Edo - the EDOPEDIA -: - - - Persons

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7/10/2016

Hyakunincho district

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. Famous Places and Powerspots of Edo　江戸の名所 .
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Hyakuninchoo　百人町 Hyakunincho district

teppoogumi hyakunin tai 鉄砲組百人隊　100 Riflemen Team
lived here on orders of Tokugawa Ieyasu.
Hyakunin (hundred-man) brigade of shooters
100 men musket (teppo) corps

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Teppo-gumi hyakunin-tai, or the Hundred-Member Gun Squad,
was founded by Tokugawa Ieyasu to defend his shogunate in the newly established capital of Edo. The squad was stationed in Shinjuku in an area named in its honor and known today as Hyakunin-cho (hundred-member town).
This Hyakunin-cho is home to the Kaichuinari-jinja Shrine, where many vassals of the squad visited to pray that their every shot hits the target. People later established the shustujin-shiki fair to commemorate the gun squad and also as thanksgiving for the luck bestowed by the shrine.

Today, the fair is held every odd year. Men clad in armor and helmet parade the neighborhood of Hyakunin-cho, test fire matchlock guns and give public demonstrations of battle field exercises.
- source : gotokyo.org/en/kanko/shinjuku

The Koshu Kaido was especially planned by Tokugawa Ieyasu to secure his route to escape Edo in case of an attack.
He had the group of 100 special armed guards live in Shinjuku to help and protect him in case of need.

. Kooshuu Kaidoo, Kōshū Kaidō 甲州街道 Koshu Kaido Road .

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鉄砲組百人隊 Homepage
- source : edo-hinawa.com -

CLICK for more photos of the Teppo-Tai !

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During the Edo period, the villages of 柏木 Kashiwagi and 大久保 Okubo were agricultural districts on either side of Hyakunin-cho where samurai warrior residences were located.
These villages were known as vegetable producing areas. The samurai families cultivated plants and flowers and this a tradition was continued through the Meiji period (1868-1912) even though the samurai class itself had disappeared by then.
The area was particularly famous for its azaleas (tsutsuji).
Since Hyakunin-cho was a residential area of the constables (doshin) belonging to the Hyakunin (hundred-man) brigade of shooters operated by the Bakufu military government during the Edo period. During festivals held at the Kaichu Inari Shrine, they fired ceremonial volleys with firelocks.
- source : kanko-shinjuku.com -

. Ookubo, Ōkubo 大久保 Okubo district, Shinjuku .

. Kashiwagi mura 柏木村 Kashiwagi village, Shinjuku .

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. Kaichuu Inari Jinja　皆中稲荷神社 Kaichu Inari Shrine .
1-11-16 Hyakunin-cho, Shinjuku-ku, Tokyo / 新宿区百人町1-11-16

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Star Lanterns at Hyakunincho, Aoyama, Eastern Capital
Utagawa Hiroshige II

. Aoyama 青山 Aoyama district, "Green Mountain" .

At the temple 丸普陀山長楽寺 Choraku-Ji
there is a 鬼形の石 stone in the form of a demon, called
Yashajin 夜叉神 Yasha-jin, the Yasha Deity.
The stone had been in the garden of a member of a family in 青山百人町 Hyakunin-Cho in Aoyama.

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Takano Chooei, Takano Chōei　高野長英 Takano Choei
(1804 - 1850)

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Choei Takano -
Physician and scholar of Western studies. Takano studied Dutch medicine in Nagasaki from a person named Siebold and opened his practice in Edo. He formed the research group of Western studies Shoshikai with Kazan Watanabe and others and delved into the study of Western culture. He was imprisoned for six years for writing “Yume Monogatari” (My Dream Vision), in which he criticized the diplomatic policies of the Shogunate, but he escaped from jail by bribing a prison guard to set fire to the prison. Although he returned to Edo and lived by hiding out in various places, he was eventually arrested and killed.

-- Association with Minato City
He spent his last days of life in his secret hiding place in Aoyama Hyakunin-cho

Choei changed his appearance by burning his face with chemicals and moved around the country, but he eventually returned to Edo in March 1850 and lived in hiding in Aoyama Hyakunin-cho. That area had a concentration of official residences of the Shogun’s foot soldiers and sympathizers, and the grounds of the residence of a foot soldier named Kojima contained a pawnbroker’s annex. Choei ran a medical practice on that premises under the false name of Sanpaku Sawa.

However, on the last day of October in the same year, he was attacked by a Shogunate official in an alley on his return home, arrested, and killed. A stone monument, inscribed with “The hiding place of Doctor Choei Takano,” stands where he died in what we know as Minamiaoyama. It was 48 years after his death before his honor was restored, and a commemorative monument inscribed with Kaishu Katsu’s composition was erected in Zenko Temple in Kita-Aoyama after he was posthumously bestowed the title of Lord.
In 1837, he wrote Yumemonogatari (My Dream Vision), which stressed the need to open Japan to the world after the 1837 attack on an American ship, the Morrison. He continued to translate Western books while on the run and translated such books as Iryo Suyo (Fundamentals of Medical Care). Although he was a brilliant scholar of Western studies and a pioneer in medicine, he had a rather unfortunate life.
- source : lib.city.minato.tokyo.jp -

. Medicine in Edo .

