Showing posts with label - - - Craftsman Artisan. Show all posts
Showing posts with label - - - Craftsman Artisan. Show all posts

10/18/2015

Construction work

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. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
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Construction work for a Japanese Home

Introducing the most importand craftsmen and artisans involved in constructing buildings.

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- quote
There are several types of craftsmen involved in the construction of buildings, and they differ in status and importance, from the most skillful architects and wood-carvers to the lowest day laborers who do the dirty work to support the more skilled craftsmen. The first, and most highly respected group are the carpenters.
Most master carpenters are not only responsible for building the wooden frame of the building, but also for designing the structure and drawing up the blueprint. It takes highly-skilled craftsmen to design and construct some of the larger and more impressive buildings in Edo, and as a result, the carpenter/architects are the "top of the pyramid" in the construction industry.

Next come the stonemasons and the roofers -- who are ranked about equally in terms of prestige, though their work is quite different. To prevent termites from damaging the wooden structures, most buildings in Edo are built on foundations of stone. The shape, stability and placement of the foundations stones is very important, especially in the case of large buildings. A home with an unsteady foundation may eventually collapse, particularly considering how many earthquakes there are in Japan. The roofers are responsible for covering the building with shingles (on working-class homes and most public buildings) or ceramic tiles (in the case of upper-class residences or temples). This job can be very dangerous, since most buildings have fairly steep roofs. One slip and a worker could suffer a serious injury, or even be killed.

The lowest rank of craftsmen in the construction industry -- just a step above the day laborers and apprentices -- are the plasterers. The homes of blue-collar people, farmers and laborers are usually made of rough-finished boards, with no covering or paint. However, the homes of the samurai are usually coated with a layer of plaster,both for insulation and to provide an attractive exterior finish. In addition, the walls that surround their residences are made of a thick layer of mud and plaster covering a wooden or bamboo frame. Plastering is a rather dirty job, but it requires a certain amount of skill. Many day laborers try their best to win a full time job as a plasterer, since it will mean a step up in status and a better salary than just providing the heavy labor needed on the construction site.

There are two other crafts that are also closely related to the construction industry, though they usually have independent businesses and just sell their products to builders. These are the craftsmen who make shoji (sliding paper screens) and tatami (straw mats). Because of Japan's climate, with its hot and muggy summer weather, most buildings are built with designs that aid in ventilation and air circulation. Shoji are sliding paper screens found on almost all doors and windows. You can slide them open to let the breezes blow through the house, and in the summer time they can be removed entirely, leaving the house open to even the gentlest draft of air. In their place, curtains made of finely-split bamboo or straw are hung from the ceiling. These keep out prying eyes, but still allow the breezes to blow through the entire house.
- source : edomatsu -

The leader of a group of craftsmen was generally called
oyakata 親方 boss, foreman, master craftsman leader

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source : 刃物 フルカワ
職人絵図 江戸時代 大工 (釿・ノミ・鋸・下げ振りなどが見える)



. daiku 大工 carpenter . -
tooryoo 棟梁 Toryo, master carpenter
miyadaiku 宮大工 "shrine carpenter"

. Hida no Takumi 飛騨の匠 Master Builders from Hida .

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. idohori shi 井戸堀師 digging a well .


. ishi ku, ishiku, sekkoo 石工 stone mason .

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jigyooshi 地形師 "ground-preparing" worker, ground leveling worker
Hardening the ground before setting up a building.
jigyoo 地形 Jigyo, the part under the foundation of a building


source : www.bousaihaku.com

This work was helped by the tobishokunin construction workers.

A tower scaffold with three platforms was erected, in its middle a huge tree trunk was placed (jigyoobashira 地形柱). The workers pulled it up and down with the help of a rope over a kassha 滑車 pulley



江戸東京地形の謎 / 芳賀 ひらく

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. kamadoshi かまど 竈師 making the earthen hearth .
- - - - - kamabutashi kamabuta-shi 釜蓋師 making a lid for the iron pot
- - - - - Kamafuta Jinja 釜蓋神社 "Kamafuta Shrine", Kagoshima
daidokoro 台所 the Japanese kitchen


. kanbanya 看板屋 making the shop sign .
kanban 看板 Kamban, Shop Signs


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sashimonoya 指物屋 furniture maker


Edo Sashimono 江戸指物 - 町職人の粋と意気 by 関保雄

. Edo Sashimono 江戸指物 Wood Joinery .

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. shakan, sakan 左官 plasterer, stucco master .
kote-e 鏝絵 "painting with plaster", relief painting
often as decorations on the storehouse of rich merchants.
- and
shikkuishi 漆喰師 making lime plaster walls

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. tansuya 箪笥屋 Tansu maker, craftsman making chest of drawers .

. tatamiya 畳屋 making Tatami floor mats .
tatami 畳 Japanese floor mats

. tateguya 建具屋 making doors and sliding doors .
fusuma 襖 and shooji 障子 sliding doors

. tobishoku, tobi-shoku 鳶職 construction workers .
鳶 tobi、鳶口 tobiguchi、鳶の者


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. uekiya 植木屋, niwashi 庭師 gardener .

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. yaneya 屋根屋 roof maker, roofer - kawaraya 瓦屋/ 瓦師 roof tile maker .

. hafu 破風 gables and roofs .

. kokerabukishi, kokerabuki-shi 柿葺師 craftsman roofing with wooden shingles .


