12/04/2013

ISSA - dog koan

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. Kobayashi Issa 小林一茶 in Edo .



source : whimsyload.com - Rodney Alan Greenblat

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- - - - - ISSA'S EIGHT HOKKU ON JOSHU'S DOG KOAN - - - - -

A monk asked Joshu,
"Do dogs have a Buddha-nature?"
Joshu answered, "Not."

[Mu -- Wu in Japanese (無): no, not, non-, nothing, emptiness, without]


- - - ISSA'S HOKKU SERIES:
(tr. Chris Drake)

Joshu's koan on the Buddha-nature of dogs, winter --

dogs
avoid it --
the snowy path

犬どもがよけて居る也雪の道
1 - inu-domo ga yokete iru nari yuki no michi

A later variant:

dogs kindly
avoid it --
the snowy path

1a - inu-domo ga yokete kurekeri yuki no michi



snowy field --
the path curves
by itself

2 yuki no hara michi wa shizen to magarikeri


the junk dealer
also asks people
for icicles

3 katakata wa tsurara o tanomu kuzuya kana


the sumo wrestler
kindly stays away
from the snowy field

4 sumou-tori ga yokete kurekeri yuki no hara


a difficult journey
also grows older
under the foot warmer

5 uki-tabi mo kotatsu de toshi o torinikeri


the path
to paradise approaches --
this coldness

6 gokuraku no michi ga chikayoru samusa kana


you go out to have fun,
meet someone, end up
pounding rice cake dough

7 yo-asobi ni dekkuwasete ya mochi o tsuku


the temple watchman's
pole hits a stone wall --
coldest night of the winter

8 bou-tsuki ya ishigaki tataku kan no iri


These eight hokku, in this order, appear as a series in Issa's diary for the intercalary or extra lunar 1st month in 1822, two months before Issa's third son Konzaburo was born in his hometown. The word "winter" in the headnote indicates that the eight hokku are about winter, not spring, the current season. The sequence is framed by two humorous hokku about a bush warbler nearby singing pompous and overly serious things.
The warbler, of course, suggests Issa himself.

Issa writes the hokku series on one of the most famous Zen koans, or difficult, suggestive questions given to students by Zen masters. Supported mainly by warriors in the medieval period, Zen became popular among commoners in the Edo period, and many books were published about it. Issa was not a Zen monk, but he could easily have read Zen koans in various printed editions. The koan about Joshu and dogs is the first koan in the popular Chinese koan anthology with commentary entitled The Gateless Barrier (in Japanese Mumonkan 無門関), compiled by the Chinese Chan monk Wumen Huikai (1183-1260). Since Issa may be using this collection, an English translation of its comments on Joshu's dog koan is given below. It is one of many translations that can be found online.


COMMENTS ON THE MUMONKAN
All 48 Koans With Commentaries by the Wanderling

CASE 1. JOSHU'S DOG

A monk asked Joshu,
"Has the dog the Buddha nature?"
Joshu replied, "Mu"

- Mumon's Comment:
For the pursuit of Zen, you must pass through the barriers (gates) set up by the Zen masters. To attain his mysterious awareness one must completely uproot all the normal workings of one's mind. If you do not pass through the barriers, nor uproot the normal workings of your mind, whatever you do and whatever you think is a tangle of ghost. Now what are the barriers? This one word "Mu" is the sole barrier. This is why it is called the Gateless Gate of Zen. The one who passes through this barrier shall meet with Joshu face to face and also see with the same eyes, hear with the same ears and walk together in the long train of the patriarchs. Wouldn't that be pleasant?

Would you like to pass through this barrier? Then concentrate your whole body, with its 360 bones and joints, and 84,000 hair follicles, into this question of what "Mu" is; day and night, without ceasing, hold it before you. It is neither nothingness, nor its relative "not" of "is" and "is not." It must be like gulping a hot iron ball that you can neither swallow nor spit out.

Then, all the useless knowledge you have diligently learned till now is thrown away. As a fruit ripening in season, your internality and externality spontaneously become one. As with a mute man who had had a dream, you know it for sure and yet cannot say it. Indeed your ego-shell suddenly is crushed, you can shake heaven and earth. Just as with getting ahold of a great sword of a general, when you meet Buddha you will kill Buddha. A master of Zen? You will kill him, too. As you stand on the brink of life and death, you are absolutely free. You can enter any world as if it were your own playground. How do you concentrate on this Mu? Pour every ounce of your entire energy into it and do not give up, then a torch of truth will illuminate the entire universe.

Has a dog the Buddha nature?
This is a matter of life and death.
If you wonder whether a dog has it or not,
You certainly lose your body and life!


Issa's eight hokku are his responses.
The sixth hokku suggests Issa maybe wondering if satori leads to enlightenment in the Pure Land, but Amida doesn't directly appear in any of the hokku, unless snow is taken to be an image of Amida's compassion. Many different interpretations are possible for each verse, and it seems worth mentioning that the standard Mahayana teaching is that all animals and even bushes and trees have sentience and Buddha-nature, that is, have the ability to become a buddha, so if Joshu's mu 無 answer is taken simply as "No!" or "Not!" this is rather shocking to the first-time reader, since it is an apparent denial of a central Buddhist doctrine. The eight hokku are not a formal renku sequence, but the subtle links between the various hokku in the series are also worth savoring.

Chris Drake

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. Koan and Haiku 公案と俳句 .

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kesa aki to shiranu enoko ga hotoke kana

puppy unaware
it's autumn this morning --
blissful Buddha!


