?
Chirimengami-e ("compressed thread paper prints": 縮緬紙) were crinkled paper prints or "crepe" prints (sometimes referred to as 'crepon'). Ukiyo-e crepe prints were produced at least as early as 1800 in Edo, and throughout the nineteenth century they were used on occasion for alternate states of some ukiyo-e designs. The compression technique resulted in a highly textured surface and noticeably smaller paper sizes, which offered a different aesthetic from the image printed in standard editions. Despite the extra effort involved in making these prints, they were, it seems, more a novelty than an attempt at serious refinement of the printed image.
There was a revival of chirimen-gami-e production in the 1880s
with the advent of crepe-paper books to satisfy a growing Western market. Best known are those published by the Hasegawa company, which was opened in 1885. Their chirimen-gami publications were especially popular for children's books, as the crepe paper was somewhat resistant to tearing and thus had a better chance of surviving handling by children.

By pressing the lever down an enormous amount of pressure could be exerted upon the papers and molds, thus compressing the papers and imparting a textured effect from the molds to the interleaved, dampened papers.
- Read more about Japanese Printing on this extensive resource "Viewing Japanese Prints":
- source : viewingjapaneseprints.ne... -


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sukikaeshi, suki-kasehi 漉き返し業者 re-making of paper


source : www.gakken.co.jp/kagakusouken

Many craftsmen of this kind were located in Asakusa, Edo.
They tore old paper to pieces, selected them carefully, boiled them to dissolve and then let the liquid cool down (hieru 冷える). During that time they would walk over the the pleasure quarters of Yoshiwara, just walking up and down enjoying the view at the ladies (hiyakasu 冷やかす).
This is the origin of the word

hiyakashi 冷やかし half for fun, in jest
jeering; raillery; chaffing; merely asking the price; just looking at goods; window-shopping; browsing



Asakusagami 浅草紙 recycled paper from Asakusa / Edo
. Asakusa to hiyakashi 冷やかし

. Asakusa 浅草 Asakusa District in Edo .



Nishidooingami 西洞院紙 Nishidoin recycled paper from Kyoto
Minatogami 湊紙 Minatogami recycled paper from Osaka


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zenigoza 銭蓙売り paper mats to place coins
They were made of waste paper 反故紙 (hogogami) in the size of the amount of coins that should be placed on it.
zenigoza uri 銭蓙売り vendor of mats to place coins
. zeni, kozeni 銭、小銭 coins in Edo .

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source : 14 十四世川柳 - handwriting -

首をたれて歩けば紙屑によばれ
kubi o tarete arukeba kamikuzu ni yobare

bending his head
while walking looking eagerly
for waste paper

Tr. Gabi Greve


lit. maybe "while being attracted by waste paper"

. senryu, senryū 川柳 Senryu in Edo .

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紙屑もぼたん顔ぞよ葉がくれに
kami kuzu mo botan kao zo yo ha-gakure ni

scrap paper faces
of peonies . . .
shaded by leaves


This haiku refers to the peony garden of Issa's friend Satô Nabuchi, who placed paper flowers among the real ones. Makoto Ueda believes that "undoubtedly the paper scraps stand for poetry";
Dew on the Grass: The Life and Poetry of Kobayashi Issa (Leiden/Boston: Brill, 2004)
Tr. David Lanoue


酒臭き紙屑籠やきくの花
sake nioki kami kuzu kago ya kiku no hana

the waste paper basket
smells of sake . . .
chrysanthemums


Rice wine (sake) was served liberally at mum-viewing parties. In this case, how did a waste paper basket come to smell of sake?
Issa leaves this question to the reader's imagination.
Tr. David Lanoue


. Kobayashi Issa 小林一茶 in Edo .

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. Japanese Architecture - cultural keywords used in haiku .

. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


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8/31/2014

furugi old robes

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furugi 古着 old robes, old cloths

The most common robes and cloths of the Edo period
. Kimono, Yukata, Nagajuban and more .

When they got old, they joined the marked for used and second-hand clothes and robes.

furugiya 古着屋 a second-hand clothing store

They belonged to a group if eight recycle businesses in Edo

happinshoo 八品商
. Recycling and Reuse in Edo .
The government kept an eye on them, because sometimes their merchandise was stolen.


. shitateya 仕立屋 / 仕立て屋 tailor, seamstress .
They were also part of the recycle business of old robes.
kogire 古裂れ old pieces of cloth, size did not matter, small pieces were also available.
kamawanu - 構わぬ never mind (the size), became kamawanu 鎌わぬ.

kogireya 古裂れ屋 / 端切れ屋 dealer in old pieces of cloth, ready to be re-sewn.
tsugihagi, tsugi-hagi 継ぎ接ぎ patching and darning was also popular.

for mitaoshiya 見倒し屋 second-hand dealer, see below
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furugi kai 古着買い buyer of old cloths

They were the beginning of the shops dealing with old and used robes. The government kept an eye on them, because sometimes the merchandise was stolen.
Many stores started at Tomizawa-cho 富沢町 close to Nihonbashi.
One of the first known dealers was
Tobisawa Jinnai 鳶沢甚内. He was a samurai of the Odawara clan and became the boss of a thieve's group, after his domaine was abolished. When peace returned to Japan, he settled as a cloth merchant. Soon many followed him and one small quarter was named after him, Tobisawa cho 鳶沢町.