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- - - To join me on facebook, click the image !

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. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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[ . BACK to WORLDKIGO . TOP . ]- - - - - #constructionwork - - - -
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10/05/2015

daiku carpenter

[ . BACK to DARUMA MUSEUM TOP . ]
. shokunin  職人 craftsman, craftsmen, artisan, Handwerker .
. Places and Powerspots of Edo .
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daiku 大工 carpenter and legends

. daiku - Introducing Japanese Carpenters .


CLICK for more photos !
江戸時代大工上棟之図 Edo Carpenters building a roof

tooryoo 棟梁 Toryo, master carpenter
He is a most important person when building a new wooden home, temple or shrine.
They also had the job of an architect in planning and organizing the whole construction.

miyadaiku 宮大工 "shrine carpenter"
specializing in building shrines and palaces

. Hida no takumi 飛騨の匠 master builders from Hida, Gifu .
an expert carpenter or craftsman from Hida
Hida no daiku 飛騨の大工 carpenter from Hida, architect from Hida

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There was a special district in Edo where most of the carpenters lived :

Kanda daikuchoo 神田 大工町 carpenter district in Kanda
tate daikuchoo 竪大工町 (now in Uchi Kanda 内神田三丁目14番 )
yoko daikuchoo 横大工町 / minami daikuchoo 南大工町

This district was founded around 1640 in the Kanei period 寛永 and is mentioned in the
"Edo Map of Kanei 寛永江戸図".
Many carpenters who lived here worked directly for the Bakufu government for the official buildings of Edo.


source : 無涯塾日記

One famous (but fictional) character is the carpenter 吉五郎 Kichigoro in the story
三方一両損 sanbo ichiryo zon, where the famous magistrate 大岡越前守忠相 Oka Echizen is holding court.

The shop of a craftsman making the matoi 纏 standards , a pole with the fire fighters brigade mark, is also located here.
纏屋治郎右衛門 Matoiya Jiroemon

. shokuninmachi 職人町 district with craftsmen in Edo .

Now the 龍谷大学 Ryukoku University is located in this district.

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Another district where carpenters lived was



Umibedaikuchmachi 海辺大工町 Umibe Daikumachi carpenter district on the coast
Umibe Daikucho, Umibe Daiku-Cho , Umibe Daiku-machi
along the river 小名木川 Onagigawa.


Umibe is a district in 江東区 Koto Ward, next to Fukagawa.

River Onagigawa joins the Sumidagawa with the bridge 高橋 Takahashi as main access. Another bridge was 万年橋 Mannenbashi and then
the Shin-Takahashi 新高橋 New Takahashi Bridge. The bridge Takahashi (High Bridge) was build much higher than other bridges to avoid being swept away by flooding of the rivers.

After reclaiming the land the settlement along the river Onagigawa became w river port and was named Umibe Daikumachi in 1713.



Many carpenters skilled in building ships and boats came to live here, hence the name.
funadaiku 船大工 shipbuilder carpenter



The bottom of a wooden boat was often burned to make it more resistant to rotting.


source : adachi-hanga.com/ukiyo-e
歌川国芳 Utagawa Kuniyoshi
Detail from 東都三ツ股の図 Toto Mitsumata no Zu
View of Mitsumata in the Eastern Capital




. River Onagigawa 小名木川 .
and The Gyotoku Salt Fields 行徳塩田 Gyotoku enden

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- - - - - . Bashō-An 芭蕉庵 Basho-An in Fukagawa 深川 .
- Matsuo Basho 松尾芭蕉 - Haiku Poet


source : homepage3.nifty.com/onihei-zue
Basho-An was near the Mannenbashi 万年橋 "Ten Thousand Year Bridge".

萬年橋 Mannenbashi bridge - Hiroshige


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source : 刃物 フルカワ
職人絵図 江戸時代 大工 (釿・ノミ・鋸・下げ振りなどが見える)


Craftsmen going out to work were called dejoku, deshoku 出職.
They went to the home of a client to work. The three most important deshoku for construction works 普請三職 were
大工 carpenter, shakan 左官 wall plasterer and tobi 鳶 construction workers.

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The carpenters left home early in the morning to make use of the daylight. Work usually started around 7:00 in the morning
They carried a box with their tools, an important status symbol of each carpenter.
He always kept the box at home over night. If a fire broke out in the neighbourhood he could throw his tool box into the drainage canal before the house (どぶ). So even if he lost his home and place to sleep, he still had his tools and could start all anew the next day.


source and more : たそがれ日記

doogubako 道具箱 Dogubako, tool box of a carpenter

At 10:00 there was a short break of about 30 minutes.
13:00 was time for a one-hour lunch break.
At 14:00, another short break of about 30 minutes. Including a smoke and a snack.
At 17:00 work was over and the carpenter could go home. On the way he might go to a bath house and be home at 19:00 for dinner.
Bedtime was early, at 20:00.
(There was no electric light in Edo . . . nights were dark, dark, dark.)
If he had to start earlier or work overtime to get a job done, he was payed extra money.

Because of bad weather he usually could not work for about 60 days in a year, leaving him without income for 2 months. His wife had to make ends meet.
He still had enough pocket money to have a drink of Sake at night and get some sweets for the children.

There was a humorous saying in Edo:

大工殺すにゃ刃物はいらぬ、雨の十日も降ればよい.
To kill a carpenter you do not need a sharp blade.
Just let it rain for 10 days.