- reference : Takano Choei -

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7/08/2016

Priest Jiun Onko Sonja

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. Persons and People of Edo - Personen .
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Jiun Onkoo 慈雲飲光 Priest Jiun Onko
(1718 – 1804/1805)
百不知童子、葛城山人、雙龍叟 - 慈雲尊者 Jiun Sonja

CLICK for more photos !

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Daruma: “I do not know”
This painting represents the first Zen patriarch, often referred to as Daruma in Japanese, but more properly called by his Sanskrit name Bodhidharma. He is believed to have been moved from India to China in the fifth and sixth century and there, through meditation, finally came to understand the Buddhist law (dharma). This is why his figure often occurs alongside Zen calligraphy, representing the continuous struggle to learning the Buddhist teachings.

Images of Bodhidharma express his effort to established continuity with Zen Buddhist teachings. This painting belongs to that tradition but Jiun, thanks to his unique flaked style, transformed the silhouette of the patriarch in an abstract form: with only two strokes, the artist portrays the monk in meditation while, above, two characters stand out: "I do not know" (Fushiki).

The concept is short, direct and powerful. It refers to a dialogue between Daruma and Emperor Wu of the Liang Dynasty and capture the essence of Zen Buddhism: as reported in 'Hekiganroku (published in 1300), the emperor met the monk in the year 520, and asked him about how he had obtained for supporting Buddhism; when he says "absolutely nothing" the Emperor, irritated, asked what was then the foundation of Buddhism and the answer was "a great void and no holiness.” More and more annoyed, he then asked "Who are you?" And Bodhidharma replied " I do not know".

After this dialogue Bodhidharma was no more welcome at the court and he took refuge in a cave in the Shaolin temple on Mount Song, where he sat in meditation for nine years. The painting represents this first development status of Chinese Zen tradition: Bodhidharma who sits still and quiet in front of a white wall.

Jiun Onko (Jiun Sonja), one of the greatest Japanese Zen artist, born in Osaka, joined the cloister when he was thirteen, studied the Confucianism, the Shingon esoteric Buddhism and the Soto Zen. He was an excellent scholar, he learned Sanskrit been interested in ancient Buddhist manuscripts and learn the basic teachings of Buddhism; he founded in fact a movement that wanted to bring Buddhism back to its origins (“True Dharma”).

He was one of the reformers of the Edo period Zen and, still today, he is considered one of the greatest Zen calligraphers ever in Japan. His works are in all the museum collections of Japanese art all over the world.
- source : giuseppepiva.com/c -

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founder of 雲伝神道 Unden Shinto
葛城神道 Katsuragi Shinto

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Unden Shinto was founded by Jiun Sonja (1718-1804), a Shingon priest who attempted to enhance Shinto through a fusion with Buddhist and Confucian ideas. Comparing the similarities between the I Ching and Shinto writings on such views as the heavenly mandate, divination, numerology, gods and spirits, and politics, he alleged that the creation of
the I Ching may have been influenced by Shinto. According to Chinese tradition, Fu Hsi created the eight trigrams based on the Ho t'u (Yellow River diagram). Jiun speculated that the Ho t'u was inspired by a Shinto mirror: "The images of the Ho t'u were manifested through the Okitsu Mirror [a round bronze mirror kept in the geku (Outer Shrine) of the Ise Shrine, one of the ten Shinto treasures]. Fu Hsi used the Ho t'u as the base for drawing the eight trigrams." .....
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Jiun's discussions on the Shinto origins of the I Ching were only piecemeal. He did not address important questions, such as how Fu Hsi and other Chinese sages were influenced by Shinto. A full-fledged theory of the Shinto origins of the I Ching did not appear until the emergence of the Hirata school a few decades later.
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Jiun strove to return to original Buddhism by studying Buddhist sutras in Sanskrit. For his Buddhist views, see Paul B. Watt, "Jiun Sonja (1718-1804): A Response Confucianism within the Context of Buddhist Reform," in Nosco, Confucianism and Tokugawa Culture, pp. 188-214.

The I Ching in the Shinto Thought of Tokugawa Japan
By Wai-ming Ng
- source : University of Hawaii Press -

The Complete Works of the Venerable Jiun (Jiun Sonja zenshū).