This hokku is from the 7th month (August) of 1820, when Issa was living in his hometown. The 7th month is the beginning of lunar autumn, and the year begins its gradual end. Issa is fifty-seven and has had a hard life, so his body is beginning to show signs of age, and he views the coming of autumn a bit wistfully. In contrast, the puppy knows nothing of the change of seasons yet and won't until large changes begin to occur outside. Issa draws on a proverb, shiranu ga hotoke, "unknowing, a Buddha," that is fairly similar to "Ignorance is bliss" to praise the puppy as a peaceful, happy Buddha for not being aware of time passing and its own mortality and to humorously criticize himself for worrying too much about time passing. There is another level, however.

Most schools of Buddhism in Japan, including the True Pure Land school to which Issa belonged, taught that all plants and animals had sentience and the ability to become a Buddha, and it was commonly believed that dogs, cats, and other animals had purer minds than humans and were not subject to the 108 bonnou or kleshas -- the negative mental states that cause so much human suffering. So Issa probably takes the peaceful breathing of the puppy to indicate a level of spiritual knowledge-within-ignorance deeper than what he is aware of in himself, even though he has more specialized knowledge about the passing of calendar time.

Chris Drake


. hotoke  仏 and haiku .


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. MORE - DOG haiku by Issa .


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Latest updates about Issa on facebook - CLICK to join !



. WKD : Kobayashi Issa 小林一茶 - Introduction .


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12/01/2013

twelfth lunar month EDO

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The Twelfth Lunar Month 十二月 juunigatsu - 師走 shiwasu -

In the old lunar calendar of the Edo period,

spring lasted from the first month to the third,
summer from the fourth month through the sixth,
autumn from the seventh month through the ninth,
winter from the tenth month through the twelfth.

. WKD : The Asian Lunar Calendar and the Saijiki .


. Edo Saijiki 江戸歳時記 .



source : art.jcc-okinawa.net/okinawa/edonosiki


Why is the bamboo (take) of the kadomatsu (matsu) cut slant?
The story of Tokugawa Ieyasu and his enemy, Takeda Shingen.
. kadomatsu 門松 pines decorations at the gate .


. toshi no ichi 年の市 year's end fair .
Where people could by all kinds of decorations for the New Year.


. hikizuri mochi 引き摺り餅 pounding mochi ricecakes .


. toshikoshi soba 年越し蕎麦 / 年越しそば buckwheat noodles .
eaten on the last day of the last lunar month, to pass into the new year with this auspicious food.


. mamemaki 豆まき、豆撒き throwing beans .
to drive out the demons and bad luck of the old year, now done on February 3 (setsubun 節分) .


under construction
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- - - - - H A I K U and S E N R Y U - - - - -

On the 13th day of the last lunar month, everybody had to clean their homes, samurai and townspeople and all. This was done not only at home but in temples and shrines too. With long bamboo poles and sakaki sacred branches the bad influences of the passing year, the vicious demons hiding somewhere in the corners and the roof beams, were cleared away, together with the real soot.
Thus the town was ritually cleaned and ready to welcome the new year.


source : mookie/ohishi-nyohuuten.

susudake uri 煤竹売 seller of cleaning bamboo
- - - - -take uri 竹売り babmoo vendors

After the daily cleaning the leaders were usually lifted up high by all (dooage 胴上げ).


source : avis.ne.jp/~wakaomi/douage

On the left is the cleaning, on the right top the high lifting of a person. You can see his legs in the air.


. susu harai susuharai 煤払 cleaning off soot .

By the way, on the next day in 1702, the 47 samurai attacked the home of Kira Kozukenosuke and killed him.
Two of the spies to check on his whereabouts on this day was clad as a bamboo vendors.

煤竹を売りに来たのはたけ林
susutake o uri ni kita no wa takebayashi

to sell bamboo for cleaning
the vendors came
(in great numbers like) a bamboo grove


. Chushingura 忠臣蔵 and the 47 ronin .


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- - - To join me on facebook, click the image !

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. Edo Saijiki 江戸歳時記 .


. - Doing Business in Edo - 商売 - Introduction .

. senryu, senryū 川柳 Senryu poems in Edo .


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11/21/2013

Business in Edo

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Doing Business in Edo - - -  江戸の商売
akinai 商い / shoobai 商売 Shobai  




Morisada Mankoo 守貞謾稿 Morisada Manko
published about 1837 in 35 volumes
Describing customs of Edo not to be found in Kyoto or Osaka.

The author, Kitagawa Morisada 喜田川守貞, had come to Edo from Osaka and got quite a "culture shock", resulting in this book about local customs, including food.
- reference source : blog.q-q.jp/201309

- reference - Morisada Manko -

under construction -
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geishoonin, gei-shoonin 芸商人 artists as street vendors
- They would perform some tricks to entertain the onlookers and then sell their stuff, mostly food.

gyooshoonin 行商人 Gyoshonin - street vendors
- Many walked around the town to sell their merchandise.
It times with no refrigerators, getting the daily food to town was most important.

. furiuri, furi-uri 振売 peddlers, street vendors .
bootefuri 棒手振り peddlers carrying merchandise with a pole on the shoulders
tenbinboo 天秤棒 shoulder carrying pole

. Kanda renjaku machi 神田連雀町 Renjaku-Cho district .
The name refers to the renjaku 連尺 / 連索 backpacks of the merchants who lived there, carrying their ware around Edo.