Before doing some work the craftsman had to haggle about the price for a bit of work with his client, temadori 手間取.

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Kiba 木場


CLICK for more photos !

- quote -
Kiba - Lumberyards and Carpenters
Eitai-bashi (Eitai bridge) is the longest bridge in Edo, and one of the largest in the country. Though not nearly as famous as nearby Nihonbashi, it is probably a more important bridge for the citizens of Edo. The huge, semicircular arch is one of just three bridges spanning the lower reaches of the Sumida river, and linking central Edo with the residential and manufacturing districts on the eastern shore of the river. Although both Nihonbashi and Ryogoku-bashi are more well known, Eitai-bashi is nevertheless an important transportation link from central Edo to the busy lumberyards of Kiba.

Kiba is a low-lying district on the very edge of Edo bay, on the east bank of the Sumida river. It is a very blue-collar neighborhood, and most of the residents live in nagaya (row houses). Many of the people who live here are day laborers and construction workers, who toil in the vast lumberyards that give this district its name.

The word "kiba" literally means "place for wood". The area gets its name because it is the neighborhood designated by the Shogun for all lumber yards. Although many construction companies have offices in the central part of the city, they are prohibited from keeping a large stockpile of wood anywhere near the city center. Instead, they have to keep almost all of their wood stored in Kiba. This is a precaution taken to help prevent serious fires.

When Edo was first built, the main kiba, or lumber yards, were located on the west bank of the Sumida river, in places like Tsukiji and Hamacho. This was the most convenient location, since the wood could be transported there easily by river, and most of the construction work being done in the city was in the downtown areas around Nihonbashi, Kyobashi and Kanda. As the city began to spread out, construction companies set up smaller lumber yards in each part of the city. However, as the people of Edo discovered, this was an invitation to disaster. Fire has always been a serious problem for citizens of Edo. Nearly every building in the city is made of wood, and the houses are packed tightly together, especially in the shitamachi (downtown) areas of the city. If a fire gets started, it usually spreads very fast, and it may destroy many, many buildings before anyone can put it out.

In the crowded, narrow streets of the city, it is often hard to escape from a fire, and many people die every year from even small fires. There is even an old saying among city residents, that "fires and fistfights are the flowers of Edo". Both types of altercations flare up very easily in the crowded downtown neighborhoods. However, when they were planning and building their city, the early Shoguns never imagined that fires could cause as much damage as the Great Meireki Fire did in 1657.

The Great Meireki Fire was the worst catastrophe ever to strike the city, and even today, more than a century later, the city still bears scars from the disaster. Almost half a million people died in the flames, and over half of the city was burned to the ground. After the catastrophe was over, Tokugawa Tsunayoshi, the fifth Shogun, passed a series of laws and made several changes to the design of the city to help make sure that future fires could not spread so quickly or cause as much damage. One reason why the flames to spread rapidly was that there were many large lumber yards located in the downtown area. Once a big lumber yard catches fire, it is just about impossible to put out, and the flames jump so high that the firemen cannot stop them from spreading to other buildings nearby.

After the Great Meireki Fire, all carpenters and builders were ordered to move their lumber yards to the other side of the river, away from the heavily populated downtown area. The new neighborhood was given the name "Kiba". A number of other changes were made as well, such as widening the roads to create firebreaks, and organising local fire brigades. The job of a fireman is usually held by low-ranking samurai. It is a very dangerous and demanding job, but the firemen of Edo are highly respected, and many local communities look to current or former members of the fire brigade to become their local leaders and peace officers.



Kiba is a very low, swampy area that sometimes gets flooded at extremely high tides and during storms. Although this makes it a rather uncomfortable place to live, it is an ideal place for lumber yards. First of all, it was easy to build a vast network of canals in the area where the lumber yards were located. These canals have a dual purpose -- their main function is as transportation routes, to make it easier to bring wood to and from the lumber yards. In addition, the canals prevent fires from spreading from lumber yard to lumber yard. Although the high tides and floods can sometimes cause damage to the wood (especially if the wood remains under water for too long), it also has a positive effect. Termites cannot build their nests in swampy ground, and the occasional floods destroy any termite nests that have been established in the woodpiles, so the lumber yards of Kiba are almost immune to termite damage.



Wood is brought to Kiba from mountain forests far to the north and west of the city. Lumberjacks working in the forests cut down the tall, straight and hard-wooded trees such as sugi (cedar) and hinoki (cypress). These are the best types of wood for building houses, since the wood is straight, strong and very resistant to water. The logs are then cut into large, semifinished beams, which are tied together like a raft and transported downriver to Edo.

When the huge wooden beams reach Kiba, they are sold to individual lumber merchants or construction companies. The lumber merchants take the huge beams to their own lumber yard where carpenters saw them up into smaller boards and beams, storing them in the lumber yards until they are ready to use.

Most of the lumber merchants have close ties to the construction guilds in downtown Edo. Builders are among the more respected of craftsmen, and master builders can become very wealthy. However, for every master architect and builder, there are usually many lesser craftsmen, apprentices and day laborers who do the dirty work, like carrying heavy beams or bundles of shingles to and from a building site, or tearing down old buildings that are being replaced. The more skilled carpenters tend to live in middle-class areas in Nihonbashi, Kyobashi or Asakusa, while many lower-level workers live in the blue-collar districts near Kiba, where they queue up each day looking for temporary jobs on a construction site.
- source : edomatsu -


. Construction work - Introduction .
Organizing all the artisans to build a home in Edo !