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Unden Shintō
A branch of Shinto founded by the Edo-period Shingon monk Jiun Onkō (1718-1804).
As Jiun lived on Mt. Katsuragi, it is also called Katsuragi Shintō. Jiun's learning extended not only to esoteric Buddhism, siddham (Sanskrit philology), and Zen, but also to Confucianism and Shinto. In particular, he revived the monastic precepts through his promulgation of what he called the Precepts of the True Dharma (shōbōritsu). He also composed the Bongaku shinryō in one thousand fascicles, and made a great compilation covering the history of siddham studies; he was one of the outstanding scholars of his era. In response to the criticisms of Buddhism leveled by the Confucianists and Shintoists of his time, he attempted a reconstruction of the ancient Ryōbu Shintō. Some of his works relating to Shinto include Shin-Ju gudan (A Conversation Between Shintō and Confucianism), Shintō yōgo (Important Terms in Shintō), Shintō kokuga (Songs of the Shintō Realm), Shinchoku kuden (Oral Transmissions on the Oracles of the Gods), Ten no mikage (The Beneficence of Heaven).
Jiun held that no distinction existed between Shinto and esoteric Buddhism, and that it would be impossible to learn the essence of Shinto without also understanding esoteric Buddhism. Further, he was considered noteworthy for locating the basic meaning of Shinto in the relationship between lord and retainer while criticizing the Confucianists' emphasis on the marriage relationship or the relationship between friends; he is also known for arguing that Japan was a "divine land" (shinkoku) in which there was no need for the appearance of Confucian sages.
In these ways, Jiun diverged from the previous position that regarded Buddhism as principal and Shinto as subsidiary, taking a stance closer to Revivalist Shinto (Fukko Shintō) nationalism. Jiun's writings relating to Shinto are now collected in Volume 10 of The Complete Works of the Venerable Jiun (Jiun Sonja zenshū).
- source : Ito Satoshi - kokugakuin 2006 -

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慈雲尊者とは

１．慈雲尊者
２．正法律思想
３．尊者の袈裟
４．尊者の著作
５．尊者の容貌
６．生誕三百年記念奉賛会について
- reference : horakuji.hello-net.info/jiun -

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perseverance

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buji kore kinin - inactivity

- - CLICK for more of his paintings ! -

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- reference : Jiun Onko -

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- - - To join me on facebook, click the image !

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. shinbutsu in Edo 江戸の神仏 Kami and Hotoke in Edo .
shinbutsu shūgō 神仏習合 - Syncretism of Shinto and Buddhism
shinbutsu bunri 神仏分離 - Separation of Shinto and Buddhism.

. Persons and People of Edo - Personen .

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. Edo bakufu 江戸幕府 The Edo Government .

. Famous Places and Powerspots of Edo　江戸の名所 .

. Doing Business in Edo - 商売　- Introduction .

. Japanese Architecture - Interior Design - The Japanese Home .

. Legends and Tales from Japan　伝説 - Introduction .

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[ . BACK to WORLDKIGO . TOP . ]
- - - - - #jiun #priestjiun - - - -
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7/06/2016

nikki diaries

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. Edo bakufu 江戸幕府 The Edo Government .
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Nikki　日記　Diaries of the Edo period - Tagebuch
江戸時代の日記　

Many chief retainers (karoo 家老 Karo) wrote detailed diaries of their domain.
Other Samurai wrote about the food they found on their way to and from Edo.

江戸お留守居役の日記 Edo O-Rusuiyaku no Nikki
萩藩江戸留守居役、福間彦右衛門の日記『公儀所日乗』
山本博文
rusuiyaku - a Samurai representing the master during his absence.

to be updated
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Enyuu Nikki 宴遊日記 Enyu Nikki - Diary of Banquets and Amusements
compiled over the years 1773 - 1785
En'yu Nikki - A banquet diary

source : chokai.info/areanews

お殿様の上野浅草散歩道『宴遊日記』

柳沢信鴻 Yanagisawa Nobutoki (1724 - 1792)
Daimyo of the Yamato Koriyama domain 大和郡山藩主

yuuen nikki 遊宴日記 Yuen Nikki (different Kanji)
江戸の植木屋と花屋 : 柳沢信鴻著- 遊宴日記
Garden tree shops and flower shops of Edo (Tokyo)

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Garden tree shops and flower shops of Edo (Tokyo) in 18th were written by Yanagisawa Nobutoki in his diary Enyu Nikki. Those shops where Nobutoki bought plants to make the garden in his residence Rikugien at Edo sold many kinds of trees and flowers. Nobutoki described that those shops had sold many plants which visitors wanted to decorate their room or make their garden. In Edo period nurserymen produced new varieties of garden plants which anyone can't get now. Those shops existed at many places in Edo. For example, those were at Dosaka, Yushima and Sendagi which are belonged to Bunkyo Ward today, and at Hirokodoji, Rokuamida, Kubifuri-zaka in Taito Ward.
- source : nirr.lib.niigata-u.ac.jp -

- 柳沢延時 Yanagisawa Nobutoki (maybe a misspelling of the Kanji 柳沢信鴻) -

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Prayer and Play in Late Tokugawa Japan: Asakusa Sensōji
Yanagisawa Nobutoki (1724-92), a retired daimyo, provides a good example of the populace's passionate veneration of the Asakusa Kannon. .....
- source : books.google.co.jp - Nam-Lin Hur -

A Kabuki Reader: History and Performance
By Samuel L. Leiter
- - - - - Enyu Nikki - A banquet diary
account of Samurai interested in Kabuki theater
..... Nobutoki was active in Haikai poetry circles
- source : books.google.co.jp -

and 宴遊日記別録 Enyu nikki betsuroku

- reference : Yanagisawa Nobutoki -
also google for
柳沢淇園 Yanagisawa Kien (1704–1758)

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Hakuen Nikki 柏莚日記 Hakuen Diary
1802
Hakuen was the artist name of Kabuki actor 市川団十郎 Ichikawa Danjuro 2nd.

