:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Kobayashi Issa 小林一茶 in Edo .
cleaning off soot, susu harai susuharai 煤払 (すすはらい)
..... susu haki 煤掃（すすはき）, susu oroshi 煤おろし（すすおろし）
day for cleaning, susu no hi 煤の日（すすのひ）
This was done not only at home but in temples and shrines too. With long bamboo poles and sakaki sacred branches the bad influences of the passing year, the vicious demons hiding somewhere in the corners and the roof beams, were cleared away, together with the real soot.
source : tukitodora.exblog.jp
. WKD : susuharai 煤払 cleaning off soot .
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
隅の蜘案じな煤はとらぬぞよ
sumi no kumo anji na susu wa toranu zo yo
corner spider
rest easy, my soot-broom
is idle
Tr. David Lanoue
. ISSA and his spider haiku 蜘蛛 .
..............................................................................................................................................
庵の煤掃く真似をして置にけり
io no susu haku mane o shite okinikeri
(1817)
Making a gesture
of sweeping the cobwebs,
I leave it at that.
Tr. Max Bickerton
my hut's soot--
going through the motions
of sweeping it
Tr. David Lanoue
- - - an earlier version reads
庵のすすざっとはく真似したりけり
io no susu zatto haku mane shitari keri
(1813)
my hut's soot--
I go through the motion
of sweeping it
Tr. David Lanoue
- - - - -
I briefly pretend
to sweep soot --
enough is enough
Tr. Chris Drake
朝々にうぐひすも鳴けいこ哉
asa-asa ni uguisu mo naku keiko kana
singing practice
every morning
with the warbler
These two hokku appear in this order in Issa's diary for the 12th month (January) in 1814, a few months after he had finally been able to move into the half of the house left to him by his father in his hometown. It is the first time Issa has experienced various year-end activities in his own house, and he is honest about his lack of interest in housekeeping. In the middle of the 12th month almost everyone in the village is doing a big year-end cleaning -- washing everything and sweeping not only the floors but the soot-covered pillars, beams, rafters, and dark corners -- yet Issa feels no need to do anything but move his broom around for a short time, and he soon gets bored with his own pretense.
Bush warblers (Heronries diphone) have begun to sing again, though it's still a couple of weeks before the new year and lunar spring. In the 12th month not many people listen to them, but Issa hears one loud warbler outside singing morning after morning, and he feels the bird must be practicing its song so it will be perfect when the New Year comes and people strain to hear the "first warbler song" of the new year. Hearing it every morning, Issa seems to find himself repeating the warbler's call to himself and wonders if he, too, needs to improve his warbler singing technique.
It is also possible to read the second hokku as, "every morning it practices singing uguisu." However, if Issa intended uguisu to be the sound the bird makes, I think he would probably have used katakana syllabic letters. There is a folk etymology that takes the name bush warbler (uguisu) to be onomatopoetic, this theory is not widely accepted. Issa seems to have believed the bird's name originally meant "first appearing deep in the mountains" (oku ni izu). In Issa's time the main call of the warbler was usually described as hou-(hou-)hokekyo, a sound that suggested, when translated, Lo-Lotus Sutra or Lo-Lo-Lotus Sutra.
Here is a good recording of the call:
- http://www.youtube.com/watch?v=oftfpDAfLHE
By putting these two hokku next to each other, Issa might be suggesting that for him it's more important to learn about other voices and improve his singing/writing than to clean all the sooty beams in his house.
Chris Drake
..............................................................................................................................................
かつしかや煤の捨場も角田川
katsushika ya susu no suteba mo sumida-gawa
名月や松の天窓の煤もはく
meigetsu ya matsu no atama no susu mo haku
外は雪内は煤ふる栖かな
soto wa yuki uchi wa susufuru sumika kana
煤掃て松も洗て三ケの月
susu haite matsu mo araute mike no tsuki
煤けたる家向きあふて夕涼み
susuketaru ie mukiaute yûsuzumi
煤くさき畳も月の夜也けり
susu kusaki tatami mo tsuki no yo nari keri
行雁がつくづく見るや煤畳
yuku kari ga tsuku-zuku miru ya susu tatami
and many more - 76 haiku
- translations by David Lanoue -
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Latest updates about Issa on facebook - CLICK to join !
. WKD : Kobayashi Issa 小林一茶 - Introduction .
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- quote -
Karei no Susuhaki 嘉例のすゝはき Seasonal Rite of Cleaning Up
This illustration shows the scene of Susuharai, the annual custom of indoor cleaning and the cleansing of shrines. In the Edo period, Susuharai was set to take place on December 13th and so this was a kind of Shinto event called such names as
'Jū san-nichi (13th) Sekku' 十三日節供（せっく）.
The tradition called "Susuharai", or the year-end cleanup, was enjoyable only when all the work was finished. As it can be seen in this painting, people enjoyed eating onigiri (rice balls) and nishime (simmered vegetables) contained in a lacquered box. This was called "osame no iwai" (celebration of finishing the cleanup) at which the food and wines were offered to the people who joined the cleaning.
During the occasion, some people were being tossed in the air in celebration and others made a special performance. Indeed, this ukiyo-e depicts not only the occasion of "susuharai" actually held at the end of each year, but represents another meaning.
This nishiki-e (colored wood-block prints) was published in November, 1855 (Ansei 2), which was one month after the Ansei Earthquake. It has been pointed out that this painting has a purpose to let the public know of the fact that these actors survived the earthquake, as it can be understood that this depicts the neighborhood of Saruwaka-cho, as the rooftop of Sensōji and the five-story tower are painted behind two people. These two people in this painting were supposedly popular kabuki actors such as Nakamura Kantarō and Iwai Kumesaburō, as Shibai-machi was still in chaos.
- source : Tokyo Metropolitan Library -
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]
- #susuharai -
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