. Kawase Hasui 川瀬巴水 (1883 - 1957) .


Kiba no Yugure 木場の夕暮れ Timber Yard, Evening


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. carpenter tools with Daruma .



koshibukuro だるまの腰袋 waist bag
kugibukuro 釘袋 nail bag


. kugi 釘 nail, Nagel - Introduction .

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Daiku Rokusa 大工六三 Rokusa the Carpenter
?Daiku Rokuzo, Daiku Rokuzō



Utagawa Kunisada
A portrait of Ichikawa Ichizo III as Rokusaburo the carpenter,
made for the forthcoming performances of Komamukae Tanomino Tsukkomi (a version of Mijikayo ukina no chirashigaki) at the Morita theatre in 1858.
- source : fitzmuseum.cam.ac.uk/gallery -

- quote -
OSONO ROKUSA
Sanzesô Nishiki Bunshô / Oku Dôsha Musume Sugegasa

The courtesan Osono, who belongs to the Fukushimaya house in Fukagawa, is ailing because of over-anxiety concerning her lover Komurasaki Rokusaburô (commonly called Rokusa). He has been dismissed from service as samurai because he lost a family treasure, a valuable poem card (shikishi) that had been entrusted to his keeping. .....
Osono's brother Chôan, a doctor who is more a charlatan than a skilled doctor, knows that Rokusa is a hopeless rônin. ...
... Osono, who is readying herself for departure, is met by Rokusa who has come back to kill her. Osono gives him a letter she had written to explain everything. Rokusa understands the circumstances and they go off together.
Trivia
The story of Osono and Rokusa is based on two real events which happened in Ôsaka in 1749: the 18th day of the 3rd lunar month of the 2nd year of the Kan'en era , the courtesan Osono (from the Minami pleasure district) and the carpenter Rokusa committed a double suicide. The same day, a courtesan from the Kita Shinchi pleasures district, who had killed her elder brother and was sentenced to death, was executed. The story of Osono and Rokusa is a fusion of these two real events.
In Sakurada Jisuke III's version, the actions and characters are shifted to Edo.
- source : kabuki21.com -


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. Legends and Tales from Japan 伝説 - Introduction .

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ishidooro 石燈篭 Ishidoro, stone lantern

元禄年中に寺を普請した棟梁が奉納した燈篭を江戸へ運ぼうとしたら、夜関係者が発熱し狂気のように皆燈篭のことを口走った。ゆえに江戸へは運ばず寺に返した。精霊が宿っているのだろう。

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kitsune 狐 fox

王子村稲荷は関八州の稲荷明神の棟梁で、毎年12月晦日に関八州の狐が社前に集まり火を灯す。その燃え方を見て周辺の人は作柄を占う。


................................................................................. Ehime 愛媛県
Joohen 城辺町 Johen

Wakamiya Jinja no ki 若宮神社の木
若宮神社には300年以上経った並木があったが、3年前に集会場を建てるので切り倒してしまった。その木を斬った棟梁は間もなく入院して亡くなり、他の樵も皆亡くなってしまった。

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大洲市 Ozu

yamaneko, yamainu 山猫,山犬
銃の名手左衛門が、山猫の住む「入らずの森」を開拓した。山猫は手出しができずにいたが、ある日娘が一夜の宿を求めて来て、左衛門は共に暮らした。ある日山犬に襲われた飛脚が「山猫の棟梁が左衛門のところに行っていなければ」と言うのを聞く。それが左衛門の耳にも入り、ついには正体を現した古猫をしとめる。


................................................................................. Hiroshima 広島県

funadamasama 船魂様 Funadama Sama
船魂様は女の神様で、女がひとりで乗船することを嫌う。ひとりで乗るときにはデコ(人形)を持って乗るとよいと言われている。船霊様として帆柱の下に収められるのはサイコロ2個と一文銭12枚、女のデコを1個である。サイコロは大工の棟梁が柳の木から新しく作ったもので、2と2の目が向かい合うように並べる。



................................................................................. Ishikawa 石川県
河内町 Kawachi

tengu 天狗
棟上げの時、天狗除けや魔除けのために、棟梁が屋根の上に六角の糸巻きの枠を立て、それに鯖をつるす。その後、鯖は川に流してしまうという。



................................................................................. Kagoshima 鹿児島県
大島郡 Oshima district

fuiguchi フイグチ
部落に住む大工の棟梁同士が喧嘩した際、ひとりの棟梁がフイグチをする性格であった。もうひとりの棟梁はそれを見抜いていてモドシグチを行った。するとクチを入れた棟梁は眠ったまま死んでしまった。


................................................................................. Kyoto 京都府
亀岡市 Kameoka

shironamazu 白鯰 White Namazu catfish
亀山城の別棟が少し歪んでいたので、棟梁が責任を取って堀に身を投げた。棟梁は白鯰となり、堀の主となった。水の浅くなった月の夜半、白鯰が頭を水面に出して城を見つめるという。