- quote
Ishikawa Eisuke 石川英輔
- Chapter 11 - The Value of Time-consuming Efforts
In a city like Edo, street peddlers made an enormous sales in fish and vegetables. Peddlers or small-scale vendors sang their seller's cry and covered every corner of the alleys, wearing down their straw sandals. A close look into the lives of people in Edo reveals that there was an unbelievable variety of vendors. It was those peddlers and vendors who supported a large part of the commercial circulation of other products in addition to fish and vegetables.
A record of Edo vendors shows that almost all everyday goods were available and delivered from vendors in those days.
Oil vendors sold lantern oil mainly, but cooking oil as well. As liquor store sent errands to clients' homes several times everyday, there was no need for customers to go out to make a purchase. There were also many food vendors who served ready-to-eat items. They were, so to speak, portable restaurants. They sold endless lists of food, such as udon (rice noodles), soba (buckwheat noodles), nabeyaki udon (potboiled rice noodles), inari-zushi (vinegared sushi rice in pouches of fried bean-curd), amazake (brewed sweet sake). There were also many who peddled toys and luxury goods.
- source : www.japanfs.org/en/edo

. Ishikawa Eisuke Ishikawa 石川英輔 .
He wrote many books about Edo and the Edo period and often appears on TV.

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- - - - - Since this entry is getting very long, I added some extra entries with ABC lists :

. chin shoobai 珍商売 strange business - typical for Edo .

. daidoogei 大道芸 Daidogei street performance .

. Food vendors in Edo .

. fuuzoku 風俗 Fuzoku, entertainment and sex business .
- - - and
- - - . chaya, -jaya 茶屋 tea shop, tea stall .
- selling more than just tea as part of the fuuzoku business

. naishoku 内職 home worker, side business .
mostly done by poor samurai

. Recycling and Reuse in Edo - リサイクル と 再生 / 再使用 .

. shuuriya 修理屋 repairmen in Edo .
xxx naoshi 直し, shuuriya 修理屋, shuuri shokunin 修理職人

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- - - - - ABC-List of business in Edo - - - - - to be updated - - - - -

. abura uri 油売り selling oil - and talking too much .

. Aizuya 会津屋 selling 会津漆 lacquer ware from Aizu, Fukushima.

. akagaeru uri 赤蛙売り selling red frogs (medicine for children) .
- akahikigan 赤蛙丸 "red frog medicine"

. asaodana asao-dana 麻苧店 store selling asao hemp thread
asatonya, asadonya 麻問屋 hemp dealer .


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. bafunkaki 馬糞掻き, bafun tori 馬糞とり horse-shit collectors .

. biwa yootoo uri 枇杷葉湯売り selling biwa leaves as medicine .

. ema-uri, emauri 絵馬売り selling ema votive tablets .

. fudasashi 札差 "note/bill money exchange" .

. gamaabura uri, gama abura がま油売り selling toad grease medicine .

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. hanashigame uri 放し亀売り selling turtles to be set free .
and - hanashi tori uri 放し鳥売り vendors of birds (sparrows) to be set free at rituals at Hachimangu Shrines in Edo
- - - - - for the annual hoojoo rituals 放生会

. hana-uri, hana uri 花うり / 花売り flower vendor .

. hari-ita uri 張り板売り vendors of wooden plates to dry a kimono after washing .

. hayaokeya, hayaoke ya 早桶屋 "fast coffin maker", undertaker .
- - - - - soogiya 葬儀屋 / saihooya 西方 / koshiya 輿屋 = undertaker

. hikyaku 飛脚 courier, messenger "flying legs" .

. hitsuboku 筆墨売り selling brushes and ink .

. hiuchigama uri 火打ち鎌売り selling tools to strike a fire .
"fire beating sickle" - store Masuya 升屋 near Shiba Shinmei 芝神明 shrine

. hikizuri mochi 引き摺り餅 pounding mochi ricecakes .

. hooki uri ほうき売り / hooki kai ほうき買い .
vendor and buyer of hooki 箒 Hoki brooms

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. jigami uri 地紙売り kagema boys selling paper for fans .
and talking about kabuki
- - - and
kagemajaya, kagema chaya 陰間茶屋 "tea house with boys in waiting"

. joozai uri 定斎売り selling Josai medicine .

. juukumonya 十九文店 shops selling everything for 19 mon
juukumon ya, juukumon no mise .

(Now we have the hyakuen shoppu  百円ショップ Shops selling for 100 Yen.)

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. kagami 鏡 mirror maker, mirror polisher .

. kamiyuidoko 髪結床 hairstylist shop .
kamiyui 髪結い hairdo master, hair dresser

. kanbanya 看板屋 Kamban, vendor of shop signs .

. kanzashi uri かんざし売り / 簪 selling hair pins and decorations .

. kaya uri, kayauri 蚊帳売り selling mosquito nets .

. kashihonya, kashihon'ya 貸本屋 booklender, booklender
- furuhonya, furu-honya 古本屋 selling old books in Edo .


. kawaraban uri かわら版売り vendor of a kawaraban newspapers .
yomiuri 読売、lit. "to read and sell"

. kiriezu, kirie-zu 切絵図 selling detailed maps of Edo .

. koi no maneki uri 鯉のまねき売り vendor of small flags "to invite carps" .

. komedonya, kome no tonya 米問屋 rice brokers .
- fudasashi 札差 "bill ex change", forerunners of Japan's banking system.

. koyomi uri, koyomi-uri 暦売り selling new calendars .

. kusuri-uri, kusuri uri 薬売り selling all kinds of medicine .
Toyama no kusuri-uri 富山の薬売り medicine vendors from Toyama

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. megane uri, meganeuri 眼鏡売り selling glasses,spectacles .

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mimi no aka tori 耳の垢取り ear-cleaner



One famous dealer wore a Chinese robe to make believe he was fluent in Chinese medicine.
Since many men lived alone, they were greatful to get this service.

. mimikaki 耳掻き ear cleaner, ear pick .

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. mitaoshiya 見倒し屋 / 見倒屋 second-hand dealer .
. . . . . furumono kai 古物買い to buy old things
. . . . . risaikuru shoppu リサイクルショップ recycle shop

. mizumaki otoko 水撒き男 water-sprinkling man in summer .