- reference : 柏莚日記 -

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Kakyuu bushi no shoku nikki 下級武士の食日記 Food Diary of a lowly Samurai
幕末単身赴任 Bakumatsu tanshin funin - Living alone in Edo at the Bakumatsu time
酒井伴四郎日記 Sakai Banshiro Nikki
下級武士の米日記

酒井伴四郎 Sakai Banshiro (1833 - ?)
He was a samurai of low rank 下級武士 with a small income. As a young man of 28 he had to stay on duty i Edo from the 6th to the eleventh month of 1860 and kept a diary of his diet and the many things he observed in the big city. He even talks about the 月見団子 dumplings for moon viewing in Autumn and other gourmet food he encountered.
He lived in cheap Nagaya quarters and improved his knowledge about cooking while doing odd jobs in restaurants.

source : mocket.exblog.jp/15980834

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Karoo Nikki 家老日記 Diary of the Chief Retainer
The Tottori Domain from 1655 till 1870. Kept by the 池田家 Ikeda family about the events in Tottori.
Is contains 250 volumes.

今回公開された「家老日記」は、旧鳥取藩主・池田家に伝わり、1969年に池田家の子孫から鳥取県へと寄贈されたもの。藩政を統括した家老のもとで作成された“公務日記”で、鳥取藩政をひもとく基礎資料となる藩の歴史や構造が記されている。1655（明暦元）年から1870（明治3）年までの250冊が、ほぼ年次を追って存在している。
- reference source : r25.jp/topi - 鳥取県立博物館 -

access to the digital Database
- source : digital-museum.pref.tottori.jp -

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Matsudaira Yamato no Kami Nikki 松平大和守日記
The Diary of Matsudaira Yamato no Kami
Matsudaira Yamatonokami nikki
by Matsudaira Naonori　松平直矩　(1642 - 1695)

Flowing Traces: Buddhism in the Literary and Visual Arts of Japan
edited by James H. Sanford, William R. LaFleur, Masatoshi Nagatomi
..... A particularly important source of contemporary information concerning Sekkyô-bushi is the Matsudaira Yamato no kami nikki, cited by Muroki. .....
- source : books.google.co.jp -

Murakami Komonjo Kankokai, 1989
Naonori Matsudaira, Kozo Suzuki
- source : books.google.co.jp -

松平直徳 (1869 - 1931) Matsudaira Naonori - Another Daimyo
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Matsudaira Naonori was the second son of Matsudaira Yoshinori, last daimyô of Akashi han in Harima province. Adopted by his elder brother Matsudaira Naomune, he inherited headship of the family in 1884.
A viscount (shishaku) in the Meiji period kazoku system of peerage, Naonori was a member of the House of Lords, and board member or company director of Akashi Bank, and the Hakushika saké company.
He is known also for his art collection, which included a rare set of nanban screens entitled Yôjin sôgakuzu byôbu, and today in the collection of the MOA (Museum of Art) in Shizuoka.
- source : wiki.samurai-archives.com -

- reference : Matsudaira Yamato no Kami -

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Moriyama Takamori Nikki 森山孝盛日記
森山孝盛　Moriyama Takamori (1738 - 1815)

He made a career in the Bakufu government, from 目付 Metsuke to 先手鉄砲頭 Sakite Teppogashira in 1794 and next year to 火付盗賊改 Hitsuke Tosoku Aratame.
After that he was 西丸持弓頭 and then 槍奉行 Yari Bugyo until he quit in 1812.

- reference : Moriyama Takamori -

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Oomuro Uchuu Ki 鸚鵡籠中記　 Omuro Uchu Ki - Records of a parrot in the cage
元禄武士の日記 Diary of a Genroku Period Samurai

oomuro 鸚鵡 parrot in a cage, was used for the title, because Shigeaki was very skilled in writing easily and amusing for the readers.

朝日重章 Asahi Shigeaki (1674 - 1718)

Records from 1684 till 1717 of a Samurai from the 尾張藩 Owari domain.
He also writes about 宝永地震 the strong earthquake of 1707.

This book is also known as
元禄御畳奉行の日記 Genroku O-Tatami Bugyo no Nikki

source : tinnen.cocolog-nifty.com/blog

- reference : Asahi Shigeaki -

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Saito Gesshin Nikki　斎藤月岑日記
斎藤月岑 Saito Gesshin (1804 - 1878)

He was 神田の町名主 the mayor of Kanda. His family has held this job since Tokugawa Ieyasu came to Edo in 1590. His father died when Gesshin was only 15 years old.
His grave is in Ueno at temple Hoozenji 法善寺 Hozen-Ji.
This diary covers the years from 1830 till 1875.

『斎藤月岑日記』（さいとうげっしんにっき）
- reference : wikipedia -

Gesshin was involved in many literary projects, for example
江戸名所図会（7巻20冊） Edo Meisho Zue
東都歳事記（4巻）Toto Saijiki
武江年表（12巻）Buko Nenpyo . . . and many more
- reference : Saito Gesshin Nikki　-

. Tooto Saijiki 東都歳時記 Saijiki of the Eastern Capital (Edo) .

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Seisei Nikki 征西日記 The Western Conquest Diary

江戸時代のグルメ日記　gourmet diary of the Edo period
伊庭八郎 Iba Hachiro (1844 - 1869)

Hachiro had to go to Kyoto with the Shogun 徳川家茂 Tokugawa Iemochi.
On this trip he wrote about many things found on the way.
御上洛御共之節旅中並在京在坂中萬事覚留帳面

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Nikki bungaku 日記文学 is a genre of Japanese diary literature.