................................................................................. Miyagi 宮城県
栗駒町 Kurikoma

nyuudoo boozu 入道坊主 Nyudo Bozu
棟梁が着工式に呼ばれ、お祝いの魚を藁づとに包んで帰る途中、人気のない道で火にあたる八尺ばかりの入道坊主に会った。持っていた手斧をふりまわしながら通り過ぎたが、いつのまにか入道坊主は消えた。ムジナの仕業だという。


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柴田町 Shibata

amida no kakejiku 阿弥陀の掛軸
山の上集落の近江家は、旅の僧をもてなして阿弥陀様の書かれた掛軸をもらった。あるとき、近江家に普請に入った大工の頭領が、掛軸を盗んで逃げた。家を出た途端大雨が降り出し、狐狸が邪魔をした。雷が鳴り、橋が流れそうになる。命からがら家に帰ったが、掛軸はピカピカと光っていた。翌朝、棟梁はポックリ死んでしまった。掛軸は古道具屋に売り払われたが、今度は大きなネズミが出て道具屋が眠れない。祈祷師に拝んでもらうと元の家に返せという。こうして掛軸は返ってきた。



................................................................................. Osaka 大阪府

kaeruishi, kaeru ishi かえる石
大阪城のかえる石付近に行くと休みたくなる。その石に腰をかけたものは恍惚とし、そのうち屋形が浮かび出て女中が手招く。それで投身するものが絶えないという。淀君の怨霊、人柱に立った大工の棟梁とその女房の伝説、城普請の棟梁のだまし討ちなどの説がある。

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- reference -

- source : nichibun yokai database -
大工 101 legends to explore (00) /// 棟梁


絵巻に描かれた(鎌倉時代の)普請場の様子
- source : unko-mitsuhashi.blog -

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. WKD : daiku 大工 carpenter .

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. Japanese Architecture - Interior Design - The Japanese Home .

. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .

. Legends and Tales from Japan 伝説 - Introduction .


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- - - - - #daiku #carpenteredo #toryo #miyadaiku - - - -
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8/14/2014

Edo Crafts

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. shokunin  職人 craftsmen, artisan, Handwerker .
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Traditional Crafts of Edo and Tokyo

- quote
Currently, 40 art and craft items are designated as "Traditional Crafts of Tokyo".
- This is an official growing list, their hyperlinks are here
Bureau of Industrial and Labor Affairs
- source : www.sangyo-rodo.metro.tokyo.jp/shoko

現在、40の伝統工芸品が東京都の伝統工芸品として指定されています。
- source : www.sangyo-rodo.metro.tokyo.jp - japanese -

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. Edo Bekko 江戸鼈甲 Tortoiseshell Products.

. Edo Fude 江戸筆 Handmade Calligraphy Brushes .

. Edo Garasu 江戸硝子 Edo Glassware .

. Edo Hake 江戸刷毛 Edo Brushes .

. Edo Hyogu 江戸表具 scroll mounting .

. Edo Ishogi Ningyo 江戸衣裳着人形 Costumed Dolls .

. Edo Karakami 江戸からかみ Hand-Made Patterned Paper .

. Edo Katchu 江戸甲冑 Warrior Armor from Edo .

. Edo kimekomi ningyoo 江戸木目込人形 kimekomi dolls from Edo .
Wood and Cloth Dolls

. Edo Kiriko 江戸切子 Cut Glassware .

. Edo Moku-Chokoku 江戸木彫刻 Wood Sculptures .

. Edo Moku-Hanga 江戸木版画 Woodblock Prints .

. Edo Oshi-e Hagoita 江戸押絵羽子板 Padded collage Paddles, Battledore, Shuttlecock .

. Edo Sarasa 江戸更紗 Printed Silk Calico .

. Edo Sashimono 江戸指物 Wood Joinery .

. Edo shikki 江戸漆器 Edo laquerware .

. Edo Shishu 江戸刺繍 Embroidery .

. Edo Sudare 江戸簾 Slatted Blinds .

Edo Tegaki Chochin (Hand-Painted Paper Lanterns) 江戸手描提灯 - see below -

. Edo Tsumami-Kanzashi 江戸つまみ簪 Ornamental Hairpins .

. Edo Wazao (Bamboo Fishing Rods) 江戸和竿 .

. Edo Zoge (Ivory Carvings) 江戸象牙 Zooge .

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. Tokyo Butsudan (Buddhist Altars) 東京仏壇 Buddhist family altar .

. Tokyo chokin 東京彫金 metal chasing .

. Tokyo Gakubuchi (Picture Frames) 東京額縁 .

. Tokyo ginki 東京銀器 Silverware, Tokyo Silversmithery .

. Tokyo Honzome Yukata 東京本染ゆかた Indigo-Dyed Summer Kimono .
Edo Yukata 江戸浴衣

. Tokyo Kumihimo 東京くみひも Braided Cords .

. Tokyo Koto 東京琴 Japanese Harp .

. Tokyo Shamisen (Three-Stringed Musical Instrument) 東京三味線 .

. Tokyo Shippo (Cloisonne Enamelware) 東京七宝 cloisonne .

. Tokyo Some-Komon (Tokyo Fine-Patterned Dyeing) 東京染小紋 .

. Tokyo Tegaki Yuzen 東京手描友禅 Hand-Painted Kimono . 江戸友禅 Edo Yuzen

. Tokyo Teue Brush (Handmade Brushes) 東京手植ブラシ .

. Tokyo Tokogei (Rattan Craft) 東京籐工芸 .

. Tokyo Uchihamono (Hand-Forged Blades) 東京打刃物 .