. mizuya 水屋 water salesmen .

. nori 糊 starch, glue / himenori 姫糊 "princess nori glue". .
. . . . . nori uri, nori-uri  糊売り selling natural glue, starch

. noogyoo 農業 farming business / 農民 farmers .

. oogi uri, oogi-uri 扇売り vendor of fans .
o-harai oogibako お払い扇箱 "Buying back fan boxes" / oharaibako

. otchanai ochanai おちゃない.おちゃない collecting hair fallen to the ground .
and sell it to wig makers

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. ryoogaeya 両替屋 Ryogaeya - money changer .
. . . . . bronze weight 分銅 bundoo

. senjimono uri 煎物売 medicine seller, The Tea Seller (Kyogen) .

. setomono uri 瀬戸物売り vendor of pottery . - senryu

. shimonya 四文屋 "Four Mon Shop" .

. shichiya 質屋 pawn shop .

. shuppansha 出版社 publishing company, book publisher .
ABC - Introduction

. sonryooya, sonryoo-ya 損料屋 Sonryo-Ya, rental agent .
kashimonoya  貸物屋

. soroban naoshi 算盤直し / そろばん直し repairing the abacus .

. sudare uri 簾売(すだれうり)vendor of bamboo blinds .

. sumi uri, sumi-uri, sumiuri 炭売(すみうり) charcoal vendor .

. suzumushi uri 鈴虫売り bell cricket vendor .

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. tabako uri, tabako-uri 煙草売り selling tobacco .


. tagaya 箍屋 hoop repairman, clamp repairman .

. taiko uri 太鼓売り vendor of drums .

. takani momen uri 高荷木綿売り street vendor selling cotton .

. takarabune no e uri 宝船の絵売り selling images of the Treasure Ship .
for the first dream on January 2, the New Year

. takeuma furugi uri 竹馬古着売り / 竹馬古着屋 .
selling old cloths hanging on a "bamboo horse" (takeuma) carried over the shoulder

. take uri, take-uri 竹売り bamboo vendor - susudake uri 煤竹売 seller of cleaning bamboo .

. taru kai 樽買い / taruya 樽屋 buying barrels .

. tokkaebee とっかえべえ / tokkaebei とっかえべい
collector of old metal, gives a sweet (amedama) in return .


. tsukegi uri 付木売り selling wood scraps to light a fire .

. uchiwa uri, uchiwa-uri 団扇売り vendor of round fans .

. uekiya 植木屋, niwashi 庭師 gardener .

. waribashi uri 割り箸 売り selling disposable chopsticks .

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. yoojiten, yooji ten 楊枝店 Yoji, toothpick shop . - Asakusa

. Yotsumeya 四つ目屋 a sex shop .
hiyakuseiguya, hiyaku seigu ya  秘薬性具屋 selling medicine and sex tools
otona no omocha-ya 大人の玩具屋 toy store for grown-ups

. yubune 湯船 "bath boat" .
small boats with a bath for rent in Edo
and - - - - - yuya 湯屋 public bath house

. zenigoza uri 銭蓙売り vendor of paper mats to place coins .
and
. zenisashi uri 銭緡売り / sashi-uri 繦売り vendor of money strings .
- - - - - - zenisashi, zeni-sashi 銭さし / 銭差/銭緡 string to keep the small coins

. zeniya 銭屋 ryoogaeya 両替屋 Ryogaeya - money changer .

. zooriya 草履屋 vendors of straw sandals .

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Fujiokaya Yoshizoo 藤岡屋由蔵 Fujiokaya Yoshizo (1739 - ?)
Sudoo Yoshizoo 須藤由蔵 - Honyoshi 本由
- reference wikipedia -
The bookseller Yoshizo, writing about peasant uprisings. 「藤岡屋日記」Fujioka-ya nikki

本由は人の噂で飯を食い
honyoshi wa hito no uwasa de meshi o kui
Honyoshi eats his bread
by (selling) the rumours
of other people


Honyoshi 本由(ほんよし)=本屋の由蔵 the book seller Yoshizo
- reference -


CLICK for more photos !

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図説 大江戸おもしろ商売 - Edo Omoshiro Shoobai
http://homepage2.nifty.com/kenkakusyoubai/zidai/syobai.htm

Shunsetsu 春雪 He solved all kinds of riddles  / ねずち  ? ねずっち

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江戸商売図絵 Illustrated Business of Edo
- source : hurec.bz/mt/archives

- source : 1000ya.isis.ne.jp TBA

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江戸行商百姿 - 花咲 一男 Hanasaki Kazuo (1916 - 2010)

江戸行商百姿 - 20 illustration of street vendors
source : mookie/ohishi-nyohuuten



source : blogs.yahoo.co.jp/enoborishinsho

street vendors of Edo - tenugui hand towel 「江戸の物売り」の手ぬぐい


- Motives of craftsmen of Edo - 江戸職人
. mamezara 豆皿 small plates "beans size" .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

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There were many local stores with specialities from the provinces, most ending in xxxYA 屋, like Echigoya 越後屋.
They are introduced in this ABC index.

- special introductions -

. The rich merchants of Edo - Goshi 豪商 gooshoo .

. kabunakama, kabu nakama 株仲間 merchant guild, merchant coalition
za 座 trade guilds, industrial guilds, artisan guilds .


. shinise 老舗 a long-established store .

