. Famous Places and Power spots of Edo 江戸の名所 .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Edo Tokyo Hyakkei 百景 100 views of Edo / Tokyo
Maybe the most famous is
Meisho Edo Hyakkei 名所江戸百景 One Hundred Famous Views of Edo
by 歌川広重 Utagawa Hiroshige
. . . CLICK here for more Photos !
One Hundred Famous Views of Edo (in Japanese 名所江戸百景 Meisho Edo Hyakkei)
is a series of ukiyo-e prints begun and largely completed by the Japanese artist Hiroshige (1797–1858). The prints were first published in serialized form in 1856–59, with Hiroshige II completing the series after Hiroshige's death. It was tremendously popular and much reprinted.
- - - Full list in the WIKIPEDIA !
12 . Uenoyama Shita 上野山した / 野山志た .
37 . Sumida-gawa Hashiba no kawaragama 墨田河橋場の渡かわら竈 .
95 . Maple Trees at Mama, Tekona Shrine and Linked Bridge 真間の紅葉手古那の社継はし .
103 . Kanasugi, Mikawashima 蓑輪金杉三河しま / 箕輪 金杉 三河しま .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Shin Tokyo Hyakkei 新東京百景 1928 - 1932
In 1928, a group of eight Japanese artists got together to produce a series of prints, called
Shin Tokyo Hyakkei, One Hundred Views of New Tokyo, New One Hundred Views of Tokyo
- quote
Shin Tokyo Hyakkei:
The Eastern Capital Revisited by the Modern Print Artists
by James B. Austin
In his introduction to the catalogue of modern Japanese prints exhibited at the Art Institute of Chicago early in 1960, Oliver Statler distinguishes four generation of sosaku hanga artists.
First came the pioneers, men such as Yamamoto Kanae and Tobari Kogan who pointed the way. Then came a second generation “who created a sound intellectual base for the movement, who fought through to recognition of their prints as serious art, and who, by their personal magnetism, attracted scores of younger artists.” This was the generation which began to reach artistic maturity in the early days of Showa. Though few of them had, at that time, achieved either the artistic freedom or personal style which was to characterize their later work, all were experimenting. Moreover, they were collectively striving to form some viable association which would solidify the movement and nurture its growth. These efforts, from the acceptance of such prints at the Government show of 1927 to the formation of the Nippon Hanga Kyokai in 1931, are described by Onchi in his Nippon Gendai Hanga (of which a partial translation in English appeared in Ukiyo-e Art, No. 11, 1965) and by Fujikake in his book, Japanese Wood-Block Prints (1938).
An interesting and revealing example of this tendency
was a group of eight artists who, in 1928, banded together to publish, over the next four years, a series of prints entitled Shin Tokyo Hyakkei (One Hundred Views of New Tokyo).
These artists were
Hiratsuka Un-ichi, Onchi Koshiro, Fukazawa Sakuichi, Kawakami Sumio, Maekawa Sempan, Fujimori Shizuo, Hemmi Takashi and Suwa Kanemori.
Hiratsuka recalls that this series was planned so that many aspects of Tokyo could be “remembered by people for a long time.” In this connection, one must keep in mind that much of Tokyo had been destroyed in the great earthquake and fire of 1923 so that the city and its life which the artists wished to depict were, in many respects, rather new.
One cannot help wondering whether they were intending, consciously or unconsciously, to record the current scene against the possibility of new disasters. They were, in a way, repeating what Hiroshige had done 75 years before in his Meisho Edo Hyakkei series.
01. HYAKKEN-TEN, SHIBUYA
13. ATAGOYAMA RADIO STATION
26. NIJUBASHI
39. BOTANICAL GARDENS, UENO
52. NIHONBASHI
64. AOYAMA CEMETARY
76. SHIBA ZOJOJI TEMPLE
89. SHIMBASHI EMBUJO
- - - - - look at the full list on this page
- source : myjapanesehanga.com/home...
..............................................................................................................................................
Another list of Tokyo 新東京百景一覧
compiled in 1982.
- - - List in the WIKIPEDIA !
. 73 田無山総持寺 Tanashisan Soji-Ji .
新東京百景 by 山口瞳 Yamaguchi Hitomi
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. . . CLICK here for more Photos !
Tokyo Shitamachi Hyakkei (Japanese Edition)
by Tsuchimochi Shinji
歌川広重の「名所江戸百景」をモチーフに、東京に今なお残る下町の風景を切り取ったつちもちしんじ「下町百景」シリーズ
"100 Views of Tokyo" gets the idea from "One Hundred Famous Views of Edo", Hiroshige Utagawa’s works.
These artworks were rendered views of extant old town in Tokyo. It published on the web and created a sensation until finish in 2016. We gather these works into one book. Moreover, we added newly drawn pictures like guide maps of 3 areas in Tokyo and 5 Views of Osaka.
This book is written in Japanese and English. Therefore this is the most suitable gift from Japan or for friends in Japan.
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
- - - To join me on facebook, click the image !
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
. Famous Places and Powerspots of Edo 江戸の名所 .
. Edo bakufu 江戸幕府 The Edo Government .
. Doing Business in Edo - 商売 - Introduction .
. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .
. senryu, senryū 川柳 Senryu poems in Edo .
. Japanese Architecture - The Japanese Home .
. Interior Design - The Japanese Home .
. Legends and Tales from Japan 伝説 - Introduction .
[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]
- - - - - #edohyakkei #tokyoshinhyakkei #shinhyakkei #onehundredviews - - - -
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