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. Honba Kihachijo (Hachijojima Silk Fabric) 本場黄八丈 .

. Murayama-Oshima Tsumugi (Textured Silk Pongee) 村山大島紬.

. Tama-ori, Tama Ori 多摩織 Woven Fabrics from Tama .

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Edo Tegaki Chochin 江戸手描提灯 Hand-Painted Paper Lanterns



■ Traditional Technologies and Techniques

1 - Line sketching of lettering: 文字の素描き
Japanese characters are applied in outline to lanterns using a menso-fude 面相筆 (a fine-point brush). This is done by following a rough sketch outline drawn in advance. (The method for doing this was developed in the 1750s).

2 - Line sketching of family crest(s): 家紋の素描き
Family crest(s) are painted on lanterns in outline using a menso-fude 面相筆. This is done by following a rough sketch outline drawn in advance. (The method for doing this was developed in the 1750s).

3 - Painting in: 塗り込み
Outlined characters and crests are painted in. If thin or diluted ink is being used, dosa どうさ液 (a protective liquid called "sizing" in English) is also applied to prevent smearing. (The method for doing this was developed in the 1750s).

■ Traditionally Used Raw Materials
Hibukuro chochin (literally "fire bag lanterns"):
These lanterns are hung up by themselves (without a pole). The skeleton (ribbing) of the lantern is made of bamboo, the covering over the skeleton is made of washi (traditional Japanese paper). ) Takahari chochin and other types: Takahari chochin are parade lanterns that are hung from long poles. They have been used since the 1700s.
火袋 高張提灯等(1700年代から使用)

■ History and Characteristics
It is recognized that in the Muromachi Period (1337-1573), the earliest examples of Chochin lanterns were being used at the start of the 16th century during the Bunki Era (1501-1504). The lanterns used then were said to be kago-chochin 籠提灯 (lanterns inside bamboo baskets). Prototypes of what would later become the modern collapsible chochin are believed to have been created during the Tenbun Era (1532-1555). During the following Azuchi-Momoyama Period (1573-1596), chochin adopted the form of a skeleton of thin split-bamboo hoops covered by paper. Such lanterns came equipped with a flat base for housing a candle. This design resulted in lanterns that could be expanded and collapsed at will. Chochin use subsequently became widespread during the Edo Period (1603-1868).

From the mid Edo Period onward, a great number of craftsmen skilled in calligraphy and brushwork resided in Edo's Asakusa district. Wholesaling systems were developed in the Meiji Era (1868-1912), this resulted in a growing division of tasks between chochin production processes and character/crest decoration processes. Even today, some Tokyo craftsmen make a living based on writing Japanese characters on finished hibukuro 火袋 ("fire bag lanterns"). The Japanese characters written on chochin are generally referred to as being in the Edo moji style (the Edo lettering style), and such chochin calligraphers also prepare senjafuda, slips of paper bearing pilgrim names that are affixed to the gates of Shinto shrines and Buddhist temples. Although lettering is written inside an outlined area on senjafuda 千社札, chochin lack such restrictions. This leads to a slightly more free-flowing calligraphy style. Furthermore, painting family crests on chochin differs from applying them to kimono, in that the former are painted in black ink on a white background. Crests are painted in a way that facilitates visibility from a distance, and unique methods are utilized to achieve a balanced appearance.

Tokyo Paper Lantern Manufacturing Guild
7-7-2 Minamisenju, Arakawa Ward, Tokyo
- source : www.sangyo-rodo.metro.tokyo.jp

. choochin 提灯 lanterns of Japan .

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. shokunin  職人 craftsmen, artisan, Handwerker .

. - Doing Business in Edo - 商売 - Introduction .


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12/25/2013

repairmen

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Repairmen in Edo

This is part of the main entry about
. Doing Business in Edo - 江戸の商売 .

Repairing things to the very end was common in Edo.
Many repairmen also functioned as a kind of recycle shop, since they would dispose of the last parts of things they had repaired and recycled so far.

xxx naoshi 直し
saiseigyoo 再生業
shuuriya 修理屋, shuuri shokunin 修理職人


source : www.tbs.co.jp/newsbird/


Some of these professions are also a kind of recycling:
. Recycling and Reuse in Edo - リサイクル と 再生 / 再使用 .


under construction
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. choochin harikae 提灯張り替え repairing paper lanterns .


. geta no haire, geta ha-ire 下駄歯入れ repairing woode geta clogs .


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. ikakeya 鋳掛屋 / 鋳掛け屋 / いかけや tinker, repairing metal tools, pots and pans .
ikakeshi 鋳掛け師


. inniku no shikae 印肉の仕替へ / inniku uri 印肉売り
exchanging and selling stamp pads .



joomae naoshi 錠前直し repairing locks of homes and warehouses
. kura 蔵 storehouses and locks .


. kagami migaki 鏡磨き / kagami togi 鏡研ぎ mirror polisher .

. kamado nuri 竈塗り repairing the earthen kitchen hearth .


. megane uri 眼鏡売り selling glasses, exchanging old ones for new ones .


. rauya 羅宇屋 repairman of tobacco pipes (kiseru 煙管) .


. setta naoshi 雪駄直し repairing leather-soled sandals .


. soroban naoshi 算盤直し / そろばん直し repairing the abacus .