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- - - - - Reference

http://blog.q-q.jp/201308/article_6.html
http://homepage2.nifty.com/kenkakusyoubai/zidai/syobai.htm - TBA
http://shigoto-creator.com/396/ - TBA

biwa ha yu 枇杷葉湯 biwa leaf tea
chawan gashi 茶碗菓子
choochoo omocha 蝶々(のおもちゃ) toys
choosen no kookeishi 朝鮮の弘慶子(こうけいし) merchants from Korea
kameyama 亀山のお化け
kuma no kusuri 熊の伝三膏薬
kuri no iwa 栗の岩おこし sweet
nana iro toogarashi 七色とうがらし
noborizaru のぼりざる climbing monkey
sanbasoo 三番叟 dance dolls
tokuhei 徳平膏薬 cream from Tokuhei
tsuji uranai 辻占い
Yokanbei 与勘平(よかんべい、よかんぺい)膏薬 cream
http://nora-pp.at.webry.info/201212/article_1.html - TBA

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Edo shobai orai by Kaname Okitsu 江戸商売往来 Merchants' manual



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- source : matome.naver.jp/odai
江戸東京職業図典 - 槌田満文
- - - - - 江戸市中世渡り種
benikan 紅勘 べにかん
choochoo uri 蝶々売 ちょうちょううり
hamigaki uri - hyaku manako 歯磨売・百まなこ - はみがきうり・ひゃくまなこ
handa inari 半田稲荷 はんだいなり
hitoruzumoo ひとり角力 ひとりずもう
miyoshi odori 住吉踊 すみよしおどり
ningyoo tsukai 人形つかひ . にんぎょうつかい

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渡辺 信一郎

Edo nariwai jiten  江戸なりわい事典 / 江戸の生業事典 
Dicitionary of occupations in Edo
Introducing about 500 different ones. Most are the subject of humorous senryu.

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- source : www.akamana.com/akame/kiki.html

江戸売り声百景 The voices of street vendors in Edo
(with a CD sample) including 納豆売り、飴売り、薬売り、朝顔売り、金魚売り、梯売り、屑屋、羅宇屋、定斎屋、鋳掛屋、十八文屋。
Some walked around in the morning, selling fresh food, others came in the evening. At their special time and with their special calling, they were some kind of "clock" for the time in Edo.


Edo no urikoe, uri-koe いいねぇ~ 江戸売り声
宮田章司


Ishikawa Eisuke Ishikawa 石川英輔
大江戸えころじー事情 and his series about life in O-Edo

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昔の職業の読み方
- source : hiramatu-hifuka.com/onyak

早業七人前 (at the National Bibliothek)
- source : http://dl.ndl.go.jp/info

創作紙人形で描く江戸の物売り - paper dolls about vendors in Edo
- source : kagi.blog14.fc2.com/blog-entry-109

お江戸のあきんど - Edo no Akindo - doll collection (TBA)
- source : page.freett.com/honeythehaniwa

- source : haiku about shops and stores

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source : History In Pictures - twitter

Japanese peddler selling his wares. 1901

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. Hatsuakinai Shusse Sugoroku 初商出世双六 .
Sugoroku for Success in the First Sale of the New Year / 式亭三馬 Shikitei Sanba and 小三馬 Kosanba.

. Japanese Architecture - cultural keywords used in haiku .


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[ . BACK to WORLDKIGO . TOP . ]
- #shobai #shoobai #business #edobusiness -
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Sotobori

[ . BACK to DARUMA MUSEUM TOP . ]
. Famous Places of Edo and the Edo period .
. hori 堀 moat and districts with this name .
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Sotobori 外堀 / そとぼり / 外濠 - The outer moat of Edo Castle
and the many waterways of Edo



© More in the WIKIPEDIA !

- quote
Sotobori street between Akasakamitsuke - Toranomon goes along Sotobori of Edo-jo Castle and trace of reservoir.
Reservoir was used as water supply in the beginning in the early modern times. A part of the Sotobori stone wall is left in front of the Ministry of Education, Culture, Sports, Science and Technology yard and Toranomon Mitsui Building. Stone wall in front of Mitsui Building in particular is the only oar stand in Edo-jo Castle Sotobori. Stone wall left in the Ministry of Education, Culture, Sports, Science and Technology yard was copy of Sotobori which surrounded Edo-jo Castle and the Edo Shogunate mobilized daimyos of the whole country and built in (1636) for Kanei era 13 years.
In Ministry of Education, Culture, Sports, Science and Technology, we stored stone wall based on excavation result with construction of central joint Government building Building No. 7 and established display corner where the total picture of stone wall found in in front of Ministry of Education, Culture, Sports, Science and Technology yard lounge and new Government building connecting walkway of subway Ginza Line Toranomon Station was seen.
- source : kanko-chiyoda.jp.e.ie.


. Edo Castle, Edo joo 江戸城 Edo-jo Castle .

. Famous Places of Edo and the Edo period .


- quote
Most of the outer moats, Sotobori, were reclaimed by civil engineers of Tokyo local government after the Pacific war ended. They reclaimed the moats with debris of air raids piled up everywhere in Tokyo after the war and built highways or other facilities over them..




A part of the moat remains today between Ichigaya and Iidabashi and a road called Sotobori-dori runs along the moat with cherry trees planted along the roadside. In mid spring, you can see through the window of Chuo-sen train the cherry blossoms in full bloom and reflecting their images on the water of the moat.
- source : hix05.com/english/Street

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Tokugawa Ieyasu had learned about the importance of an outer moat during the siege of Odawara castle.
He later applied this knowledge to the fortification of his own castle and town, Edo.