. Tosa Nikki 土佐日記 Tosa Diary .
Ki no Tsurayuki 紀貫之 - (872-945)

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6/14/2016

metsuke ometsuke inspector

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. Edo bakufu 江戸幕府 The Edo Government .
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metsuke 目付 and oometsuke . Ōmetsuke 大目付 Inspector and Inspector General
soometsuke 惣目付 Sometsuke
daikansatsu 大監察 Daikansatsu "Great Inspector"
kansatsukan 監察官 Kansatsukan, Inspector General

江戶幕府大目付の研究 - Edo Bakufu ōmetsuke no kenkyū
山本英貴 Yamamoto Hideki

Metsuke worked under the supervision of the 若年寄　Wakadoshiyori.
Ometsuke worked under the supervision of the 老中　Roju.

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Metsuke (目付) were the censors or the inspectors of Tokugawa Japan. They were bakufu officials ranking somewhat lower than the bugyō. The metsuke were charged with the special duty of detecting and investigating instances of maladministration, corruption or disaffection anywhere in Japan; and particularly amongst the populace having status below the daimyō.

- - - - - Intelligence gathering
The shogunate recognized the need for some kind of internal intelligence-gathering apparatus and for some degree of covert espionage within its own ranks. It could be said that the metsuke functioned as the Shogun's intelligence agency or as internal spies, reporting to the officials in Edo on events and situations across the country.

The metsuke were charged with focusing on those ranking below daimyō-status; and their counterparts, the ōmetsuke, were responsible for supervising the activities of officials and members of the daimyō (feudal lords).

Although similarly engaged, the reporting protocols of the metsuke and ōmetsuke differed. The metsuke reported to wakadoshiyori who ranked just below the rōjū. The ōmetsuke reported directly to the four or five rōjū at the top of the shogunate bureaucracy. By design, the intelligence-gathering activities of the metsuke was intended to complement those of the ōmetsuke even though there was no official reporting relationship between the two somewhat independent groups.
There were at any given time as many as twenty-four metsuke.

- - - - - Ad hoc evolution
The bureaucracy of the Tokugawa shogunate expanded on an ad hoc basis, responding to perceived needs and changing circumstances. Sometimes one or more of the metsuke or ōmetsuke would have been selected to address a specific or even a unique problem. For example, Arao Norimasa in the period from 1852 through 1854 was charged with special duties as kaibo-gakari-metsuke.

The prefix kaibō-gakari meaning "in charge of maritime defense" was used with the titles of some bakufu officials after 1845. This term was used to designate those who bore a special responsibility for overseeing coastal waters, and by implication, for dealing with matters involving foreigners. "Kaibō-gakari-metsuke" later came to be superseded by the term gaikoku-gakari. These developments prceeded the Gaikoku bugyō system which began just prior to the negotiations which resulted in the Harris Treaty. First appointed in August 1858, the gaikoku-bugyō were bakufu officials who were charged with advising the government on foreign affairs and who were tasked with conducting negotiations with foreign diplomats both in Japan and abroad.
- - - - - In popular culture :
- - - - - List of metsuke:
Oguri Tadamasa (1859–1860).
- source : wikipedia

- - - - - List of metsuke:
. 柳生宗矩 Yagyu Munenori （1632 - 1636） . (the first one)
水野守信 Mizuno Morinobu（1632年 - 1636年）
秋山正重 Akiyama Masashige （1632年 - 1640年）
井上政重 Inoue Masashige （1632年 - 1658年）
加賀爪忠澄 Kagatsume Tadazumi（1640年 - 1650年）
- - - and many more
合原義直 Gohara Isaburo（1868年）(the last one)
- reference : Japanese wikipedia -

metsuke 目付 can also just mean a look or the looks of a person, not related to the Edo officers at all.

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In March 10 / 11, 1641, there was a great fire in Oke-machi 桶町火事. More than 400 people lost their lives and 123 homes of Samurai were burned down.
The fire started in the home of a medicine maker (薬師 kusushi) named Matsuo　松尾, and spread fast in the strong wind.
The home of the Government official 大目付　Ometsuke 加賀爪忠澄 Kagatsume Tadazumi (1586 - March 11, 1641) burned down and he died in the fire.
After this fire, the Shogun Iemitsu established a fire brigade of the Daimyo, 大名火消 Daimyobikeshi.

. okechoo, okemachi、桶町 Okecho, "Bucket district" .

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Asakusa Abekawachoo　阿部川町 Abekawa machi
Since 1636 a lot of government workers called "o kobito shuu"　(okobito) 御小人衆 lived here, working for Metsuke office. At that time, the district did not have a special name yet. Since having no name was confusing as Edo grew, in the year 1696 it came under the directive of 細井九左衛門　Hosoi Kuzaemon, who gave it the name.
The leader of the Okobito, 川村太四郎　Kawamura Taishiro, had come from the Abekawa region of Shizuoka.
The ABE spelling changed from 安倍　to 阿部.

. Abekawa, Abe-Kawa 安倍川 / 阿部川 .