. tagaya 箍屋 hoop repairman, clamp repairman .
reminding us of the TAGAYA fireworks maker of Ryogokubashi bridge


usu no metate 臼の目立て repairing the mortar
. Differernt types of USU 臼 .


. yakitsugiya, yakitsugi-ya 焼継屋 repairing broken pottery .
yakitsugishi, yakitsugi-shi 焼継師



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12/13/2013

shakan - plasterer

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. Edo shokunin 江戸職人 craftsmen, artisan, Handwerker .
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shakan, sakan 左官 plasterer, stucco master
kabenuri no shokunin 壁塗りの職人 painting walls



source and more : edoichiba.jp...

kote-e 鏝絵 "painting with plaster", relief picture often as decorations on the storehouse of rich merchants.

The main work of the shakan san during the construction of a traditional home is the making of the wall

tsuchikabe 土壁 "earth wall", mud wall
local versions are

kyookabe 京壁 Kyoto Wall
Otsukabe 大津壁 wall from Otsu city
- with three variations : ・泥大津 ・並大津 ・大津磨き
keisodokabe 珪藻土壁 diatomaceous earth wall
with mud from a lake or the sea with remains of plankton and seaweed.
This wall is moisture absorbend and noise absorbent.
nurikabe 塗壁, shakan kabe 左官壁, nihon kabe 日本壁 "Japan Wall"

shikkui 漆喰 Shikui, lime plaster used for walls

- quote
Also called komaikabe 小舞壁.
A wattle and daub wall made of course mud plaster, ara-nuri 荒塗, usually mixed with straw. The daub is applied first to a framework of vertical and horizontal bamboo lath laced with rope, *komai 小舞. Then, a middle or second coat of a finer mixture of daub *nakanuri 中塗り, is applied. Finally, a top coat *uwanuri 上塗り, of either smooth white plaster or one that has a sandy finish is applied.
The surface color will differ depending on the material used. Sabikabe 錆壁 is earth colored, benikabe 紅壁 is a soft red color and jurakukabe 聚楽壁 is gray.

nakanuri 中塗り "middle layer"

Also called chuugomi 中込; nakazuke or chuuzuke 中付.
A middle layer of plaster applied between the base and finish coats of a plastered wall. If there are more than three layers of plaster it is the one directly beneath the finish coat. Its top surface is smoothed so that the final top coat can be laid without flaws. The term is also applied to a surface that receives several coats of plaster. .
- source : JAANUS



source : plumcherryume.jugem.jp
Old tsuchikabe of a traditional home - worn by time.


The final outside cover of a wall is a white, almost waterproof plaster called

shikkui 漆喰
Lime plaster used to coat walls, ceilings and earth floors *doma 土間. The word 'shikkui' is said to be derived from the Tang Chinese word for lime. Shikkui is made by combining lime with glutinous matter like funori 布海苔 and red algae tsunomata 角叉, and fibres such as hemp thread; pounding, and mixing in water. Sand and clay are also sometimes added. In wall construction, the plaster is applied to a mesh attached to and stretched between posts or pillars. Traditionally the coarsest type was the first layer to cover the mesh. Each layer was more and more refined, until the final coat had a very smooth surface.
Many walls inside stone tomb chambers *kofun 古墳 are coated with shikkui; Takamatsuzuka 高松塚 (7-8c) in Nara is particularly famous example.
- source : www.aisf.or.jp/~jaanus


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- quote
Kote-e 鏝絵 kote art is a relief picture.
Basically, it is drawn on white lime plaster with a flatiron which is called "Kote" in Japanese. Kote-e art was drawn in hope of ridding ones bad luck, improving welfare of ones household and the wish to be gifted with children. Artists of them are unknown, however, their pieces of work that remained today attract many people.



Kote-e art of Hiji was popularized by Aoyagi Koichi and his son Nagaichi during the Edo period. When Koichi was studying art in Edo, Kote-e art was popular. He brought back techniques of Kote-e art to Hiji and after the restoration of imperial power in 1868, he worked to promote Kote-e art.

Koichi is one of the Kote-e artists. Kote-e is like a relief engraving picture which is drawn on lime plaster using trowel. Kote-e art were drawn from the Edo era to Meiji period. Hiji is a one of areas which has lots of Kote-e art in Oita prefecture. Koichi was born on 3rd, August 1839 as a 5th son of Waki Giichi, who was an in-house plasterer of the Hiji domain. Koichi learned the work of plastering from his father, then went to Edo (present Tokyo) to refine his skill. When Koichi stayed in Edo, he met Irie Nagahachi (1815-1889) who was the founder of Kote-e art, and Koichi learned about Kote-e from Nagahachi. After Koichi came back to Hiji, he became an in-house plasterer at the young age of 21.
- source : www.town.hiji.oita.jp


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- More kote-e from Kitsuki - Jake Ojisan -

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From the doors of a sake storehouse in Katsuyama

They were made of stucco by the local wall plasterers (shakan, sakan 左官) with very simple tools. The plasterers used to make the earth walls (tsuchikabe 土壁) of traditional Japanese houses.







On the lower doors, there are two lions:







Read my article about the town of Katsuyama 勝山, Okayama .


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- further reference - kote-e -

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Izu no Choohachi 伊豆の長八 Izu no Chohachi - Irie Choohachi 入江長八 Irie Chohachi
with his own museum in Matsuzaki 松崎

- quote
Irie Chohachi is also a legendary name as plasterer, sculptor and painter.