- quote -
Odawara Castle (小田原城 Odawara-jō)
. . . . . During the Muromachi period, Odawara Castle had very strong defenses, as it was situated on a hill, surrounded by moats with water on the low side, and karahori 空堀 dry ditches on the hill side, with banks, walls and cliffs located all around the castle, enabling the defenders to repel attacks by the great warriors Uesugi Kenshin in 1561 and Takeda Shingen in 1569.
However, during the Battle of Odawara in 1590, Toyotomi Hideyoshi forced the surrender of the Late Hōjō clan through a combination of a three-month siege and bluff. After ordering most of the fortifications destroyed, he awarded the holdings of the Late Hōjō to Tokugawa Ieyasu.
- - - More in the WIKIPEDIA !




Walking along the Sogamae fortifications !
About 9 kilometers !
小田原城の大外郭巡り
In the direction of Edo : 江戸口見附跡
- reference andl photos : dakusai.wordpress.com -


soogamae 総構え / 総構 total structure
soogamae (そうがまえ) 惣構 、sooguruwa 総曲輪(そうぐるわ), sooguruwa 総郭(そうぐるわ)

The most outside moat or protection around a toride 砦 fort, castle or castle town

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- quote -
Edo Castle Moat Tour by Boat
When Edo Castle was built, the Tokugawa made use of the natural riverways to create part of the Outer Moat (sotobori). The Outer Moat begins around the Kiji Bridge in central Tokyo (Chiyoda-ku), follows part of the Nihonbashi River before cutting west and creating a spiral around to Iidabashi where it continues East until dumping into the Sumida RIver which finishes off the Sotobori when it flows into Tokyo Bay.

Today the Kanda River flows from the northwest of Tokyo into the outer moat around Iidbashi and then on into the Sumida River. This section of the river from Iidabashi to the Sumida River is completely man made. The course of the river was redirected to create the outer moat. The original river flowed down past the castle to a point farther downriver on the Sumida River. This river is now called the Nihonbashi River and corresponds to the beginning of the Outer Moat spiral. Today it is actually connected to the Sotobori (Kanda River) at the original area in Iidabashi. That also makes it possible to travel from the Nihonbashi River to the Kanda River into the Sumida River and back again.



Thanks to the Consortium of Rediscovery Edo-Tokyo Walk you can take a cruise in a boat around these 3 sections of the former Sotobori. Along the way you can get some great close up views of the stone walls that are difficult to see from outside as they're hidden under the Shuto Expressway. You can find many kokuin (insignias) carved into the stones that are very difficult to see from outside without binoculars. Along the way the guide will show you Edo Period ukiyo-e prints to show what the river was like and talk about the Edo Period river culture.
The tours are in Japanese only, but the cruise is enjoyable for anyone to view Tokyo from the waterways.
- reference source : jcastle.info 2013 -


. Iidamachi, Iida-machi 飯田町 Iidamachi district .

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That map describes four river basins:
Tonegawa 利根川 (Tone River)
Arakawa 荒川
Tamagawa 多摩川 / 玉川 (Tama River)
Sagamigawa 相模川 (Sagami River)

The purpose of this blog is to map and describe all of the rivers and streams in the Tokyo area.
- source : thetokyofilesrivers... -


- quote -
- - - - - Waterways in Edo
To guard against attacks on Edo Castle, a network of strategic moats, streams, and canals was laid out in a spiral pattern. Waterways for freight transport formed a vertical and horizontal grid.

At the points of intersection between the roads and the waterways, bridges were built and short ferry routes called watashi ("crossings") were also developed. Because waterways and roads intersected in so many places, Edo had a huge number of bridges. At the time, Osaka was known as the "water city" because of its many bridges - about 200 in all - but Edo put the "water city" to shame with over 500 bridges.
Landing points called kashi ("river banks") were established at various points along the waterways for unloading freight. Warehouses and markets were set up at the landing points, and these spots became hubs for the distribution of goods in Edo.
- source : web-japan.org/tokyo/know -

The relationship between urban structure and waterways in Edo, old Tokyo
- Abstract -
The purpose of this study is to reveal the relationship between the urban structure and the waterway in Edo, the old Tokyo.
The main findings are:
1) The city of Edo was expanded over the river by changing the route of river waters, and limiting the affected area during times of flooding.
2) The canals in the low city were used as water transport between the city and the farmlands. The urban design of the low city was closely related with the canals.
3) According to the drinking water way, there were some hierarchies between the city and the farming villages, warriors and merchants area, etc.
4) The sewerage was not so dirty, because it was consisted of rainwater and gray water.
Rather, the sewerage had seemed as a charm against evil. Therefore the drainage channels were used as the boundary between residences, residence and street, towns, and town and farmland. Not only Edo, but also many cities in the world were formed by relating with waterway. In these days, it is important that not only promoting some project of the waterway which is suited as the actual needs like attracting the tourist or creating the beautiful landscape of agriculture, but also rethinking about the waterway which has related with the urban structure or the lifestyle of the citizens in every city.
- reference source : Kosuke Sakura -


. 多摩川上水 Tamagawa Josui and 神田上水 Kanda Josui  .

. Horidomechoo 堀留町 Horidomecho District waterways .
Nihonbashi - two Horidome rivers (east and west).

. Mita Yosui 三田用水 Mita Waterway and 三田上水 josui aqueduct .

. Tameike 赤坂溜池町 Akasaka Tameike district .
"irrigation pond"


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- - - - - H A I K U - - - - -

外堀の割るる音あり冬の月
sotobori no waruru oto ari fuyu no tsuki

the outer moat
makes a cracking sound -
moon in winter

Tr. Gabi Greve



cracking sounds
in the outer moat --
winter moon

Tr. Chris Drake

This hokku is from the winter of 1792. Edo castle was renovated and expanded considerably after it was chosen as the site of the shogunate in the early 17th century. It already had a complex network of inner moats running through the core areas of the castle grounds, but to ensure safety the shogunate decided to add an outer moat as well and forced daimyo domain lords around the country to contribute the money, building materials, and workers the shogunate needed to construct the outer moat, which was 15 km (9.3 miles) long. The spacious area between the inner moats around the castle proper and the outer moat was used mainly for the mansions of various daimyo lords, who were required to stay in Edo in attendance on the shogun every other year. The moat itself, like the rest of the castle, was walled with massive pieces of carefully cut granite brought from great distances. The outer moat walls were so strong that some of them remain in fairly good condition even today after surviving US air raids in WW II and postwar city planning.