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- quote -
Metsuke: Intelligence gathering

kangen no metsuke 観見の目付け

(the text of this page is the same as the wikipedia.
- source : america.pink/metsuke -

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- - - - - H A I K U and S E N R Y U - - - - -

松例祭火事装束の大目付
shooreisai kaji shoozoku no oometsuke

pine torch festival -
the inspector wears robes
of the fire brigade
Tr. Gabi Greve

Mihara Seigyoo 三原清暁 Mihara Seigyo

. shoorei sai 松例祭 Shoreisai, pine torch festival .
toshiya matsuri 歳夜祭（としやまつり）
hyaku taimatsu no jinji 百松明の神事 ritual of 100 pine torches
- - kigo for mid-winter - -

on the last day of the old year, leading into the new year.
The last day of the 100 day-long winter austerities of the yamabushi at Dewa sanzan in .
It was held in former times to ward off the epidemy of tsutsugamushi, scrub typhus, along the coast of Northern Japan, about 1300 years ago.
The epidemy demons were driven out with large pine torches.

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6/10/2016

geta wooden clogs

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. Edo shokunin　江戸の職人 Craftsmen of Edo .
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geta 下駄　ashida 足駄 Geta wooden clogs

. Geta 下駄 Wooden Sandals, Clogs .
- Introduction and Haiku -
Geta with only one "tooth" to balance on 一本歯の下駄
Often worn by Tengu 天狗.

Utagawa Toyokuni III (Kunisada)

- quote
Geta (下駄) are a form of traditional Chinese-Japanese footwear that resemble both clogs and flip-flops. Geta were invented by the Chinese and then introduced to Japan from China. They are a kind of sandal with an elevated wooden base held onto the foot with a fabric thong to keep the foot well above the ground. . . . . .
According to Japanese superstition, breaking the thong on one's geta is considered very unlucky.
- source : wikipedia

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yukigeta, yuki geta 雪下駄 Geta for snow

source : xadachi-hanga.com/ukiyo-e

蒲原 Kanbara juku (Tokaido) 夜之雪 Night with snow
歌川広重 Hiroshige

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Look at the toes holding these high Geta!

- Look at more photos of feet on Ukiyo-E here:
- source : みさと接骨院 -

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下駄　浮世絵 Geta with Ukiyo-E patterns are also popular !
Click on the photo for more samples !

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getaya 下駄屋 craftsman making Geta

Since the middle of the Edo period, Geta had made their way into the city not only as an item of every-day use but also an item of fashion.
The much cheaper straw sandals were used for every-day walking, especially by the 長屋　Nagaya population living in cheap quarters.

source : blog.goo.ne.jp/yousan02 - 『七十一番職人歌合』
A craftsman is just about to put a whole into the wood for the Hanao.
First the hole is made with a drill, and the wood standing up is then burned down with metal chopsticks
that can be heated in fire.

Geta New Road 下駄新道 Geta Shinmichi
Situated around what is now JR Kanda Railway Station, during Edo times
there were many manufacturers of wooden clogs ("geta" in Japanese) along the back alleys
at the western end of Kaji-chō 2-chōme.
This led to the area being known as Geta Shinmichi (literally "Geta New Road").
- source - Tokyo Metropolitan Museum -

komageta 駒下駄 Komageta, the wooden parts are made of one piece.

- quote -
Geta are made of one piece of solid wood forming the sole and two wooden blocks underneath. These blocks may have a metal plate on the section that touches the ground in order to lengthen the life span of the Geta. A V-shaped thong of cloth forms the upper part of the sandal.
The dai (台, stand)
may vary in shape: oval ("more feminine") to rectangular ("more masculine") and color (natural, lacquered, or stained). The ha (歯, teeth) may also vary in style; for example, tengu-geta have only a single centered "tooth". There are also less common geta with three teeth. Merchants use(d) very high geta (two long teeth) to keep the feet well above the seafood scraps on the floor. The teeth are usually not separate, instead, the geta is carved from one block of wood. The tengu tooth is, however, strengthened by a special attachment. The teeth of any geta may have harder wood drilled into the bottom to avoid splitting, and the soles of the teeth may have rubber soles glued onto them.
The hanao 鼻緒, cloth thong)
can be wide and padded, or narrow and hard, and it can be made with many sorts of fabric. Printed cotton with traditional Japanese motifs is popular, but there are also geta with vinyl and leather hanao. Inside the hanao is a cord (recently synthetic, but traditionally hemp) that is knotted in a special way to the three holes of the dai. In the wide hanao there is some padding as well. The hanao are replaceable. It sits between the two first toes because having the thong of rectangular geta anywhere but the middle would result in the inner back corners of the geta colliding when walking.
- source : wikipedia -

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目のゆがみたるから、心地あしや

using extra high Geta for the toilet

- Look at more illustrations here:
source : miyuki-honpo/getanorekisi

- - - Different kinds of Geta

- reference : miyuki-honpo/getanosyurui -

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両国に古りし下駄屋や冬の雨
ryoogoku ni furishi getaya ya fuyu no ame

at Ryogoku
there is an old Geta shop -
rain in winter

Katsumata Itto 勝又一透 (1907 - 1999)

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source : blog.goo.ne.jp/aboo-kai/e

getaya no teishu 下駄屋の亭主 Getaya the Husband

女房逃げ亭主呆けて春の雨

his wife left him -
the husband is at a loss
in the spring rain

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夫婦喧嘩下駄を履くまで終わらない
fuufugenka geta o haku made owaranai

a fighting couple
will not give up
until one slips into the Geta

One partner is at the entrance hall and all ready to leave the home now in anger . . . but well, the good couple comes back to its sense and all is well again.