But, he was a real human being, lived from the end of the Edo period till the 20s of the Meiji period (1868-1912).
Chohachi was born in Matsuzaki on the west coast of Izu Peninsula in 1815 . . .
. . . he became more active since the late 1870s. He worked not only as plasterer at constructions, but as a sort of artist and started to organize exhibitions of his works in 1876. He was given a prize at the First Domestic Industrial Exhibition in 1877. In 1880 he was again back to Matsuzaki and worked for the Iwashina Shool, including the wall of cranes in the upstairs. After decades of active creation, he died in 1889.
- source : www.ocada.jp/izu/chohachi


The timber used for a kura was covered with clay and then with a plaster finish.
. kura  蔵 storehouses .


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. Billboard architecture 看板建築 kanban kenchiku .

Most often mortar モルタル was used, often grafted in patterns of Greek temples with impressive classical pillars and gables. Others had the look of Art Nouveau decorations. This draws heavily on the art of the shakan 左官, the wall plasterers of Edo.

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. Edo shokunin 江戸職人 craftsmen, artisan, Handwerker .



Kanda Shirakabechoo 神田白壁町 Shirakabe-Cho district in Edo
lit. "white wall district".
Most plasterers lived in these two districts, 上 and 下. 

The official head 棟梁 of the district was 安間源太夫 Yasuma Gendayu, who supervised and payed the plasterers working for the Bakufu government of Edo.

- - - - - famous residents of the district

. Hiraga Gennai 平賀源内 .

Painter Tamura Ransui 田村藍水 (1715 ?18 - 1776)

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O-Edo Shakan Matsuri 大江戸左官祭り Festival of Edo Shakan - in 2012

source : ooedosakan.iseeall.co.jp






kamado nuri, kamadonuri  竈塗り / 竃塗り repairing the earthen hearth

This was the job of a professional shakan, sakan 左官 plasterer, stucco master.

The kamado , hittsui (also called hettsui へっつい) was used every day to prepare the meals.
Usually it had two openings to fire up separately.
To put new plaster earth around the hearth as a fire protection was usually done as one of the preparations for the New Year.


竈も化粧をしたる年の暮
hittsui mo keshoo o shitaru toshi no kure

the cooking stove too
likes to have some make-up
at the end of the year

anonymous senryu

. daidokoro 台所 the Japanese kitchen .


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. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. nori 糊 starch, glue / himenori 姫糊 "princess nori glue". .


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- - - - - H A I K U - - - - -

炉開きや左官老い行く鬢の霜 
. robiraki ya sakan oi yuku bin no shimo .

. Matsuo Basho 松尾芭蕉 - Archives of the WKD .


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- - - - - Masaoka Shiki

とろとろと左官眠るや燕
torotoro to shakan nemuru ya tsubakurame

soundly, soundly
the plasterer sleeps -
swallows


. WKD : tsubame 燕 lark .



雨乞をよそ事にいふ左官かな
amagoi o yoso goto ni iu shakan kana

the plasterer says
it is not for him,
this rain ritual . . .


If he has promised to finish work and can not continue, he might have a rain ritual to stop the rain. But no, not this time . . .

The cut marker KANA is at the end of line 3.

. WKD : amagoi 雨乞い rain rituals .

. WKD - Masaoka Shiki 正岡子規 .

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ふつふつと布海苔を煮るや左官妻
butsubutsu to funori o niru ya shakanzuma

she boils the funori
bubbeling and boiling -
the wife of the plasterer


Saitoo Shigeko 佐藤重子 Saito Shigeko


. WKD : funori 海蘿 / 布海苔 Funori, red algae, Gloiopeltis frucata .

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町内の左官屋の菊三色(みいろ)ほど
choonai no shakanya no kiku mi-iro hodo

the chrysanthemums
of the plasterer's house in town
with just three colors


Takazawa Ryoichi 高澤良一


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autumn flowers ...
the white walls of
this old postal town


. Gabi Greve, visiting namakokabe walls 海鼠壁 .
Katsuyama, Okayama


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. Japanese Legends - 伝説 民話 昔話 – ABC-List .


................................................................................. Aichi 愛知県

長篠の医王寺 Temple Io-Ji at Nagashino
A plasterer was walking along a mountain pass in the evening, when suddenly he felt something heavy hanging to his back.
He was quite afraid and walked on in haste. When he saw the lights of the Io-Ji temple 医王寺, the strange load on his back became light and vanished.



................................................................................. Fukushima 福島県

. ningyoo 人形 a strange doll .
kobiki 木挽職人 working with a special saw / shakan, sakan 左官職人 plasterer / seizai shokunin 製材職人 lumberjack working at a construction site




................................................................................. Miyagi 宮城県
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本吉町 Motoyoshi town // 壁塗りの職人

. kitsune 狐 deceived by a fox .

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- reference : Nichibun Yokai Database -

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. Japanese Architecture - cultural keywords used in haiku .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
- Introduction -

. Kaido 街道 Highways - ABC Index .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Edo bakufu 江戸幕府 The Edo Government .

. Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .

. Japanese Architecture - The Japanese Home .

. Interior Design - The Japanese Home .

. Legends and Tales from Japan 伝説 - Introduction .

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[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]
- #shakan #plasterer #stuccomaster #sakan #kabenuri #tsuchikabe #claywall -
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