In Issa's time commoners were allowed to go only as far as the outer side of the outer moat, part of which ran along the edge of a large park, so this is presumably where Issa is standing and looking at the clear, bright winter moon above. Its bright, hard light throws sharp shadows everywhere, and when the ice in the moat makes cracking sounds, moonlight, too, may synesthetically seem to be breaking up into solid pieces. In the silence the sounds of cracking ice must seem rather loud and penetrating to those near the moat. Is the moon's reflection dully visible on the ice on the moat, as if it had something to do with the cracking? Is Issa suggesting the shogunate itself, like the ice, is cracking apart (something that didn't finally happen until 1867)? There's nothing definite in the hokku to support these interpretations, but there's also nothing to rule them out.

The photo at this link shows a portion of the outer moat that still remains in Hibiya Park near downtown Tokyo. In Issa's time the water level was of course much higher.
http://www.jcastle.info/photos/view/2287

Chris Drake



外堀にりんとゐのこのかがりかな
sotobori ni rin to inoko no kagari kana

by the outer moat
bonfires strong and forceful --
night of the wild boar

Tr. Chris Drake

The hokku is from the 10th month (November) of 1815, when Issa, living in his hometown, is back in greater Edo on a three-month visit. The hokku evokes the night of the first Day of the Wild Boar in the 10th month, the month governed by the wild boar according to Sino-Japanese zodiacal calendrical thought.

On this day people of all classes eat special rice cakes believed to increase fertility and protect against disease. They also light hearths, ovens, leg and hand warmers, and other fires for winter and spring use. Edo castle uses the occasion to display of its power and magnificence by lighting large, bright bonfires in iron baskets hanging at key points in and around the castle and at the gates in the wall at the inner ends of two bridges that cross the outer moat. On a practical level, the bonfires are used to light the way for daimyo domain lords and shogunal officials who live outside the moat as they arrive at around sundown to attend an obligatory celebration in the castle on the night of the first Day of the Wild Boar.

All daimyo lords and shogunal officials, including those who live inside the outer moat, are required to attend this celebration, during which they symbolically acknowledge their subservience and pledge once more their fealty to the shogun by accepting fancy rice cakes made from newly harvested rice. The lords and officials and their men are in their most formal clothes and closely follow strict protocol as they go through the gate. Both the lords and the hanging bonfires are imposing, yet there is something utterly serious and as cold as the November night about the whole scene. Issa, who must be standing outside the outer moat, seems to realize that the bonfires are as much for spectacle and for use in identifying each attendee at this mandatory event as they are for simple illumination and that this gravitas and well-lit formal precision are a consciously used image of power itself.

Chris Drake

. Kobayashi Issa 小林一茶 in Edo .





Boar, the Twelfth Month
Ishikawa Toyomasa 石川豊雅 (act. 1770–1790)

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. hori 堀 moat and districts with this name .

. kawa  江戸の川 -- 江戸の河 the rivers of Edo .

. Japanese Architecture - cultural keywords used in haiku .


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- #sotobori #odawaracastle #sogamae #iidabashi #waterways #josui -
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11/09/2013

ISSA - susu harai soot

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. Kobayashi Issa 小林一茶 in Edo .

cleaning off soot, susu harai susuharai 煤払 (すすはらい)
..... susu haki 煤掃(すすはき), susu oroshi 煤おろし(すすおろし)
day for cleaning, susu no hi 煤の日(すすのひ)

This was done not only at home but in temples and shrines too. With long bamboo poles and sakaki sacred branches the bad influences of the passing year, the vicious demons hiding somewhere in the corners and the roof beams, were cleared away, together with the real soot.



source : tukitodora.exblog.jp

. WKD : susuharai 煤払 cleaning off soot .


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隅の蜘案じな煤はとらぬぞよ
sumi no kumo anji na susu wa toranu zo yo

corner spider
rest easy, my soot-broom
is idle

Tr. David Lanoue

. ISSA and his spider haiku 蜘蛛  .

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庵の煤掃く真似をして置にけり
io no susu haku mane o shite okinikeri
(1817)

Making a gesture
of sweeping the cobwebs,
I leave it at that.

Tr. Max Bickerton


my hut's soot--
going through the motions
of sweeping it

Tr. David Lanoue


- - - an earlier version reads

庵のすすざっとはく真似したりけり
io no susu zatto haku mane shitari keri
(1813)

my hut's soot--
I go through the motion
of sweeping it

Tr. David Lanoue

- - - - -

I briefly pretend
to sweep soot --
enough is enough

Tr. Chris Drake


朝々にうぐひすも鳴けいこ哉
asa-asa ni uguisu mo naku keiko kana

singing practice
every morning
with the warbler


These two hokku appear in this order in Issa's diary for the 12th month (January) in 1814, a few months after he had finally been able to move into the half of the house left to him by his father in his hometown. It is the first time Issa has experienced various year-end activities in his own house, and he is honest about his lack of interest in housekeeping. In the middle of the 12th month almost everyone in the village is doing a big year-end cleaning -- washing everything and sweeping not only the floors but the soot-covered pillars, beams, rafters, and dark corners -- yet Issa feels no need to do anything but move his broom around for a short time, and he soon gets bored with his own pretense.