- reference : senryu about geta -

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geta no haire, geta ha-ire 下駄歯入れ repairing wooden geta clogs

geta haireya　下駄歯入れ屋 Geta repairman

This was a job for a repairman walking along the streets of Edo.

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source : blog.goo.ne.jp/s10683726/e ...
getaya no kanban 下駄屋の看板 shop sign of a Geta store

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. Legends and Tales from Japan　伝説 - Introduction .

.................................................................................　Miyagi 宮城県
蔵王町 Zao

furugeta no urami 古下駄の怨 the grudge of the old Geta
In the early Meiji period the region of 自由ヶ丘公園 Jiyugaoka Park was still a quiet Pine grove. The decided to build a 寺子屋 Terakoya school there. During the construction someone threw an old pair of geta in the fundament without much thought. Eventually the building was finished, but every night there was the sound of wooden Geta walking around and a hig-pitched whailing and crying: "This heavy stone is hurting by broken back!"
When they opened the fundament to have a look, they found the pair of Geta and took it out. Now all was quiet.

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- reference : nichibun yokai database -
117 to explore (01)

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Nozarashi Gosuke 野晒五助

Gosuke wears a robe with a skull pattern. From the sword on his back hangs a Geta with marks in the form of a skull too.
He is the henchman for the robber chief 日本駄右衛門 Nippon Daemon. He is known as a street knight (otokodate). They lived by a strict code of honor which dictated that they always have to assist people in need. It is also the theme of a popular kabuki play.

Kuniyoshi moyo shofuda tsuketari genkin otoko 国芳もよう正札附現金男
(Men of Ready Money with True Labels Attached, Kuniyoshi Style)
source and reference

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source : edokurashi.hatenablog.com/entry - 渡辺京二

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6/02/2016

dokufu poisonous woman

[ . BACK to DARUMA　MUSEUM　TOP . ]
. Persons and People of Edo - Personen .
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dokufu 毒婦 "poisonous woman"
akujo 悪女 "bad woman" in our modern vocabulary

近世悪女奇聞 / 綿谷雪
雷お新、高橋お伝、夜嵐お絹など毒婦一七人 The life of seven Dokufu

- quote
"Poison Women" and Early Meiji Writing
The notion of "poison women," or dokufu, was a prevalent topic among common readers during the early Meiji period. While the term itself comes from mid- to late-Edo period dramatic writing particularly the Kabuki theater in this context it refers to a group of women convicted in the first decades of Meiji of vicious crimes ranging from fraud and extortion to murder.
Names such as 夜嵐お絹 Yoarashi O-Kinu, 原田お絹 Harada O-Kinu, 高橋お伝　Takahashi O-Den,
鳥追お松　"Torioi" O-Matsu, and 花井お梅.Hanai O-Ume came to be widely known and associated with women of low birth whose chief characteristics were their unbridled sexuality, violent tempers, and greed.
But the notoriety of the "poison women" was tempered by the fascination in which they were held by the public at large. This fascination was enhanced by a series of sensational stories that appeared in the popular press of the time. These stories were a mixture of factual reportage and fictional embellishment, and most (but not all) portrayed their criminal heroines in a negative light. At the same time, their depiction of the "poison women" as sexually promiscuous enhanced the attraction such women held for their male readershipin particular, making these stories instant bestsellers once they were converted to book form.
This panel will examine several critical aspects of the early Meiji female criminals and the stories told about them. Marie Söderberg discusses aspects of the early Meiji newspaper industry, and provides a general overview of the medium in which these stories were presented. Ulla Frisk examines the historical basis of the "poison women," delineating, where possible, fact from fiction. Eiko Norlander looks at the aesthetic, literary angle of the stories, particularly their structural similarity to Kabuki. Matthew Strecher wraps things up with a discussion of structure and genre, discussing the "poison woman" stories as hybrid fact/fiction, an early form of literary journalism, and an important forerunner to the serialized newspaper novel.

1) "A Comparison of Japanese and Swedish Newspapers at the End of the 19th Century"
2) "Poison Women, Tsuzukimono, and the Development of the Meiji Newspaper Novel"
3) "On the Strolling Shamisen Player Omatsu's Adventures Kabuki Plays and the Novel"
4) "The Female Character in dokufu Novels in the Early Meiji Period"
- - - - - ASIAN STUDIES CONFERENCE JAPAN
- source : meijigakuin.ac.jp 2003