Some buyers even got the old robes from poor people who had died. They had to wait until the funeral was well over, to make sure the dead had reached Paradise and would not come back to claim his robes before they could sell this merchandise.

When the dealers walked through town, there were usually two of them. The beginning of this custom is legend:
Once there was a dealer who became too ill to carry the pole with the merchandise himself, so he had his son follow him to carry the burden. This was well observed and soon imitated by others.

Tomizawachoo 富沢町 Tomizawa Cho district
中央区 Chuo ward.



. Place names of Edo - Introduction .

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furugiya, furugi-ya 古着屋 dealer in old cloths


source : simofuri.com/recycle

Around 1723 there were more than 1180 stores in Edo, most of them members of a special guild 同業組合.
Most kept their merchandise in a shop, others employed peddlers to offer them in a wider area of Edo.
Some sold complete kimono and robes,



others had them taken apart (furugire 古切れ)and sold the material separate.



source : ginjo.fc2web.com
 「柳原土手に並ぶ古着屋」 Yanagiwara Dote  江戸東京博物館蔵

Many shops were along the river Kandagawa from 万世橋 Manseibashi bridge to Asakusabashi bridge,
an area called the 柳原土手 Yanagiwara dote river bank.



. Recycling and Reuse in Edo .

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In Osaka and Kyoto, the shops were called
furuteya, furute-ya 古手屋

They were even the subject of rakugo comic stories, for example "Kanjo Ita 勘定板".
The shop at Sakasuri jinja 大坂船場の坐摩神社 is especially famous.


古手屋喜十 為事覚え by 宇江佐真理 Ueza Mari

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takeuma furugi uri 竹馬古着売り / 竹馬古着屋
selling old cloths hanging on a "bamboo horse" (takeuma) carried over the shoulder



In the year 1629 a certain 家城太郎治 prepared a hanger with four legs from bamboo, like stilts (takeuma 竹馬)
to carry his merchandise of old robes around town. He started from Tokiwabashi 常盤橋.
First the front part of the hanger was high and looked like the head of a horse, with the merchandise covered by a large furoshiki cloth when walking around. Later front and bottom became the same hight, but it was still a "bamboo horse".
The ladies came soon to buy, because his ware was cheap, even if the material was faded or torn.

Other stores at Tomizawa-cho 富沢町 and Tachibana-cho 橘町 soon followed.

The town government soon produced some laws for dealing with
kobutsu shoo 古物商 "dealing with old things" .
古物商 へ売買定法再令

furumono kai 古物買い to buy old things
shoku akindo 職商人(しょくあきんど) they bought old things and repaired them.

in our modern times they are sometimes called
risaikuru shoppu リサイクルショップ recycle shop



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mitaoshiya 見倒し屋 / 見倒屋 second-hand dealer


source : wishpafupafu.blog110.fc2.com

An important recycle business in Edo for used things, including all kobutsu shoo 古物商 dealers in "old things".

mitaosu, mi-taosu 見倒す means to "look down", to underrate, under-value.

The dealers would take a look down at the shoes of the new client to judge his status, then at the things he brought to the shop, and underrate them quite a bit accordingly to make a good deal.
Therefore many Edokko 江戸っ子 "true men of Edo" took great care to have expensive-looking footware.


見倒しは刀を差して鍋をさげ
mitaoshi wa katana o sashite nabe o sage

things get under-valued -
be it a sword
be it a cooking pot


and on his way home

 the mitaoshiya
wears a sword
and dangles a cooking pot



The mitaoshiya could not afford to feel sorry for his clients, even if they brought the valuables and mementos of a deceased family member -
and yet sometimes this happens -

見倒屋ついでに後家も仲人し
mitaoshiya tsuide ni goke mo nakoodo shi

the mitaoshiya
in the course of time finds a husband
for the widow . . .


nakoodo 仲人 is a go-between for a couple.




隠れ岡っ引 見倒し屋鬼助事件控
by 喜安 幸夫 (著), ヤマモト マサアキ (イラスト)

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行春や我を見たをす古着買
yuku haru ya ware o mitaosu furugigai

spring departs -
the old clothes buyer
ignores me


. Kobayashi Issa 小林一茶 in Edo .
Tr. David Lanoue

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. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


. Japanese Architecture - cultural keywords used in haiku .

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