Bush warblers (Heronries diphone) have begun to sing again, though it's still a couple of weeks before the new year and lunar spring. In the 12th month not many people listen to them, but Issa hears one loud warbler outside singing morning after morning, and he feels the bird must be practicing its song so it will be perfect when the New Year comes and people strain to hear the "first warbler song" of the new year. Hearing it every morning, Issa seems to find himself repeating the warbler's call to himself and wonders if he, too, needs to improve his warbler singing technique.

It is also possible to read the second hokku as, "every morning it practices singing uguisu." However, if Issa intended uguisu to be the sound the bird makes, I think he would probably have used katakana syllabic letters. There is a folk etymology that takes the name bush warbler (uguisu) to be onomatopoetic, this theory is not widely accepted. Issa seems to have believed the bird's name originally meant "first appearing deep in the mountains" (oku ni izu). In Issa's time the main call of the warbler was usually described as hou-(hou-)hokekyo, a sound that suggested, when translated, Lo-Lotus Sutra or Lo-Lo-Lotus Sutra.

Here is a good recording of the call:
- http://www.youtube.com/watch?v=oftfpDAfLHE

By putting these two hokku next to each other, Issa might be suggesting that for him it's more important to learn about other voices and improve his singing/writing than to clean all the sooty beams in his house.

Chris Drake


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かつしかや煤の捨場も角田川
katsushika ya susu no suteba mo sumida-gawa


名月や松の天窓の煤もはく
meigetsu ya matsu no atama no susu mo haku


外は雪内は煤ふる栖かな
soto wa yuki uchi wa susufuru sumika kana


煤掃て松も洗て三ケの月
susu haite matsu mo araute mike no tsuki


煤けたる家向きあふて夕涼み
susuketaru ie mukiaute yûsuzumi

煤くさき畳も月の夜也けり
susu kusaki tatami mo tsuki no yo nari keri


行雁がつくづく見るや煤畳
yuku kari ga tsuku-zuku miru ya susu tatami


and many more - 76 haiku
- translations by David Lanoue -


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Latest updates about Issa on facebook - CLICK to join !



. WKD : Kobayashi Issa 小林一茶 - Introduction .


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- quote -
Karei no Susuhaki 嘉例のすゝはき Seasonal Rite of Cleaning Up
- Utagawa Toyokuni III
This illustration shows the scene of Susuharai, the annual custom of indoor cleaning and the cleansing of shrines. In the Edo period, Susuharai was set to take place on December 13th and so this was a kind of Shinto event called such names as
'Jū san-nichi (13th) Sekku' 十三日節供(せっく).
The tradition called "Susuharai", or the year-end cleanup, was enjoyable only when all the work was finished. As it can be seen in this painting, people enjoyed eating onigiri (rice balls) and nishime (simmered vegetables) contained in a lacquered box. This was called "osame no iwai" (celebration of finishing the cleanup) at which the food and wines were offered to the people who joined the cleaning.
During the occasion, some people were being tossed in the air in celebration and others made a special performance. Indeed, this ukiyo-e depicts not only the occasion of "susuharai" actually held at the end of each year, but represents another meaning.
This nishiki-e (colored wood-block prints) was published in November, 1855 (Ansei 2), which was one month after the Ansei Earthquake. It has been pointed out that this painting has a purpose to let the public know of the fact that these actors survived the earthquake, as it can be understood that this depicts the neighborhood of Saruwaka-cho, as the rooftop of Sensōji and the five-story tower are painted behind two people. These two people in this painting were supposedly popular kabuki actors such as Nakamura Kantarō and Iwai Kumesaburō, as Shibai-machi was still in chaos.
- source : Tokyo Metropolitan Library -

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[ . BACK to WORLDKIGO . TOP . ]
- #susuharai -

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11/08/2013

ISSA - kumo spider

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. Kobayashi Issa 小林一茶 in Edo .





spiderweb in my garden, Gabi Greve 2005


. WKD : kumo 蜘蛛 spider, Spinne .
kigo for summer


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隅の蜘案じな煤はとらぬぞよ
sumi no kumo anji na susu wa toranu zo yo

Spiders in the corners,
Don't worry!
I'm not going to sweep them.

Tr. R. H. Blyth


Don't worry, spiders,
I keep house
casually.

Tr. Robert Hass


corner spider
rest easy, my soot-broom
is idle

Tr. David Lanoue


Spiders in the corner--
Don't you be anxious,
I won't break your webs.

Tr. Lewis MacKenzie


Spiders in the corrner
Don't worry!
I won't sweep your house

Tr. Nanao Sakaki


- quote
Recently, the Robert Hass 'version' of the subject Issa haiku was brought up in a mainstream poetry workshop I attend. One of the participants registered displeasure at the idea of people 'translating' poetry from languages they don't know.He didn't think such efforts should be called 'translations'. It was pointed out that Robert Lowell called his poetry translations 'imitations', and Hass calls his translations of haiku 'version', but that didn't mollify the participant.

So I sent a 'version' of the following as an email to the workshop leader, hopefully showing why a practicing, award-winning poet can be a better 'translator' of poetry even if the poet doesn't know the source language of the poetry being translated, than translators who do know the source language, but aren't poets themselves.

MORE
. Discussion of the translations - Larry Bole .


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蜘の子はみなちりじりの身すぎ哉
kumo no ko wa mina chirijiri no misugi kana

the spider's children
have all gone off
to earn a living

Tr. Addiss


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蜘の巣に月さしこんで夜のせみ
kumo no su ni tsuki sashikonde yoru no semi


むだにして蜘が下るや花御堂
muda ni shite kumo ga sagaru ya hanamidoo

- Translations by David Lanoue


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. WKD : Kobayashi Issa 小林一茶 - Introduction .


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