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Hanai O-Ume 花井お梅

source : ukiyoe-gallery.com
Hanai Oume Killing Kamekichi

- quote -
On a rainy summer night in 1887 a murder took place in one of Tokyo’s entertainment districts. A geisha known as Hanai Oume stabbed her lover to death. Oume’s open trial—shortly before the courts were opened to the general public for the first time—attracted widespread interest and caused a sensation.
This article focuses on the courtroom as a place of encounter between the law and the public. The public trials of the Meiji period are a good starting-point for describing the implementation of Western law in Japan. It thereby addresses the problem of the globalization of legal cultures in the 19th century, a topic which has been largely ignored in global history.
- Globalization of legal cultures in the 19th century. Criminal trials, gender, and the public in Meiji Japan
- source : Daniel Hedinger -

- reference -

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Harada O-Kinu 原田お絹 / Yoarashi O-Kinu 夜嵐お絹

source : ameblo.jp/naomireturn/entry

- quote -
Yoarashi Okinu 夜嵐おきぬ, ca.1845 - March 28, 1872)
is the moniker of Harada Kinu (原田きぬ), who was a Japanese female poisoner and geisha and lived from the end of the Edo era to the beginning of the Meiji era. Her nickname Yoarashi means night-storm in Japanese.
..... As she was beautiful, people in the Edo longed for her. She became a mistress of Ōkubo Tadayori (大久保忠順) in the capital Edo. He was the daimyo of the Karasuyama Domain in Shimotsuke Province, which was rated at thirty thousand koku. Ōkubo had a son, the successor to the Ōkubo family, by her. However, he hated her, and abandoned her in the Meiji Restoration.
She became a mistress of Kobayashi Kinpei .....
- - - More in the WIKIPEDIA !

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O-Miyo no Kata　お美代の方　Senkoin 専行院　
（1797 - 1872)
Concubine (sokushitsu) of 11th Shogun Tokugawa Ienari (1773 - 1841)
a maid-turned-adopted-daughter of a hatamoto

江戸幕府11代将軍徳川家斉の側室
- - - More in the WIKIPEDIA !

- quote -
Kagero Ezu - Film

..... To continue enjoying wealth and power even after he passes away, Ienari’s concubine Omiyo no Kata (Nakamura Yuko), who has been in his favour for a long time despite his legal wife Tadako (Shiraishi Kayoko), desires to have her own grandson Maeda Inuchiyo installed as the next shogun. Making use of his right-hand man Mizuno Minonokami (Kinoshita Houka) and others, Omiyo no Kata’s backer Nakano Sekio (Kunimura Jun) wheels and deals for the purpose of making Ienari write the directive that will determine the next shogun. .....
- source : jdramas.wordpress.com -

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Shirakoya O-Kuma 白子屋お熊
(1703 - 1727)

She used to wear Kimono of the striped red and yellow 黄八丈　Kihachijo pattern.
- source : kimono.or.jp -

..... her crime made her the heroine of ningyō jōruri puppet plays.
- - - More in the WIKIPEDIA !

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Takahashi O-Den 高橋お伝

- quote -
Takahashi Oden (1848 – January 31, 1879)
was a female Japanese murderer known for killing a man, and being the last woman in Japan to be put to death by beheading.
She was also suspected of poisoning her husband.
The movie Dokufu Oden Takahashi is based on her life. Director Shōgorō Nishimura's Roman porno film Crimson Night Dream (紅夜夢 Koyamu) (1983) also depicts Takahashi.
- source : wikipedia -

The story of her life also became a famous Kabuki play.
At her stone memorial at the graveyard in Yanaka　谷中霊園　Kabuki actors come to pray (they play in the game portraying her life) and others come to get better at playing the Shamisen.

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Torioi O-Matsu 鳥追お松

By Utagawa Kunisada III 歌川国貞三代

Her exact dates are not known, but she lived in Tokyo in the Meiji period. She was famous for her beauty.

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. Yaoya o-Shichi 八百屋お七 . 　
（1668 - 1683)

月岡芳年 Tsukioka Yoshitoshi （八百屋お七）
- - - More in the WIKIPEDIA !

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- - - - - H A I K U and S E N R Y U - - - - -

ひそみ立つ毒婦の墓や花山椒
hisomi tatsu dokufu no haka ya hana sanshoo

the lonely grave
of the poisonous woman -
mountain pepper blossoms
Tr. Gabi Greve

槫沼けい一 Kurenuma Kei-Ichi

. WKD : hana sanshoo 花山椒 flowers of mountain pepper .
- - kigo for late spring - -

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鬼灯や毒婦お伝の泣くような
hoozuki ya dokufu o-den no naku yoo na

these lampion flowers -
as if the poisonous woman O-Den
was crying

仁平勝 Nihira Masaru (1949 - )

. WKD : hoozuki 鬼燈－鬼灯 Chinese lantern plant .
- - kigo for autumn - -

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Wakoku hyakujo 和国百女 One Hundred Women of Japan
Hishikawa Moronobu 菱川師宣
. . . CLICK here for Photos !

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- - - To join me on facebook, click the image !

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. Edo bakufu 江戸幕府 The Edo Government .

. Famous Places and Powerspots of Edo　江戸の名所 .

. Doing Business in Edo - 商売　- Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳　Senryu poems in Edo .

. Japanese Architecture - Interior Design - The Japanese Home .

. Legends and Tales from Japan　伝説 - Introduction .

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[ . BACK to WORLDKIGO . TOP . ]- - - - - #dokufu #poisonouswoman - - - -
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